Software testing and Android applications: a large-scale empirical study

2021 ◽  
Vol 27 (2) ◽  
Author(s):  
Fabiano Pecorelli ◽  
Gemma Catolino ◽  
Filomena Ferrucci ◽  
Andrea De Lucia ◽  
Fabio Palomba
2012 ◽  
Vol 7 (2) ◽  
pp. 676-690 ◽  
Author(s):  
Seungwon Shin ◽  
Guofei Gu ◽  
Narasimha Reddy ◽  
Christopher P. Lee
Keyword(s):  

Author(s):  
Xin (Shane) Wang ◽  
Shijie Lu ◽  
X I Li ◽  
Mansur Khamitov ◽  
Neil Bendle

Abstract Persuasion success is often related to hard-to-measure characteristics, such as the way the persuader speaks. To examine how vocal tones impact persuasion in an online appeal, this research measures persuaders’ vocal tones in Kickstarter video pitches using novel audio mining technology. Connecting vocal tone dimensions with real-world funding outcomes offers insight into the impact of vocal tones on receivers’ actions. The core hypothesis of this paper is that a successful persuasion attempt is associated with vocal tones denoting (1) focus, (2) low stress, and (3) stable emotions. These three vocal tone dimensions—which are in line with the stereotype content model—matter because they allow receivers to make inferences about a persuader’s competence. The hypotheses are tested with a large-scale empirical study using Kickstarter data, which is then replicated in a different category. In addition, two controlled experiments provide evidence that perceptions of competence mediate the impact of the three vocal tones on persuasion attempt success. The results identify key indicators of persuasion attempt success and suggest a greater role for audio mining in academic consumer research.


Author(s):  
Emanuele Iannone ◽  
Roberta Guadagni ◽  
Filomena Ferrucci ◽  
Andrea De Lucia ◽  
Fabio Palomba

1998 ◽  
Vol 16 (1) ◽  
pp. 119-134 ◽  
Author(s):  
Carol L. Krumhansl

This study examines possible parallels between large-scale organization in music and discourse structure. Two experiments examine the psychological reality of topics in the first movements of W. A. Mozart's String Quintet No. 3 in C major, K. 515, and L. van Beethoven's String Quartet No. 15 in A minor, Op. 132. Listeners made real-time judgments on three continuous scales: memorability, openness, and amount of emotion. All three kinds of judgments could be accounted for by the topics identified in these pieces by Agawu (1991) independently of the listeners' musical training. The results showed hierarchies of topics. However, these differed for the three tasks and for the two pieces. The topics in the Mozart piece appear to function as a way of establishing the musical form, whereas the topics in the Beethoven piece are more strongly associated with emotional content.


IEEE Software ◽  
2014 ◽  
Vol 31 (2) ◽  
pp. 78-86 ◽  
Author(s):  
Israel J. Mojica ◽  
Bram Adams ◽  
Meiyappan Nagappan ◽  
Steffen Dienst ◽  
Thorsten Berger ◽  
...  

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