Musical Note Attacks Description in Reverberant Environments

Author(s):  
Thiago de Almeida Magalhães Campolina ◽  
Mauricio Alves Loureiro
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Marcin Szeliga ◽  
Zsolt Kasztovszky ◽  
Grzegorz Osipowicz ◽  
Veronika Szilágyi

Abstract The inflow of the Carpathian obsidian into the areas on the northern side of the Carpathians and the Sudetes is confirmed as early as in the Palaeolithic. However, its greatest intensity occurred in the Early Neolithic, i. e. in the late 6th and in the first half of 5th millennia BC. During that period, the phenomenon was closely related with the development of the Danubian cultural groups in the upper Vistula river basin, including especially Linear Pottery culture (LBK) and Malice Culture. The constant presence of this raw material products in mentioned areas is documented from the classical (musical-note) phase of LBK, constituting one of the most expressive pieces of evidence of permanent and intense intercultural contacts with communities of the northern Carpathian Basin. This phenomenon has been repeatedly emphasized in the literature. One of the most numerous LBK obsidian inventories in the upper Vistula river basin was obtained at site 6 in Tominy, located in southern Poland, in the non-loess zone of the Sandomierz Upland northern foreground. The above-mentioned collection, its non-destructive elemental analysis, using Prompt Gamma Activation Analysis (PGAA) and also traceological analysis, is the subject of this article. The results supplement the published data to a significant extent, simultaneously providing partial verification and updating of the current state of knowledge on the basic issues related to the Early Neolithic obsidian inflow into areas located North of the Carpathians, including primarily the origin of the raw material, the scale of its processing and distribution ways, as well as the range of its use by the LBK communities.


Author(s):  
Marwan Yusuf ◽  
Emmeric Tanghe ◽  
Brecht De Beelde ◽  
Pierre Laly ◽  
Matteo Ridolfi ◽  
...  

The author recites the experiments of Messrs. Marrian, Beatson, Wertheim and De la Rive on the phenomenon made known some years ago, that soft iron when magnetized emitted a sound or musical note. He also mentions an experiment of his own, published in January 1845, where a tube was filled with the liquid in which magnetic oxide had been prepared, and surrounded by a coil; this showed, to a spectator looking through it, a considerable increase of the transmitted light when the coil was electrized.


2021 ◽  
pp. 030573562110316
Author(s):  
Elena Saiz-Clar ◽  
Miguel Ángel Serrano ◽  
José Manuel Reales

The relationship between parameters extracted from the musical stimuli and emotional response has been traditionally approached using several physical measures extracted from time or frequency domains. From time-domain measures, the musical onset is defined as the moment in that any musical instrument or human voice issues a musical note. The onsets’ sequence in the performance of a specific musical score creates what is known as the onset curve (OC). The influence of the structure of OC on the emotional judgment of people is not known. To this end, we have applied principal component analysis on a complete set of variables extracted from the OC to capture their statistical structure. We have found a trifactorial structure related to activation and valence dimensions of emotional judgment. The structure has been cross-validated using different participants and stimuli. In this way, we propose the factorial scores of the OC as a reliable and relevant piece of information to predict the emotional judgment of music.


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