scholarly journals From groundlessness—to freedom: The theme of ‘awakening’ in the thought of Lev Shestov

2021 ◽  
Author(s):  
Marina G. Ogden
Keyword(s):  
Greek Philosophy ◽  
Life And Death ◽  
Creative Transformation ◽  
Russian Philosopher ◽  
History Of ◽  
Necessary Truths ◽  
Lev Shestov ◽  
Developmental Characteristics ◽  
Main Ideas ◽  
P 53

AbstractThe philosopher Lev Shestov aimed to establish a new free way of thinking, which manifested itself as a struggle against the delusion that we have a rational grasp of the necessary truths on matters that are of the greatest importance to us, such as the questions of life and death. Philosophy, as the Russian philosopher understood it, is not pure thinking, but ‘some kind of inner doing, inner regeneration, or second birth’ (Shestov in Lektsii po Istorii Grecheskoi Filosofii [Lectures on the history of Greek philosophy], YMCA-PRESS, Moscow, 2001, p. 53). Having adopted the notion of the ‘regeneration of one’s convictions’ from Dostoevsky’s vocabulary in his earlier works, Shestov developed the idea of ‘awakening’ further in his mature thought, in which the motif of ‘awakening’ comprised one of the main ideas of his philosophy: the fight for the individual’s right to freedom and to creative transformation at a time when she is in despair or on the brink of death. In this article, I analyse Shestov’s idea of ‘awakening’ as one of the key tropes and developmental characteristics of his philosophical vision. In particular, I argue that, having stemmed from Shestov’s earlier interpretations of Dostoevsky, Shakespeare and Plotinus, in his later writings, the notion of ‘awakening’—the possibility of a fundamental, inner transformation of one’s worldview (probuzhdenie, pererozhdenie)—marked the beginning of a new salvific mode in his writing.

Eternity

2018 ◽  
Author(s):  
Eleonore Stump ◽  
Norman Kretzmann
Keyword(s):  
Philosophy Of Religion ◽  
History Of Philosophy ◽  
Human Freedom ◽  
Greek Philosophy ◽  
Medieval Philosophy ◽  
Divine Omniscience ◽  
History Of ◽  
Necessary Truths ◽  
Temporal Location

The distinctive, philosophically interesting concept of eternity arose very early in the history of philosophy as the concept of a mode of existence that was not only beginningless and endless but also essentially different from time. It was introduced into early Greek philosophy as the mode of existence required for fundamental reality (being) contrasted with ordinary appearance (becoming). But the concept was given its classic formulation by Boethius, who thought of eternity as God’s mode of existence and defined God’s eternality as ‘the complete possession all at once of illimitable life’. As defined by Boethius the concept was important in medieval philosophy. The elements of the Boethian definition are life, illimitability (and hence duration), and absence of succession (or timelessness). Defined in this way, eternality is proper to an entity identifiable as a mind or a person (and in just that sense living) but existing beginninglessly, endlessly and timelessly. Such a concept raises obvious difficulties. Some philosophers think the difficulties can be resolved, but others think that in the light of such difficulties the concept must be modified or simply rejected as incoherent. The most obvious difficulty has to do with the combination of atemporality and duration. Special objections have arisen in connection with ascribing eternality to God. Some people have thought that an eternal being could not do anything at all, especially not in the temporal world. But the notion of an atemporal person’s acting is not incoherent. Such acts as knowing necessary truths or willing that a world exist for a certain length of time are acts that themselves take no time and require no temporal location. An eternal God could engage in acts of cognition and of volition and could even do things that might seem to require a temporal location, such as answering a prayer. The concept of God’s eternality is relevant to several issues in philosophy of religion, including the apparent irreconcilability of divine omniscience with divine immutability and with human freedom.

Rites of Passage

2018 ◽  
Author(s):  
Axel Michaels
Keyword(s):  
Life Cycle ◽  
Old Age ◽  
Sexual Maturity ◽  
Rites Of Passage ◽  
Life And Death ◽  
Transformational Process ◽  
Local Contexts ◽  
Vulnerable Community ◽  
History Of ◽  
The Individual

This chapter examines the classical Hindu life-cycle rites, the term saṃskāra and its history, and the main sources (Gṛhyasūtras and Dharma texts). It presents a history of the traditional saṃskāras and variants in local contexts, especially in Nepal. It describes prenatal, birth and childhood, initiation, marriage, old-age, death, and ancestor rituals. Finally, it analyzes the transformational process of these life-cycle rituals in the light of general theories on rites of passage. It proposes, in saṃskāras, man equates himself with the unchangeable and thus seems to counteract the uncertainty of the future, of life and death, since persons are confronted with their finite existence. For evidently every change, whether social or biological, represents a danger for the cohesion of the vulnerable community of the individual and society. These rituals then become an attempt of relegating the effects of nature or of mortality: birth, teething, sexual maturity, reproduction, and dying.

The Ontological Work of Genre and Place: Wuthering Heights and the Case of the Occulted Landscape

2021 ◽  
Vol 49 (1) ◽  
pp. 107-138
Author(s):  
Lauren M. E. Goodlad
Keyword(s):  
Crime Fiction ◽  
Trade Flows ◽  
Uneven Development ◽  
Sense Making ◽  
Narrative Fiction ◽  
World Systems ◽  
Wuthering Heights ◽  
Life And Death ◽  
History Of ◽  
Atlantic Slavery

This essay shows how genre and place enable the “ontological reading” of narrative fiction. Such sense-making dialectics enable readers to infer the terms of existence that shape fictional worlds. World-systems thinkers have theorized the critical premise of material worlds shaped though ongoing processes of combined and uneven development. Ontological reading is a comparative practice for studying the narrative work of “figuring out” those processes—for example, through the “occulted landscapes” of Yorkshire noir. Emily Brontë's Wuthering Heights () can be likened to a species of crime fiction in prefiguring the “hardboiled” pull from epistemological certainty to ontological complication. Whereas David Peace's millennial Red Riding series of novels and films palimpsestically layers multiple pasts and presents, Wuthering Heights’ photomontage-like landscape airbrushes the seams of combined and uneven histories. Both narratives evoke moorland terrains conducive to a long history of woolens manufacturing reliant on the energized capital and trade flows of Atlantic slavery. Both works body forth occulted landscapes with the capacity to narrate widely: their troubling of ontological difference—between human and animal, life and death, past and present, nature and supernature—lays the ground for generically flexile stories of regional becoming. Ontological reading thus widens literary study.

‘Planets’ in Simplicius De caelo 471.1 ff.

1971 ◽  
Vol 91 ◽  
pp. 138-139 ◽  
Author(s):  
J. J. Hall
Keyword(s):  
Greek Philosophy ◽  
History Of

In four of the last five numbers of the JHS, Doctors D. R. Dicks and D. O'Brien have disputed about Simplicius De caelo 471.1 ff. (DK 12A19), which runs (in part, 471.2–6): καὶ γὰρ ἐκεῑ [i.e. ἐκ τῶν περὶ ἀστρολογίαν] περὶ τῆς τάξεως τῶν πλανωμένων καὶ περὶ μεγεθῶν καὶ ἀποστημάτων ἀποδέδεικται Ἀναξιμάνδρου πρώτου τὸν περὶ μεγεθῶν καὶ ἀποστημάτων λόγον εὑρηκότος, ὡς Εὔδημος ἱστορεῖ τὴν τῆς θέσεως τάξιν εἰς τοὺς Πυθαγορείους πρώτους ἀναψέρων. In his History of Greek philosophy (i 93), Professor Guthrie translates the latter part of this as follows: ‘(…speaking of the planets) “Anaximander was the first to discuss their sizes and distances, according to Eudemus, who attributes the first determination of their order to the Pythagoreans.”’ Guthrie, Dicks and O'Brien all agree that πλανωμένων is accurately translated as ‘planets’; they also evidently agree that Anaximander would not have distinguished the planets from the fixed stars, at least in this matter; and consequently Guthrie (op. cit. i 95) finds Simplicius' statement about Anaximander ‘confusing’; Dicks finds it ‘nonsensical’; and O'Brien speaks of Simplicius' ‘rather ragged context’, and supposes that Eudemus was actually speaking, not of planets, but of sun, moon and stars, i.e. that Simplicius has quite misrepresented his source.

scholarly journals History of Greek Philosophy: Thales to Democritus.

1924 ◽  
Vol 33 (4) ◽  
pp. 416
Author(s):  
Glenn R. Morrow ◽  
B. A. G. Fuller
Keyword(s):  
Greek Philosophy ◽  
History Of

Pilsēta Jāņa Hvoinska dzejā

2021 ◽  
pp. 233-242
Author(s):  
Anda Kuduma
Keyword(s):  
Concept Formation ◽  
Edmund Husserl ◽  
Artistic Style ◽  
Life And Death ◽  
Jean Paul ◽  
The World ◽  
Depth Dimension ◽  
Symbolic Images ◽  
Main Ideas ◽  
The City

The article is dedicated to the evaluation of creative work by poet and translator Jānis Hvoinskis, and it characterises the content and artistic qualities of Hvoinskis’s poetry process. The main focus is on the representation of the phenomenon of the city as an essential and characteristic poetic chronotope segment in Hvoinskis’s poetry. The study aims to identify and assess the characteristic kinds of city concept formation and their importance in building Hvoinskis’s artistic style. The article highlights and evaluates the techniques for designing the artistic structure of the indivisible chronotope in Hvoinskis’s poetry. This view is based on the fundamental principles of phenomenology, i.e., an individual phenomenon (phainómeno) is crucial in the reflection of consciousness, inner temporality, intentionality, intersubjectivity, and lifeworld. In turn, the highlight of poetry subject’s primary condition and existential motifs is logically linked to the main ideas of existentialism in their attitude towards the reason of an individual’s existence, relationships to life and death, freedom of will and choice, determinism. The study’s theoretical and methodological basis includes the ideas of phenomenology theoreticians (Edmund Husserl, Maurice Merleau-Ponty, and others) and the theories of existentialism philosophers (Søren Kierkegaard, Martin Heidegger, Jean-Paul Sartre). Hvoinskis’s poetry allows us to speak about a city as a concept, i.e., as a universal and capacious generalising notion (which includes images, notions, symbols) from which its associative components – poetry themes, motifs, images – derive. Thus, it is possible to speak about the depth dimension of the city phenomenon. The city phenomenon in Hvoinskis’s poetry is the landscape that has been adopted as the centre of the world of the lyric subject in both poetry collections that have come out to date: “Lietus pār kanālu e” (Rain over the Channel e, 2009) and “Mūza no pilsētas N” (Muse from City N, 2019). The depth dimension in Hvoinskis’s poetry appears in the natural synthesis of mythical and real chronotope, associatively impressive and plastic imagery, expressive style kindred to surrealism poetics. The city appears as a modernism project created by the logic of industrialisation, simultaneously revealing a metaphysical dimension where symbolic images as constituents of a myth preserve the memory of wholeness of the world. The emotional atmosphere of Hvoinskis’s poetry is defined by the highly existential atmosphere – despite the harsh indifference created by the city, the sadness of existential loneliness, social distance, and aversion towards life, the poet makes the tragic and ugly strangely appealing without losing the feeling of lightness and hope. The poet’s intense intuition and imagination exhibit the congeniality with the 20th-century French modernists. Hvoinskis’s poetry muse is death, which implies life.

Sons and Fathers in the Major Declamations Ascribed to Quintilian

1995 ◽  
Vol 13 (2) ◽  
pp. 179-192 ◽  
Author(s):  
Lewis A. Sussman
Keyword(s):  
Social History ◽  
Private Schools ◽  
History Of Rhetoric ◽  
Growing Up ◽  
Court Cases ◽  
Major Focus ◽  
Absolute Power ◽  
Male Adolescents ◽  
Life And Death ◽  
History Of

Abstract: A major focus of the school themes in the collections of Roman declamations knowrn as controversiae (practice court cases) is the period of a young man's adolescence, and especially his relationship with his father during this period. In part this can be explained because teachers in the private schools of rhetoric selected themes that naturally appealed to their students——male adolescents in their mid and late teens. This focus is especially notable in the Major Declamations, and since they are the only full examples of controversiae,the phenomenon can most easily be explored in reference to this werk. In its nineteen declamations youths are generally portrayed sympathetically, in contrast to their fathers who are often cruel and harsh. Relations between the two are generally very strained. The themes were popular because they reflected the reality of growing up in a paternally dominated society where fathers had absolute power(even of life and death) over their sons. These declamations therefore had a cathartic effect and escapist value fer Roman teenaged boys,who could vent or explore in legitimate and acceptable ways their repressed, pent-up, and often hostile feelings toward their fathers. The declamations therefore provide an important resource, when used judiciously, for associating social history with the history of rhetoric.

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