Pilsēta Jāņa Hvoinska dzejā

2021 ◽  
pp. 233-242
Author(s):  
Anda Kuduma
Keyword(s):  
Concept Formation ◽  
Edmund Husserl ◽  
Artistic Style ◽  
Life And Death ◽  
Jean Paul ◽  
The World ◽  
Depth Dimension ◽  
Symbolic Images ◽  
Main Ideas ◽  
The City

The article is dedicated to the evaluation of creative work by poet and translator Jānis Hvoinskis, and it characterises the content and artistic qualities of Hvoinskis’s poetry process. The main focus is on the representation of the phenomenon of the city as an essential and characteristic poetic chronotope segment in Hvoinskis’s poetry. The study aims to identify and assess the characteristic kinds of city concept formation and their importance in building Hvoinskis’s artistic style. The article highlights and evaluates the techniques for designing the artistic structure of the indivisible chronotope in Hvoinskis’s poetry. This view is based on the fundamental principles of phenomenology, i.e., an individual phenomenon (phainómeno) is crucial in the reflection of consciousness, inner temporality, intentionality, intersubjectivity, and lifeworld. In turn, the highlight of poetry subject’s primary condition and existential motifs is logically linked to the main ideas of existentialism in their attitude towards the reason of an individual’s existence, relationships to life and death, freedom of will and choice, determinism. The study’s theoretical and methodological basis includes the ideas of phenomenology theoreticians (Edmund Husserl, Maurice Merleau-Ponty, and others) and the theories of existentialism philosophers (Søren Kierkegaard, Martin Heidegger, Jean-Paul Sartre). Hvoinskis’s poetry allows us to speak about a city as a concept, i.e., as a universal and capacious generalising notion (which includes images, notions, symbols) from which its associative components – poetry themes, motifs, images – derive. Thus, it is possible to speak about the depth dimension of the city phenomenon. The city phenomenon in Hvoinskis’s poetry is the landscape that has been adopted as the centre of the world of the lyric subject in both poetry collections that have come out to date: “Lietus pār kanālu e” (Rain over the Channel e, 2009) and “Mūza no pilsētas N” (Muse from City N, 2019). The depth dimension in Hvoinskis’s poetry appears in the natural synthesis of mythical and real chronotope, associatively impressive and plastic imagery, expressive style kindred to surrealism poetics. The city appears as a modernism project created by the logic of industrialisation, simultaneously revealing a metaphysical dimension where symbolic images as constituents of a myth preserve the memory of wholeness of the world. The emotional atmosphere of Hvoinskis’s poetry is defined by the highly existential atmosphere – despite the harsh indifference created by the city, the sadness of existential loneliness, social distance, and aversion towards life, the poet makes the tragic and ugly strangely appealing without losing the feeling of lightness and hope. The poet’s intense intuition and imagination exhibit the congeniality with the 20th-century French modernists. Hvoinskis’s poetry muse is death, which implies life.

scholarly journals THE WORLD OF IMAGES IN SANTTU KARHU’S POETRY

2019 ◽  
Vol 13 (2) ◽  
pp. 248-257
Author(s):  
Natalia Valerievna Chikina
Keyword(s):  
Language Poetry ◽  
Language And Culture ◽  
Life And Death ◽  
Systemic Analysis ◽  
The World ◽  
The Subject ◽  
Symbolic Images ◽  
Good And Evil ◽  
Folk Poetry ◽  
Original Concept

The paper analyzes the works of a well-known poet and rock musician S. Karhu, who writes in the Karelian language. The aim of the study is to highlight the author’s artistic system of images. The following tasks were set for the study: to formulate the poet’s original concept, to scrutinize and comment on the images in Karhu’s lyrics. The object is verses from the first and so far only volume. The subject of the study is the specific ethnic traits of Karhu’s poetry, as seen in the system of images. Literary-historical and comparative methods were used in the analysis. The scientific novelty is in the absence of similar studies on the poet’s works. Systemic analysis of the ethnic sources, the evolution and genre choices of the Karelian language literature associated with the changing artistic consciousness are coming to the foreground in this time of global change, when preserving the people’s cultural heritage is especially important. The poet’s personal background has brought him into the sphere of artistic creativity, enabled him to verbalize the world of ethnic life that had been opened up to him. The article points out some specific features of the world of images, language and culture of the Karelian people. Karelian literature shows a tendency to use folklore heritage. The transformation of folk poetic symbolic images is arguably the most characteristic trait of folklorism in contemporary Karelian-language poetry, where folk poetry symbols tend to be equaled with the image of the native land. Karhu’s philosophical verses increasingly pose and confidently resolve the questions of good and evil, happiness and pain, life and death. It is essential for him that the character retains the folklore origins, for he deems it to be the spiritual source of modernity.

Being-In-Itself Revisited

Dialogue ◽  
1984 ◽  
Vol 23 (3) ◽  
pp. 397-406 ◽  
Author(s):  
Richard Holmes
Keyword(s):  
Edmund Husserl ◽  
Correct Description ◽  
Jean Paul ◽  
The World ◽  
The Moment

In the Introduction to Being and Nothingness, entitled “The Pursuit of Being”, Jean-Paul Sartre states that Edmund Husserl has misunderstood his own essential discovery of the intentionality of consciousness and that “from the moment that he makes of the noema an unreal, a correlate of the noesis, a noema whose esse is percipi, he is totally unfaithful to his principle”. In what follows I assess this claim as I explicate Sartre's development of the concept of intentionality and the basis for his claim. In addition, I show how an understanding of the views of both Husserl and Sartre reveals a basic convergence. My primary purpose in this is to further develop the correct description of the objects of the world through an analysis and elucidation of the accounts of Sartre and Husserl.

Consciousness, phenomenology of

2018 ◽  
Author(s):  
Hanne Jacobs
Keyword(s):  
Twentieth Century ◽  
Philosophy Of Mind ◽  
Edmund Husserl ◽  
Structural Features ◽  
Self Awareness ◽  
Contemporary Philosophy ◽  
Natural Event ◽  
Jean Paul ◽  
The World ◽  
Phenomenological Account

Phenomenology is an approach to consciousness that originates at the beginning of the twentieth century in the work of Edmund Husserl. A phenomenological account of consciousness begins from a first-person reflection on consciousness that puts out of play our everyday or natural-scientific preconceptions about consciousness and the world and describes the structural features of our consciousness of the world. This project is carried on in the phenomenological works of authors such as Martin Heidegger, Jean-Paul Sartre, and Maurice Merleau-Ponty, albeit with sometimes quite different emphases and aims. Insofar as phenomenology describes the structures of consciousness by virtue of which there is a world for us, phenomenology is a form of transcendental philosophy. Specifically, phenomenologists describe how the structures of intentionality, self-awareness, temporality, attention, embodiment, and intersubjectivity make possible our consciousness of worldly things, situations, and events. According to them, the world is not just an objective nature comprised of spatiotemporally extended and causally connected things; it is also always an intersubjectively accessible world that is shot through with values and organized in light of practical projects, due to which the world appears with a significance that is variable across time and space. Husserl maintains that phenomenological descriptions of the essential structures of consciousness that make possible the experience and knowledge of the world—that is, of transcendental consciousness—can also be taken as psychological descriptions of consciousness conceived as a natural event in the world. In this way, a number of contemporary philosophers draw on specific descriptive insights from the phenomenological tradition to address issues in contemporary philosophy of mind and drive the empirical investigation of consciousness forward (such as Gallagher and Schmicking 2010; Dahlstrom et al. 2015; Petitot et al. 1999; Thompson 2007; Zahavi and Gallagher 2012; Zahavi 2012). Alternatively, both Sartre and Merleau-Ponty explicitly draw on insights from psychology and psychopathology to inform their phenomenology of consciousness, which is a strategy that has also been employed by some contemporary phenomenologists (see Zahavi 2000).

MISQUOTING SOPHOCLES’ OEDIPVS TYRANNVS. A NEW PROOF OF THE INAUTHENTICITY OF PS.-ARISTOTLE, ON THE COSMOS

2018 ◽  
Vol 68 (2) ◽  
pp. 733-735
Author(s):  
Manuel Galzerano
Keyword(s):  
Capital Punishment ◽  
Latin Translation ◽  
Greek City ◽  
Life And Death ◽  
Perfect Order ◽  
The World ◽  
The Law ◽  
The Stability ◽  
The City ◽  
The Universe

Chapters 6 and 7 of the pseudo-Aristotelian treatise On the Cosmos (Περὶ κόσμου = De mundo) display ‘a series of well-crafted and carefully organized analogies’ in order to represent the power of god pervading the whole universe. The last analogy (400b14–28), which is by far the most important in this section, compares the rule of god over the world to the rule of the law in a Greek city (ὁ τῆς πόλεως νόμος). As shown by the author in the previous analogies, the perfect order of the universe is the result of the continuous creation and dissolution of single things: this process—based upon the harmony of opposites—is the keystone of the eternity and equilibrium of our world. Similarly, the law is the unmoved (ἀκίνητος) mover of every activity and experience in the city: both positive and negative situations involving single citizens contribute to the supreme order and stability of the city. Positive examples include the activity of rulers, officials and members of the assemblies (ἄρχοντες, θεσμοθέται, βουλευταί, ἐκκλησιασταί), whereas negative examples include those who go to trial defending themselves (ὁ δὲ πρὸς τοὺς δικαστὰς ἀπολογησόμενος) and those who are imprisoned and destined to capital punishment (ὁ δὲ εἰς τὸ δεσμωτήριον ἀποθανούμενος). In spite of their difference, all of these actions are due to one single order (κατὰ μίαν πρόσταξιν), that is, the civic law, which ensures the stability of the city. To stress and illustrate this concordia discors, which characterizes both the city and the universe, the author of the treatise closes the passage with a quotation from Sophocles’ Oedipus Tyrannus (lines 4–5):πόλις δ' ὁμοῦ μὲν θυμιαμάτων γέμει,ὁμοῦ δὲ παιάνων τε καὶ στεναγμάτωνThe author reads these verses as a perfect example of a context characterized by opposite situations: in fact, the city is full of paeans (παιάνων), which are interpreted as ‘songs of joy and relief’, and, at the same time, it is also full of laments and mourns (στεναγμάτων). The same interpretation can be found in the Latin translation of the treatise, which gives even more emphasis to the opposition between life and death: uideasque illam ciuitatem pariter spirantem Panchaeis odoribus et graueolentibus caenis, resonantem hymnis et carminibus et canticis, eandem etiam lamentis et ploratibus heiulantem.

Phenomenology

Philosophy ◽  
2011 ◽  
Author(s):  
Shaun Gallagher
Keyword(s):  
Edmund Husserl ◽  
Descriptive Analysis ◽  
Philosophical Tradition ◽  
Cognitive Sciences ◽  
Science And Art ◽  
Jean Paul ◽  
Time Space ◽  
The World ◽  
Philosophical Movement ◽  
Existential Issues

Phenomenology is a philosophical tradition originating in the 20th century with the work of Edmund Husserl (b. 1859–d. 1938) and continued in authors such as Martin Heidegger (b. 1889–d. 1976), Jean-Paul Sartre (b. 1905–d. 1980), and Maurice Merleau-Ponty (b. 1908–d. 1961). It begins, in Husserl, with a descriptive analysis of consciousness proposed as the transcendental foundation for all other sciences. Husserl provides specific accounts of the central concepts of phenomenology, for example, intentionality, temporality, perception, and intersubjectivity. In later phenomenological philosophers this approach is extended to include more hermeneutical and existential issues, with emphasis on themes such as embodiment, being-in-the-world, and action. As a broad philosophical movement that includes developed views on topics from consciousness and intentionality to time, space, science, and art and that finds applications in multiple fields, including the behavioral, social, and cognitive sciences, medicine, and psychiatry, it is difficult to capture its full scope in a short and selective list of bibliographic starting points.

Lyon – UNESCO’s Creative City of Gastronomy?

2016 ◽  
Vol 4 (2) ◽  
pp. 126-132 ◽  
Author(s):  
Cecilia Avelino Barbosa
Keyword(s):  
Cultural Industries ◽  
Brand Positioning ◽  
City Branding ◽  
Structured Interviews ◽  
Creative Cities ◽  
Marketing Program ◽  
Creative City ◽  
Territorial Marketing ◽  
The World ◽  
The City

The fast urbanization in many regions of the world has generated a high competition between cities. In the race for investments and for international presence, some cities have increasingly resorting to the territorial marketing techniques like city branding. One of the strategies of recent years has been to use of creativity and / or labeling of creative city for the promotion of its destination. This phenomenon raises a question whether the city branding programs have worked in accordance with the cultural industries of the territory or if such labels influence the thought of tourists and locals. This paper begins by placing a consideration of the UNESCO Creative Cities Network (UCCN) and the strategies of the Territorial Marketing Program of the city of Lyon in France, Only Lyon. It also raises the question the perception of the target public to each of the current actions through semi-structured interviews which were applied between May and August 2015. Finally, I will try to open a discussion the brand positioning adopted by the city of Lyon

Book Review

2016 ◽  
Vol 6 (2) ◽  
pp. 386-389
Author(s):  
Eduardo Oliveira
Keyword(s):  
Urban Planning ◽  
Urban Design ◽  
Olympic Games ◽  
City Image ◽  
European Capital Of Culture ◽  
The Arts ◽  
The World ◽  
The City ◽  
The Olympic Games

Evinç Doğan (2016). Image of Istanbul, Impact of ECoC 2010 on The City Image. London: Transnational Press London. [222 pp, RRP: £18.75, ISBN: 978-1-910781-22-7]The idea of discovering or creating a form of uniqueness to differentiate a place from others is clearly attractive. In this regard, and in line with Ashworth (2009), three urban planning instruments are widely used throughout the world as a means of boosting a city’s image: (i) personality association - where places associate themselves with a named individual from history, literature, the arts, politics, entertainment, sport or even mythology; (ii) the visual qualities of buildings and urban design, which include flagship building, signature urban design and even signature districts and (iii) event hallmarking - where places organize events, usually cultural (e.g., European Capital of Culture, henceforth referred to as ECoC) or sporting (e.g., the Olympic Games), in order to obtain worldwide recognition. 

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

Bringing the Real World of Science to Children: A Partnership of the American Museum of Natural History and the City University of New York

2008 ◽  
Vol 12 (1) ◽  
Author(s):  
Anthony G Picciano ◽  
Robert V. Steiner
Keyword(s):  
United States ◽  
New York ◽  
Natural History ◽  
Local Governments ◽  
Compulsory Education ◽  
Development Program ◽  
The United States ◽  
American Museum ◽  
The World ◽  
The City

Every child has a right to an education. In the United States, the issue is not necessarily about access to a school but access to a quality education. With strict compulsory education laws, more than 50 million students enrolled in primary and secondary schools, and billions of dollars spent annually on public and private education, American children surely have access to buildings and classrooms. However, because of a complex and competitive system of shared policymaking among national, state, and local governments, not all schools are created equal nor are equal education opportunities available for the poor, minorities, and underprivileged. One manifestation of this inequity is the lack of qualified teachers in many urban and rural schools to teach certain subjects such as science, mathematics, and technology. The purpose of this article is to describe a partnership model between two major institutions (The American Museum of Natural History and The City University of New York) and the program designed to improve the way teachers are trained and children are taught and introduced to the world of science. These two institutions have partnered on various projects over the years to expand educational opportunity especially in the teaching of science. One of the more successful projects is Seminars on Science (SoS), an online teacher education and professional development program, that connects teachers across the United States and around the world to cutting-edge research and provides them with powerful classroom resources. This article provides the institutional perspectives, the challenges and the strategies that fostered this partnership.

City-region governance in transitional contexts: the case of the BRICS

2019 ◽  
Vol 63 (1) ◽  
pp. 39-49
Author(s):  
Philip Harrison
Keyword(s):  
Extended Period ◽  
Political Systems ◽  
Recent Past ◽  
City Region ◽  
Scholarly Literature ◽  
Path Dependencies ◽  
City Regions ◽  
The World ◽  
The City

Abstract The bulk of the scholarly literature on city-regions and their governance is drawn from contexts where economic and political systems have been stable over an extended period. However, many parts of the world, including all countries in the BRICS, have experienced far-reaching national transformations in the recent past in economic and/or political systems. The national transitions are complex, with a mix of continuity and rupture, while their translation into the scale of the city-region is often indirect. But, these transitions have been significant for the city-region, providing a period of opportunity and institutional fluidity. Studies of the BRICS show that outcomes of transitions are varied but that there are junctures of productive comparison including the ways in which the nature of the transitions create new path dependencies, and way in which interests across territorial scales soon consolidate, producing new rigidities in city-region governance.

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