Colonial Law, Dominant Discourses, and Intergenerational Trauma

2017 ◽  
pp. 697-709
Author(s):  
Rawiri Waretini-Karena
Keyword(s):  
Intergenerational Trauma ◽  
Dominant Discourses

Carnival exhausted: Roguishness and resistance in W. G. Sebald

2019 ◽  
Vol 49 (1) ◽  
pp. 48-69
Author(s):  
Ivan Stacy
Keyword(s):  
Prose Fiction ◽  
Form Part ◽  
Dominant Discourses ◽  
The Way

This article examines the under-acknowledged presence of carnivalesque elements in W. G. Sebald’s prose fiction. While the carnivalesque holds a less prominent position than melancholy in Sebald’s work, it is nevertheless a persistent aspect, although its presence decreases in his later texts and is almost entirely absent from Austerlitz. The article argues that these elements form part of Sebald’s resistant stance towards the dominant discourses of modernity. On this basis, the article discusses the carnivalesque in Vertigo, The Emigrants and The Rings of Saturn from two perspectives. First, it examines the presence of carnivalesque figures and locations, arguing that these are evidence of carnival’s exhaustion, and of the way that modernity has closed down the possibility of licensed transgression. Second, it argues that the narrators themselves are duplicitous, ‘masked’ figures whose inconsistencies and ethical transgressions are central to Sebald’s project of unbinding modern subjectivity.

Indigenous and Deaf People and the Implications of Ongoing Practices of Colonization: A Comparison of Australia and Canada

2021 ◽  
pp. 016059762110015
Author(s):  
Tracey A. Bone ◽  
Erin Wilkinson ◽  
Danielle Ferndale ◽  
Rodney Adams
Keyword(s):  
Indigenous Peoples ◽  
Deaf Education ◽  
Academic Community ◽  
Intergenerational Trauma ◽  
Mental Wellbeing ◽  
Deaf People ◽  
Deaf Community ◽  
Transgenerational Trauma ◽  
Minority Communities ◽  
The Impact

In the growing field of colonial and anti-colonial research, many parallels have been drawn between Westernized countries including Australia and Canada. In both of these countries, there is considerable academic, community and governmental recognition of historic, and continuing, colonizing of Indigenous peoples and the subsequent impacts on Indigenous cultures. Terms such as transgenerational trauma and intergenerational trauma give language to the ongoing impact of colonization on communities, which in turn serves to legitimize the need for mental wellbeing supports and associated funding. However, there are other minority communities that are similarly oppressed and colonized but do not experience the same legitimization. One such community is the Deaf community. Deaf people continue to experience systemic oppression and colonization within our hearing centric society. Building on the work of Batterbury, Ladd and Gulliver (2007), we extend discussions on the parallels between Indigenous and Deaf communities of Australia and Canada, drawing on the established and commonly discussed link between the impact of racism and colonization on (mental) health. We connect these discussions to modern instances of colonization including the aspect of deaf education to illustrate a “living” mechanism through which colonization continues to impact mental wellbeing in the broader Deaf community.

scholarly journals Writing about listening: alternative discourses in rock journalism

Popular Music ◽  
2009 ◽  
Vol 28 (1) ◽  
pp. 53-67 ◽  
Author(s):  
CHRIS ATTON
Keyword(s):  
Field Theory ◽  
Social Practices ◽  
Alternative Music ◽  
Dominant Discourses ◽  
Alternative Discourses

Abstract‘Alternative’ publications challenge the conventional discourses of rock journalism. In particular, the dominant discourses of authenticity, masculinity and mythology might be countered by publications that emphasise historical and (sub)cultural framing, and that present radicalised ‘spaces of listening’. Using Bourdieu’s field theory to identify autonomous and semi-autonomous sites for rock criticism, the paper compares how a fanzine (the Sound Projector) and what Frith has termed an ideological magazine (the Wire) construct their reviews. The findings suggest that, whilst there is no evidence for an absolute break with the dominant conventions of reviewing, there is a remarkable polyglottism in alternative music reviewing. The paper emphasises differing cultural and social practices in the multiple ways the publications write about music, and argues for the value of such polyglottism.

Historical and Intergenerational Trauma: Indigenous Populations

2021 ◽  
Author(s):  
Laurie A. Walker ◽  
Turquoise Skye Devereaux
Keyword(s):  
Sexual Abuse ◽  
Social Construction ◽  
Settler Colonialism ◽  
Historical Trauma ◽  
Intergenerational Trauma ◽  
Indigenous Populations ◽  
The Social ◽  
Subordinate Group ◽  
Trauma Informed ◽  
Physical And Sexual Abuse

Historical trauma originated with the social construction of subordinate group statuses through migration, annexation of land, and colonialism. The consequences of creating subordinate group statuses include genocide, segregation, and assimilation. Settler colonialism takes land with militaristic control, labels local inhabitants as deviant and inferior, then violently confines and oppresses the original occupants of the land. Confinement includes relocation, restriction of movement, settlement of lands required for sustenance, as well as confinement in orphanages, boarding schools, and prisons. Historical trauma includes suppression of language, culture, and religion with the threat of emotional, physical, and sexual abuse. Original inhabitant abuse often results in issues with health, mental health, substance abuse, and generational emotional, physical, and sexual abuse. Culturally safe (engagement that respects identity) and trauma-informed social work practices acknowledge the systemic causes of disparities in groups experiencing marginalization and oppression and focus on healing and addressing systemic causes of disparities.

A Battle for Sovereignty

2021 ◽  
Vol 45 (3) ◽  
pp. 361-386
Author(s):  
Aleksandar Pavlović ◽  
Gazela Pudar Draško ◽  
Jelena Lončar
Keyword(s):  
Cultural Heritage ◽  
Institutional Design ◽  
Legal Framework ◽  
Resistance Mechanisms ◽  
Dominant Discourses ◽  
International Peacebuilding ◽  
Two Sides

Abstract This article examines the role, status and perceptions of the Serbian cultural heritage in Kosovo from both Kosovo Albanian and Serbian perspectives. The analysis focuses on two cases, which attracted particular resistance on each of the two sides: the passing of legislation in the Kosovar parliament in 2012 that aimed to protect Serbian cultural heritage and the 2015 unsuccessful Kosovo bid for unesco membership. Both moments demonstrate how cultural heritage is primarily approached from the statehood perspective and used to additionally deepen inter-ethnic distances. The authors shed more light on the discrepancies between the international peacebuilding efforts and the internationally imposed legal framework, challenging the reduction of the peacebuilding efforts to institutional design, while dominant discourses of both Serbian and Albanian elites essentially deepen the enmity and serve as resistance mechanisms to the international peacebuilding strategies.

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