Reconstructing Argumentative Discourse with the Help of Speech Act Conditions

Author(s):  
Frans H. van Eemeren ◽  
Bart Garssen
Author(s):  
Matthias Kettner

The German philosopher Karl-Otto Apel is best known for his wide-ranging ‘transcendental pragmatic’ approach to a gamut of issues in theoretical and practical philosophy. This approach accords ‘argumentative discourse’ and its essential normative presuppositions a foundational role within all other philosophical inquiries for which justifiable validity claims are raised, for example epistemology, normative theories of rationality, Critical Theory and ethics. If there are such presuppositions then any interlocutor’s communicative intention to waive them will clash with the construal of that debate as rationally meaningful, since it involves the interlocutor in a kind of inconsistency that Apel (like Habermas), drawing on speech-act theory, conceptualizes as a ‘performative self-contradiction’. Apel (unlike Habermas) develops this concept into the doctrine of rationally definitive justification (Letztbegründung). Apel deserves to be better known as the originator of discourse ethics (Diskursethik), whose central contention (that some presuppositions of discourse have universally valid moral content) he developed in the mid-1960s.


Argumentation ◽  
1989 ◽  
Vol 3 (4) ◽  
pp. 367-383 ◽  
Author(s):  
Frans H. van Eemeren ◽  
Rob Grootendorst

2019 ◽  
Vol 3 (2) ◽  
pp. 109-122
Author(s):  
Cita Mustika Kusumah

This research aims to describe and give an overview of the use of sexual euphemism in pop and hip hop lyric songs to avoid taboo words which are usually unfreely to mention in public. The researcher uses qualitative method and descriptive method to analyze the data. The researcher uses forty songs consist of twenty pop songs and twenty hip hop songs to be analysed. From forty songs, the researcher finds ninety seven data. Researcher believes the data are found to contain sexual euphemism in the utterance that included in pragmatic study.Researcher describes and analyzes every single of data that are included the theory of Allan and Buridge (1991). From the research data, the researcher found that there is a differential usage of sexual euphemism in pop and hip hop which is sexual euphemism in sexual activity appears more frequently in pop songs and sexual euphemism in sexual body parts appears more frequently in hip hop songs. Both pop and hip hop songs use representative speech act more frequently than directive speech act. Euphemism was used in the lyrics to avoid words that are considered taboo in some communities.Keywords: speech act, sexual euphemismINTRODUCTIONIn


2020 ◽  
Author(s):  
Ankov Andrey Aleksandrovich
Keyword(s):  

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