Color Calibration and Color Management in Digital Camera

Author(s):  
Songhua He ◽  
Zhen Liu ◽  
Lijie Wang
2019 ◽  
Vol 2019 (1) ◽  
pp. 80-85
Author(s):  
Pooshpanjan Roy Biswas ◽  
Alessandro Beltrami ◽  
Joan Saez Gomez

To reproduce colors in one system which differs from another system in terms of the color gamut, it is necessary to use a color gamut mapping process. This color gamut mapping is a method to translate a specific color from a medium (screen, digital camera, scanner, digital file, etc) into another system having a difference in gamut volume. There are different rendering intent options defined by the International Color Consortium [5] to use the different reproduction goals of the user [19]. Any rendering intent used to reproduce colors, includes profile engine decisions to do it, i.e. looking for color accuracy, vivid colors or pleasing reproduction of images. Using the same decisions on different profile engines, the final visual output can look different (more than one Just Noticeable Difference[16]) depending on the profile engine used and the color algorithms that they implement. Profile performance substantially depends on the profiler engine used to create them. Different profilers provide the user with varying levels of liberty to design a profile for their color management needs and preference. The motivation of this study is to rank the performance of various market leading profiler engines on the basis of different metrics designed specifically to report the performance of particular aspects of these profiles. The study helped us take valuable decisions regarding profile performance without any visual assessment to decide on the best profiler engine.


2010 ◽  
Vol 44-47 ◽  
pp. 3706-3710
Author(s):  
Han Kun Ye

Digital camera is the one of the main devices in the computer and multimedia technology and its color management model is the key to guarantee the color consistency in the succedent image production and transfers. The paper presents a color conversion model for digital camera based on polynomial curve generation. First, color rendering principle of digital camera is analyzed. Then digital camera data is pretreated to a unitary field to deduce final model. Third, standard color target is taken for experimental sample and substitutes color blocks in color shade district for complete color space to solve the difficulties of experimental color blocks selecting; Fourth, the model using polynomial curve generation algorithm to correct color error is deduced; Finally, the realization and experiment results show that, compared with some methods which have relatively high accuracy, the algorithm can improve color conversion accuracy and can satisfy the engineering requirement in digital camera color management


2011 ◽  
Vol 222 ◽  
pp. 98-101
Author(s):  
M. Kretkowski ◽  
Ryszard Jabłoński ◽  
Y. Shimodaira

This paper presents the development of a color calibration method based on spectrally reproduced colors produced by multi-primary color narrow-band LED’s. The additive mixture of the primary colors can spectrally reproduce an object color. This approach has been used in our work to overcome the insufficient calibration results obtained by commonly used color targets such as the Macbeth Chart. The method has been tested using a developed prototype of digitally controlled light source calibrated to simulate object color under D65 Daylight standard illumination. The method allows for obtaining of the average color difference for the calibrated XYZ camera of ∆E=0.79 and shows significant improvement in comparison with calibration using standard Macbeth (∆E=1.47). Moreover, we explain the advantages of color calibration with usage of multi-primary light source with regard to the amount of the primary colors.


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