International Aspects of Academic Work and Career at the Beginning of the Twenty-First Century

Author(s):  
Michele Rostan

Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition--the first new edition in almost twenty years--reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumesAt well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment-including expert synthesis and indispensable bibliographies-than conventional handbooks or dictionaries.This is a work that no reader or writer of poetry will want to be without.


2020 ◽  
Vol 7 (1-2) ◽  
pp. 91-108
Author(s):  
Casci Ritchie

Minneapolis-born Prince Rogers Nelson is often revered as one of the most influential figures in twenty-first-century popular culture. A true provocateur, Prince consistently challenged perceptions of gender and sexuality throughout his career, which spanned over four decades. Since his untimely passing on 21 April 2016, not only have fans around the world celebrated the musician’s life, but his oeuvre, representation and style have garnered increasing critical academic attention. This article will contribute to this burgeoning body of academic work on Prince and his lasting legacy, through a focus upon tracing the development of Prince’s iconic sartorial style, from his debut release For You (1978) to the worldwide success of his thirteenth studio album, Diamonds and Pearls (1991). Throughout this period, Prince aroused, entertained and shocked audiences simultaneously. Whilst critical attention has been paid to his music, background and identity, there remains comparatively little academic work focusing specifically and in detail upon his garments and style. This article will chart the emerging custom designed and created style of Prince through sequential album eras, focusing on important garments worn throughout music videos, concerts and album art.


2018 ◽  
pp. 204-210
Author(s):  
Donald Westbrook

This conclusion offers reflections on the future of Scientology and its academic study. As the Church of Scientology advances further into the twenty-first century, it is likely that scholars of Dianetics and Scientology will include both insiders and outsiders, a trend that is also discernible in “older” and “newer” religious history. The rise and success of Mormon studies is taken up as one instructive example. In much the same way, Scientology studies may in the coming decades become an independent field of inquiry on the religious studies landscape, in which case there will be ample room for academic work along various disciplinary lines. Open areas of research are suggested, including an academic biography of Hubbard, forms of Dianetics and Scientology practiced outside the church, and fuller investigation of Scientology’s origins, theology, and practices.


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