scholarly journals Of gold masks, bronze mirrors and brass bracelets: Analyses of metallic artefacts from Samdzong, Upper Mustang, Nepal 450–650 CE

2019 ◽  
Vol 18 ◽  
pp. 68-81
Author(s):  
Giovanni Massa ◽  
Mark Aldenderfer ◽  
Marcos Martinón-Torres
2018 ◽  
Vol 133 (12) ◽  
Author(s):  
L. Iannucci ◽  
J. F. Ríos-Rojas ◽  
E. Angelini ◽  
M. Parvis ◽  
S. Grassini

Author(s):  
Alexandr Podushkin ◽  

The article is devoted to archaeological research of new discovered burial structures in the form of catacomb at the Kylyshzhar cemetery (1st century BC – 3rd century AD), in which artifacts were found similar to the monuments of the Sarmatian appearance. They include a number of ritual actions and burial implements close to the burial practice of the Sarmatians: range and blade weapons (iron tang daggers with a stone pommel, arrowheads), horse tack (iron girth buckles), bronze mirrors, household items and ritual objects (iron buckles, chalk amulets), jewelry (Egyptian faience ribbed beads). The characteristics of the grave goods from the catacombs of the Kylyshzhar cemetery, chronological calculations and ethno cultural interpretations indicate partial similarity between mentioned burials and the Sarmatian monuments of the 1st century BC – 3rd century AD despite major differences in such significant details of the funeral rite as the construction of burial pits and the orientation of the buried ones.


Author(s):  
Y. H. Jo ◽  
J. Kim ◽  
N. C. Cho ◽  
C. H. Lee ◽  
Y. H. Yun ◽  
...  

<p><strong>Abstract.</strong> This study has developed an experiential exhibition system of scientific cultural heritage through interactive projection mapping. A bronze mirror with fine linear design was selected as an exhibition subject considering the intuitiveness and responsiveness of research and development results. First, three-dimensional (3D) scanning was performed to construct a digital database of the original forms, and computer graphics-based 3D modeling was also performed to build exhibition materials and 3D printed objects. Furthermore, objective scenarios were created based on a traditional science experience, understanding the present bronze mirror, and processes of restoring the corroded original bronze mirror through modern conservation science. The technique selected to implement the scientific content of bronze mirror as media art in this study is interactive projection mapping. Moreover, a large 3D printing of bronze mirror was installed at the center of the exhibition space to allow users and all viewers to concurrently engage in scientific cultural heritage content. Simultaneous projection mapping on the front and rear of the printed bronze mirror model enhanced 3D effects and the immersion of the content. To construct an interactive space connecting the virtual and reality, ore, mold, bronze mirror replicas, 3D printing outputs, and cultural products used in the process of producing bronze mirrors were exhibited to make the exhibit more intuitive for visitors. This interactive projection mapping-based scientific and cultural exhibition of the bronze mirror is an experiential exhibition system which combines traditional science, modern conservation science, and future exhibition technology.</p>


Archaeologia ◽  
1976 ◽  
Vol 105 ◽  
pp. 99-126 ◽  
Author(s):  
P. R. Lowery ◽  
R. D. A. Savage ◽  
R. L. Wilkins

We have studied the techniques of decoration of the backs of the British bronze mirrors according to the methods outlined by us in Lowery, Savage, Wilkins, 1971, 176 f., and the construction of the design on the newly discovered Holcombe mirror (Fox, 1973). Our intention is to examine the technical relationships between the mirror backs and to note some details of bronzesmiths' practice which they illustrate, and on which the Holcombe mirror sheds much light. Our conclusions are based mainly on examination of silicone rubber moulds which, with the co-operation of the museums concerned, have been made of all the decorated mirror backs now available. In default of a similar study of any extensive body of other material, no comparisons outside the mirror series are cited. We are not here concerned with mirrors whose backs are undecorated.


2003 ◽  
Vol 58 (4) ◽  
pp. 322-328 ◽  
Author(s):  
A. Guermazi ◽  
Y. Miaux ◽  
S. Zaim ◽  
C.G. Peterfy ◽  
D. White ◽  
...  

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