Hybrid Organization in the Church: Hybrid Church as a Strategy for Public Engagement

2021 ◽  
Vol 15 (4) ◽  
pp. 554-574
Author(s):  
Richard Wilson
Keyword(s):  
Public Space ◽  
Public Engagement ◽  
Public Discourse ◽  
Public Spaces ◽  
Business Practices ◽  
Hybrid Organization ◽  
Local Business ◽  
The Creation ◽  
The Church

Abstract Hybrid churches adopt some local business practices and identities in order to create a place and role in secular public space for a public engagement.1 They use hospitality and embassy to challenge the basis of public engagement, discourse, objectives and goals. Hybrid organization alongside hospitality and embassy enables the creation of alternative public spaces in which engagement and discourse may take place according to an alternative communicative base to conventional public discourse, intentionally to critique secular conventions of public presence and discourse.

Exercising Power in the City

2020 ◽  
pp. 398-464
Author(s):  
Veronica West-Harling
Keyword(s):  
Public Space ◽  
Social Cohesion ◽  
Tenth Century ◽  
The Public ◽  
Patron Saint ◽  
The Creation ◽  
Sense Of Identity ◽  
The City

This chapter shows the exercising of power in action in the public space. It looks at who ‘owns’ this, the Christianization of it in Rome, and the increasing role of the papacy in appropriating and in running it, revalorizing it as part of Rome’s Christian past and present, expressed through pilgrimage. This appropriation is contested by the secular aristocracy, which in turn appropriates the public space and rewrites the topography of the city in the tenth century. The use of the public space as an area of either social cohesion or conflict is studied, through the ceremonies, elections, oaths, processions, assemblies, justice and defence meetings; but also riots, conspiracies, and contested elections. This space of cohesion or conflict is fundamental to the creation of the unity and sense of identity of the city, especially around the patron saint or, sometimes, around or indeed against an imperial ruler

Remarks on Conversation and Negotiated Collective Belief

2018 ◽  
Vol 35 ◽  
pp. 74-98
Author(s):  
Frederick F. Schmitt ◽  
Keyword(s):  
Public Space ◽  
Personal Connections ◽  
The Creation ◽  
Collective Belief

Gilbert (1989) and Gilbert and Priest (2013) have argued that paradigmatic conversations involve a collectivity of the conversers who participate in the conversation, in the sense that the conversers put forth and negotiate proposals of propositions to be collectively believed by them. Here I explore the plausibility of this Negotiated Collective Belief (NCB) thesis. I begin by supporting a more basic claim, that the nature of conversation itself entails that a conversation always involves a collectivity of the conversers. I then endorse and supplement Gilbert and Priest’s argument for the NCB thesis. I trace resistance to the thesis to the view that collective belief plays no important role in two primary social ends of conversation, exchanging information and making personal connections. I concede that this is so, but I endorse the view (with roots in Taylor 1985) that collective belief does play an important role in a different primary social end of conversation, the creation of a public space of thought. Thus, the NCB thesis is supported by argument and contributes to an explanation of how conversation fulfills one of its primary social ends.

scholarly journals An attempt of creating new museum narratives by the example of the exhibition project «Shevchenko by the urban tongue»

2021 ◽  
pp. 112-123
Author(s):  
Mykhailo Zubar ◽  
◽  
Oleh Mahdych ◽  
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Historical Period ◽  
The Public ◽  
New Public ◽  
New Meanings ◽  
Process Of Urbanization ◽  
The Creation ◽  
The City ◽  
Ukrainian Society

Taras Shevchenko is one of the most researched and discussed figures in Ukrainian society. In each historical period receptions and assessments around Shevchenko` personality differentiates, depending on the public circumstances or prevailing trends in humanitarian discourse. These perceptions swayed between positive and critical judgment. Authors identified several key perceptions of Shevchenko in Ukrainian public space, for instance, «national hero», «father of the nation», «poet», «revolutionary democrat». In their opinion, modern Ukraine still faces the search for Shevchenko` new image. New forms of public honour (commemoration) are being developed, including through museum exhibition projects. Authors also analyze the significance of the museum narrative expositions and exhibitions for the creation of new public images, giving the example of the exhibition project «Shevchenko by the urban tongue», which took place in the Taras Shevchenko national museum from November 4th to January 31th in 2021. Curators attempted to explore how personal experience in the city changed due to the process of urbanization from the XIX-th century and how the urban space influenced the shaping of the Taras Shevchenko figure. Specifically, in the XIX-th century, cities ultimately transformed into an environment, which created trends, emphases of the global public development that influenced Shevchenko, since exactly in the city he gained domestic freedom, profession and widened his social circle. The city gave him a sense of understanding of the culture, its influence and importance not only for consumer purposes or acceptance but also for the creation of new meanings. According to the authors, this approach allows us to better understand the significance of Taras Shevchenko, his connection to modern Ukrainian realities and world context.

scholarly journals The Creation of À Punt Mèdia (2013-19) as new Public Space for Communication

2019 ◽  
Author(s):  
M Soler-Campillo ◽  
E Galán Cubillo ◽  
J Marzal-Felici
Keyword(s):  
Public Space ◽  
New Public ◽  
The Creation

scholarly journals Urban Oasis: an integrated water shelter and city-scape beacon

2017 ◽  
Vol 2 (1) ◽  
pp. 135 ◽  
Author(s):  
Victoria Masterman ◽  
Lauren Heritage-Brand
Keyword(s):  
Public Space ◽  
Natural Resource ◽  
Integrated Design ◽  
Design Solution ◽  
Urban Landscapes ◽  
User Friendliness ◽  
Integrated Network ◽  
Urban Planning And Design ◽  
The Creation ◽  
Future Demands

<p>Urban densification and a global shift towards the creation of walkable neighbourhoods have generated demand for more sustainable transport models and supporting infrastructure. Transforming streetscapes from car dominated spaces to places for people. A review of public space allocation in streets demonstrates the need to re-prioritise and re-organise streets to provide improved infrastructure to meet present and future demands on transport corridors.<br />This paper proposes the creation of, an integrated design solution in the form of an urban 'Oasis' that provides a network of on street facilities for cyclists and pedestrians. Planning the network of ‘Oasis’ is informed by the principal of Link and Place creating a visual balance between vehicles and other street users while promoting sustainable ideologies. The 'Oasis' presents itself as a multi-purpose drink station, bus shelter, public seating area, bike rack, public art piece and environmental education tool that, at its core functionality, captures, stores and purifies rainwater so that commuters can park, rest and access water after a walk or ride to the station.<br />The paper explores available technologies and a range of modular adaptable designs to suit various urban landscapes. An integrated network of ‘Oasis’ transforms the street combining furniture combining cycling and pedestrian facilities, comfort and user friendliness, in a unique and attractive form. The development of the Oasis, draws on a range of fields including urban planning and design, landscape architecture, natural resource management, urban water engineering, digital communications and technologies and the visual arts.<br />This research demonstrates the potential flow-on benefits of the Oasis including improved road safety, increased patronage on public transport, increase in cycling, improved natural resource education and management, improved sense of place and foster community building.</p>

scholarly journals Memory dynamics in times of crisis: An interview with Sarah Gensburger

2021 ◽  
Vol 14 (6) ◽  
pp. 1388-1400
Author(s):  
Stef Craps ◽  
Catherine Gilbert
Keyword(s):  
Political Science ◽  
Public Space ◽  
Social Dynamics ◽  
Terrorist Attacks ◽  
The Past ◽  
The Social ◽  
The Future ◽  
Local Space ◽  
The Creation

Working at the intersection of political science, ethnographic sociology, and contemporary historiography, Sarah Gensburger specializes in the social dynamics of memory. In this interview, she talks about her book Memory on My Doorstep: Chronicles of the Bataclan Neighborhood, Paris 2015–2016, which traces the evolving memorialization processes following the 2015 terrorist attacks in Paris, their impact on the local landscape, and the social appropriations of the past by visitors at memorials and commemorative sites. She also discusses her new project Vitrines en confinement—Vetrine in quarantena (“Windows in Lockdown”), which documents public responses to the coronavirus pandemic from different sites across Europe through the creation of a photographic archive of public space. The interview highlights issues around the immediacy of contemporary memorialization practices, the ways in which people engage with their local space during times of crisis, and how we are all actively involved in preserving memory for the future.

scholarly journals A rua é nossa: as intervenções urbanas do coletivo lesbiano Velcro Choque (Brasil) e as subjetividades libertárias

2020 ◽  
Vol 2 (2) ◽  
pp. 68-106
Author(s):  
Débora Machado Visini
Keyword(s):  
Public Sphere ◽  
Public Space ◽  
The Public ◽  
Spatial Practice ◽  
The Creation ◽  
The Public Sphere ◽  
And Gender ◽  
The City

O presente artigo investiga as intervenções urbanas – pertencentes a um grupo composto por muitas manifestações artísticas realizadas no espaço público – que dialogam com a cidade. Compreendidas como práticas artísticas e socioespaciais, as intervenções urbanas do coletivo lesbiano Velcro Choque (Brasil) são analisadas a partir das potências que surgem com a ocupação das ruas da cidade e da esfera pública, já que tal ato coloca em cheque normas e narrativas históricas, que serão apontadas a partir do viés da crítica feminista da cultura. Conforme mostra a prática do coletivo, o artivismo associado aos feminismos e às dissidências sexuais e de gênero podem oportunizar a criação de subjetividades libertárias e formas de existência e resistência através das produções coletivas nas artes visuais.Palavras-chave: Cidade. Intervenção Urbana. Feminismos. Artivismo. AbstractThis paper investigates urban interventions – belonging to a group composed of many artistic manifestations carried out in the public space – that dialogue with the city. Understanding the urban interventions as an artistic and socio-spatial practice, the production of the lesbian collective Velcro Choque (Brazil) will be analyzed based on the potency that emerges with the occupation of the streets and the public sphere, since this act can put in check historical norms and narratives, which will be pointed out from the bias of the feminist critic of the culture. As the practice of the collective shows, artivism associated with feminism, sexual and gender dissidences can create opportunities for the creation of libertarian subjectivities and forms of existence and resistance through collective productions in the visual arts.Keywords: City. Urban Interventions. Feminisms. Artivism.

scholarly journals 'La Escocesa': A fabric of Images

2017 ◽  
Vol 7 (1) ◽  
pp. 31-42
Author(s):  
Placido Munoz Moran
Keyword(s):  
Public Space ◽  
Street Art ◽  
Local Council ◽  
Central Focus ◽  
Art Scene ◽  
The Creation ◽  
The City

The banning of the practice of graffiti in public space since the approval of the civic regulation in 2006 has restricted the production of graffiti artworks in Barcelona. It transformed and coerced the local graffiti and street art scene towards new forms of production in the city, which are the central focus of this article.  ‘La Escocesa: A factory of images’, is based on my dialogues with the resident graffiti artists of the art centre ‘La Escocesa’ in ‘Poble Nou’. Some of these artists participated in both the creation of the graffiti scene in the 90s and the development of this practice in the city. Today they are recognized artistic figures of the local and international graffiti scene. I shared with some of these graffiti artists in the art centre some of my fieldwork experiences in connection with other local artists and representatives of the local council. In addition, I also opened up dialogues with them using anthropological examples about art and artists, the city and the space. The following section contains part of the conversations, reflexions and debates that we had.

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