Incised stone artefact in the context of Middle Holocene burials at Cappalombo 1, South Sulawesi, Indonesia | Artefak batu bergores dalam konteks penguburan Holosen Tengah di Situs Cappalombo 1, Sulawesi Selatan, Indonesia

Since the recent discovery of Late Pleistocene rock art in Island Southeast Asia was announced, evidence for symbolic behaviour in the region has become a focus of international archaeological interest. South Sulawesi is one region that hold much evidence for this important human activity. In addition to the cave paintings, several engraved stone artefacts have also been recovered in the same area, nearly all of which date back to the Late Pleistocene. However, while cave use by ‘hunter-gatherer’ societies continued into the Holocene period, archaeological evidence for symbolic expression during this Toalean period is extremely rare. Here, we report for the first time on engraved stone artefacts from the Middle Holocene period, associated with six human burials. Of ten incised artefacts recovered, eight are stone flakes and two are stone plaquettes, all made of hematite material. Our study suggests that unlike comparative Pleistocene engraved stones, the incisions on the Cappalombo artefacts are more likely the result of use-wear that occurs from producing red pigment powder than portable artworks. As no Toalean-age cave art has yet been identified, it is suspected that pigment powder was applied to the corpses as part of a burial practice or perhaps smeared on the body of the person/s performing the ceremony itself as part of a symbolic ritualistic activity. Sejak penemuan gambar cadas Pleistosen Akhir terbaru diumumkan di Pulau Asia Tenggara, bukti perilaku simbolis di wilayah tersebut telah menjadi fokus kajian arkeologis internasional. Sulawesi Selatan adalah salah satu wilayah yang menyimpan banyak bukti aktivitas manusia yang penting ini. Selain lukisan gua, beberapa artefak batu berukir juga telah ditemukan di daerah yang sama, hampir semuanya berasal dari Pleistosen Akhir. Namun, ketika penggunaan gua oleh masyarakat 'pemburu-pengumpul' berlanjut hingga periode Holosen, bukti arkeologis untuk ekspresi simbolis selama periode Toalean ini sangat langka. Di sini, kami melaporkan untuk pertama kalinya tentang artefak batu berukir dari periode Holosen Tengah, yang terkait dengan enam penguburan manusia. Dari sepuluh artefak gores yang ditemukan, delapan berupa serpihan batu dan dua berupa plakat batu, semuanya terbuat dari bahan hematit. Studi kami menunjukkan bahwa tidak seperti batu terukir Pleistosen, sayatan pada artefak Cappalombo lebih mungkin hasil dari penggunaan yang terjadi dari memproduksi bubuk pigmen merah daripada karya seni portabel. Karena seni gua periode Toalean belum dapat diidentifikasi, diduga bubuk pigmen dioleskan pada mayat sebagai bagian dari praktik penguburan atau mungkin dioleskan pada tubuh orang yang melakukan upacara itu sendiri sebagai bagian dari aktifitas ritual simbolis.

The Appropriation of Death In Classical Athens

<p>This thesis is about the change in Athenian burial practices between the Archaic and Classical periods (500-430 B.C.E.), within the oikos and the polis. I argue that during this period there was a change in both burial practice and ideology. I hypothesise that the Homeric conception of death was appropriated by the state leading to a temporary ideological change in Athens between 500-430 B.C.E., with the result that the aristocratic Athenian oikoi exhibited a trend of anti-display. There then followed another shift in ideology, whereby the Athenian aristocrats reappropriated death, taking state funerary symbols and applying them to private death, which then resulted in the re-emergence of lavish yet iconographically different grave monuments. This is a study of varied and disparate sources ranging from archaeological evidence to later literature. It is divided into three parts. Chapter One outlines exactly what the changes in funeral practice were between the Archaic and Classical periods. It focuses on the decline of grave markers, the shift to extramural burial, the change in how funerals and death were depicted, the increased emphasis on state burial and the change in both public and private mourning practices around 480 B.C.E. I argue that there was a definite change in how the Athenians interacted with their dead, both physically and ideologically. Chapter Two examines the reasons behind the change in burial practices around 480 B.C.E. I argue that it is improbable such a complex change had simple factors or motivations behind it but rather that the most likely cause of such a shift in attitude was a combination of complex reasons, where a few predominate, such as appropriation of death by the polis resulting in glorified state burials and development of democracy. Chapter Three examines the re-emergence of grave monuments. The archaeological record reveals a reappearance of stone funerary sculpture a decade or so after the middle of the fifth century (c. 440-430 B.C.E.). I argue that the re-emergence of funeral sculpture was influenced heavily by foreign workers who brought with them their own burial practices which in turn inspired Athenian aristocrats to re-appropriate death and begin erecting private funeral monuments, however instead of only using Homeric imagery, as they had in earlier periods, they appropriated state symbols and incorporated them into private monuments.</p>

The Appropriation of Death In Classical Athens

<p>This thesis is about the change in Athenian burial practices between the Archaic and Classical periods (500-430 B.C.E.), within the oikos and the polis. I argue that during this period there was a change in both burial practice and ideology. I hypothesise that the Homeric conception of death was appropriated by the state leading to a temporary ideological change in Athens between 500-430 B.C.E., with the result that the aristocratic Athenian oikoi exhibited a trend of anti-display. There then followed another shift in ideology, whereby the Athenian aristocrats reappropriated death, taking state funerary symbols and applying them to private death, which then resulted in the re-emergence of lavish yet iconographically different grave monuments. This is a study of varied and disparate sources ranging from archaeological evidence to later literature. It is divided into three parts. Chapter One outlines exactly what the changes in funeral practice were between the Archaic and Classical periods. It focuses on the decline of grave markers, the shift to extramural burial, the change in how funerals and death were depicted, the increased emphasis on state burial and the change in both public and private mourning practices around 480 B.C.E. I argue that there was a definite change in how the Athenians interacted with their dead, both physically and ideologically. Chapter Two examines the reasons behind the change in burial practices around 480 B.C.E. I argue that it is improbable such a complex change had simple factors or motivations behind it but rather that the most likely cause of such a shift in attitude was a combination of complex reasons, where a few predominate, such as appropriation of death by the polis resulting in glorified state burials and development of democracy. Chapter Three examines the re-emergence of grave monuments. The archaeological record reveals a reappearance of stone funerary sculpture a decade or so after the middle of the fifth century (c. 440-430 B.C.E.). I argue that the re-emergence of funeral sculpture was influenced heavily by foreign workers who brought with them their own burial practices which in turn inspired Athenian aristocrats to re-appropriate death and begin erecting private funeral monuments, however instead of only using Homeric imagery, as they had in earlier periods, they appropriated state symbols and incorporated them into private monuments.</p>

The 2016–2018 excavation of the cemetery at the Sunjiagang site, Lixian County, Hunan

Hunan Provincial Institute of Cultural Relics and Archaeology excavated at the site of Sunjiagang during 2016–2018 after 33 earthen pit tombs were uncovered in 1991. It yielded 192 pit tombs and one urn burial along with a number of pottery vessels and jade artifacts. The whole cemetery was laid out with a clear pattern of spatial arrangement, organized in an orderly style. A unique burial practice prevailed in the cemetery, for which the deceased was laid upon a layer of grave goods. According to the typology of unearthed pottery vessels and jade artifacts, the cemetery at the Sunjiagang site dates sometime from 2200 to 1800 BCE. It represents a new local variant of the Xiaojiawuji culture, and thus can be named the Sunjiagang type culture.

Archaeological Complexes from Catacomb of South Kazakhstan in the Context of Sarmatian Themes

The article is devoted to archaeological research of new discovered burial structures in the form of catacomb at the Kylyshzhar cemetery (1st century BC – 3rd century AD), in which artifacts were found similar to the monuments of the Sarmatian appearance. They include a number of ritual actions and burial implements close to the burial practice of the Sarmatians: range and blade weapons (iron tang daggers with a stone pommel, arrowheads), horse tack (iron girth buckles), bronze mirrors, household items and ritual objects (iron buckles, chalk amulets), jewelry (Egyptian faience ribbed beads). The characteristics of the grave goods from the catacombs of the Kylyshzhar cemetery, chronological calculations and ethno cultural interpretations indicate partial similarity between mentioned burials and the Sarmatian monuments of the 1st century BC – 3rd century AD despite major differences in such significant details of the funeral rite as the construction of burial pits and the orientation of the buried ones.

Megaliths in Tropical Africa: Social Dynamics and Mortuary Practices in Ancient Senegambia (ca. 1350 BCE – 1500 CE)

When analyzed systematically, Tropical Africa megalithism appears to have emerged in contexts of friction between different lifeways, agriculturalists versus foragers, pastoralists versus hunter-gatherers-fishermen, or agriculturalists versus fishing folks. The monuments built were clearly part of actual territorial strategies. Research conducted by the Sine Ngayene Archaeological Project (2002-2012) frontally addressed the “Why” of the emergence of megalithism in that part of the world, and probes the reasons for the performance of the elaborate burial practices preserved in the archaeological record. This paper emphasizes the diversity and complexity of burial protocols invented by Senegambian “megalith-builders” communities from 1450 BCE to 1500 CE. Senegambian megalithism is shown to have proceeded from territorial marking imperatives, shaping a multi-layered cultural landscape through the implemented mortuary programs anchored on the construction of Ancestorhood. Keywords: Megaliths; Senegambia; Cultural landscape; Mortuary program; Burial practice; Monolith-circle; Sine-Ngayene;

Megaliths in Tropical Africa: Social Dynamics and Mortuary Practices in Ancient Senegambia (ca. 1350 BCE – 1500 CE)

When analyzed systematically, Tropical Africa megalithism appears to have emerged in contexts of friction between different lifeways, agriculturalists versus foragers, pastoralists versus hunter-gatherers-fishermen, or agriculturalists versus fishing folks. The monuments built were clearly part of actual territorial strategies. Research conducted by the Sine Ngayene Archaeological Project (2002-2012) frontally addressed the “Why” of the emergence of megalithism in that part of the world, and probes the reasons for the performance of the elaborate burial practices preserved in the archaeological record. This paper emphasizes the diversity and complexity of burial protocols invented by Senegambian “megalith-builders” communities from 1450 BCE to 1500 CE. Senegambian megalithism is shown to have proceeded from territorial marking imperatives, shaping a multi-layered cultural landscape through the implemented mortuary programs anchored on the construction of Ancestorhood. Keywords: Megaliths; Senegambia; Cultural landscape; Mortuary program; Burial practice; Monolith-circle; Sine-Ngayene;

THE BURIAL PRACTICES OF THE GRAVETTIAN AND THE EPI-GRAVETTIAN PERIODS IN ITALY, CZECH REPUBLIC, AND RUSSIA

This paper describes the burial practice in the Gravettian (early Upper Paleolithic) and the Epi-Gravettian periods (lateUpper Paleolithic) in Italy, and the Gravettian period (early Upper Paleolithic) in Czech and Russia. In Italy, the Gravettianand the Epi-Gravettian burial sites were mostly situated in caves because geologically Italy has extensive karstic systemsthroughout Alpine mountains. Meanwhile, the Gravettian single and multiple burial sites in Czech and Russia were foundin an alluvial plain. The single burials are more numerous in the Epi-Gravettian than the Gravettian periods in Italy.Furthermore, Italy has the largest number of the Gravettian single and multiple burials compared to Czech and Russia. Ifthe compass direction and the corpse placement (prosthesis) in the ground and the position of the head are considered, itapparently links to their origin. The ancestors of the Gravettian peoples in Italy, Czech, and Russia are supposed to haveoriginated from the East or Southeast. The disparity of cultural behavior between the Gravettian and the Epi-Gravettianperiods in Italy can be deduced by the number of single burial and the environmental condition where the Gravettianperiod developed during the last glacial maximum (LGM), while the Epi-Gravettian happened in warmer condition.

On a Distinctive Featureof the Andronovo (Fedorovka) Funerary Rites in the Baraba Forest-Steppe

This article summarizes the findings relating to a spatially localized group of graves at the Andronovo (Fedorovka) cemetery Tartas-1 in the Baraba forest-steppe. Several rows of graves combine with ash pits suggestive of ritual activity. In the infill of graves, there were ash lenses with mammal and fish bones, and potsherds with traces showing the signs of applied heat. Ash had been taken from nearby ash pits with similar infill and artifacts. Faunal remains from graves and ash pits (limb bones of cattle, sheep/goat, and horse) indicate sacrificial offerings. In the ash layer of grave No. 282, there was an incomplete human burial, also believed to be a sacrifice. Features such as the orientation of the graves, their alignment, the position of human remains, and the grave goods in that area are similar to the Andronovo (Fedorovka) burial practice and do not differ from those in other parts of the cemetery. No complete parallels to this rite have been revealed. Some similarities, such as the use of ash, and the presence of animal bones, sacrificial pits, etc. at other sites are listed. A reconstruction of the funerary sequence and possible interpretations are considered. It is concluded that those graves were left by a group of Andronovo migrants who maintained close ties with the native population. Unusual features of the burial rite, therefore, can reflect an attempt to consolidate the immigrant groups on the basis of traditional ritual practices, where the major role was played by fire and its symbols.

Regional Coalescence or Further Regionalization?

Prehistoric cultural and sociopolitical development in the mountainous region of Lika, Croatia, is still poorly understood, despite over a century of archaeological excavations. Traditional cultural-historical narratives based on grave good typologies suggest that a unified regional culture, the Iapodes, emerged at the end of the Bronze Age and rapidly expanded across the area. This interpretation, however, has yet to be systematically tested. To better identify and understand to the potential processes of identity formation during this period, this article analyzes mortuary contexts and assemblages as proxies for changing relationships between communities and possible materialization of a shared group identity. Results suggest clear but uneven momentum toward standardized burial practice among groups in neighboring valleys, implying that the creation of a true Iapodian group identity likely took longer than previously thought. Unatoč više od stoljeća arheoloških iskopavanja, stupanj istraženosti kulturnog i društveno-političkog razvoja prapovijesnih zajednica u hrvatskoj planinskoj regiji Lici još uvijek je skroman. Po uvriježenom kulturno-povijesnom tumačenju, temeljenom na tipologijama nalaza iz grobova, Japodi su se, kao jedinstvena regionalna kulturna grupa, pojavili na kraju brončanog doba, te su se vrlo brzo proširili područjem Like. Ovakvu interpretaciju, međutim, tek treba sustavno preispitati. S ciljem boljeg utvrđivanja i razumijevanja potencijalnih procesa formiranja identiteta tijekom ovog razdoblja, u ovom su radu analizirani grobni konteksti i pripadajući skupovi nalaza koji su odraz promjenjivih odnosa među zajednicama, kao i moguće materijalizacije zajedničkog grupnog identiteta. Rezultati analize ukazuju na jasnu, premda neujednačenu težnju ka standardizaciji pogrebne prakse između zajednica susjednih dolina, što sugerira da je proces formiranja pravog japodskog grupnog identiteta vjerojatno trajao duže nego što se pretpostavljalo.