Learning a second language: Can music aptitude or music training have a role?

2018 ◽  
Vol 64 ◽  
pp. 1-7
Author(s):  
Francesca Talamini ◽  
Massimo Grassi ◽  
Enrico Toffalini ◽  
Rosa Santoni ◽  
Barbara Carretti
2018 ◽  
Vol 22 (5) ◽  
pp. 1123-1140 ◽  
Author(s):  
KAZUYA SAITO ◽  
HUI SUN ◽  
ADAM TIERNEY

The current study examines the role of cognitive and perceptual individual differences (i.e., aptitude) in second language (L2) pronunciation learning, when L2 learners’ varied experience background is controlled for. A total of 48 Chinese learners of English in the UK were assessed for their sensitivity to segmental and suprasegmental aspects of speech on explicit and implicit modes via behavioural (language/music aptitude tests) and neurophysiological (electroencephalography) measures. Subsequently, the participants’ aptitude profiles were compared to the segmental and suprasegmental dimensions of their L2 pronunciation proficiency analyzed through rater judgements and acoustic measurements. According to the results, the participants’ segmental attainment was associated not only with explicit aptitude (phonemic coding), but also with implicit aptitude (enhanced neural encoding of spectral peaks). Whereas the participants’ suprasegmental attainment was linked to explicit aptitude (rhythmic imagery) to some degree, it was primarily influenced by the quality and quantity of their most recent L2 learning experience.


2009 ◽  
Vol 26 (3) ◽  
pp. 235-246 ◽  
Author(s):  
Réégine Kolinsky ◽  
Héélééne Cuvelier ◽  
Vincent Goetry ◽  
Isabelle Peretz ◽  
Joséé Morais

WE INVESTIGATED WHETHER MUSIC TRAINING facilitates the processing of lexical stress in natives of a language that does not use lexical stress contrasts. Musically trained (musicians) or untrained (nonmusicians) French natives were presented with two tasks: speeded classification that required them to focus on a segmental contrast and ignore irrelevant stress variations, and sequence repetition involving either segmental or stress contrasts. In the latter situation, French natives are usually "deaf" to lexical stress, but this was less the case for musicians, demonstrating that music expertise enhances sensitivity to stress contrasts. This increased sensitivity does not seem, however, to unavoidably bias musicians' attention to stress contrasts: in segmental-based speeded classification, musicians were not more affected than nonmusicians by irrelevant stress variations when overall performance was controlled for. Implications regarding both the notion of modularity of processing and the advantage that musicianship may afford for second language learning are discussed.


2020 ◽  
pp. 026765832097849
Author(s):  
Chaoqun Zheng ◽  
Kazuya Saito ◽  
Adam Tierney

Whereas a growing amount of attention has been directed to the role of perceptual-cognitive aptitude in successful second language (L2) lexicogrammar learning, scholars have begun to investigate the same topic in the context of L2 pronunciation learning. To date, there is ongoing discussion on the mechanism underlying L2 speech learning in relation to music aptitude and domain-general auditory processing ability. Situated within 48 moderately experienced Chinese learners of English in the UK (length of residence = one year), the current study examined the relationship between music aptitude, auditory perception, and L2 pronunciation proficiency. Results revealed that music aptitude and auditory processing were partially overlapping, whereas both abilities were independent of participants’ past and current L2 language learning experience. Whereas individual differences in auditory processing demonstrated significant associations with various dimensions of L2 pronunciation proficiency, music aptitude was only weakly predictive of prosodic aspects of L2 pronunciation proficiency. Comparatively, none of the experience variables were related to acquisition within the current dataset.


2016 ◽  
Vol 21 (4) ◽  
pp. 465-478 ◽  
Author(s):  
Franziska Degé ◽  
Hanne Patscheke ◽  
Gudrun Schwarzer

The aim of this study was to correlate musical aptitude scores derived from two tests based on the same structural model for musical aptitude in a sample of 9- to 13-year-old children. We controlled for the influences of socioeconomic status (SES; measured by parents’ education), the amount of music lessons, and general cognitive abilities (i.e., IQ). The sample comprised 89 (46 girls) 9- to 13-year-old children. We applied two different tests by Edwin Gordon: Intermediate Measures of Music Audiation (IMMA) and Advanced Measures of Music Audiation (AMMA) to measure musical aptitude. As control variables, IQ, socioeconomic status, and amount of music training were assessed. A hierarchical multiple regression analysis revealed that the total score of the IMMA together with the control variables could not predict the total score of the AMMA. Furthermore, regression models for each of the subtests were also not significant. With respect to the control variables, we revealed an association between the IMMA and socioeconomic status as well as amount of music training. We conclude that even tests that are based on the same structural model of musical aptitude were not associated significantly. This might indicate problems of validity. Additionally, it seems to be difficult to assess musical aptitude independently of influences from music training and SES. Ultimately, this may support the notion that we still need valid musical aptitude tests for this particular age group.


Author(s):  
Swathi Swaminathan ◽  
E. Glenn Schellenberg

This chapter evaluates the evidence that music training leads to improved cognitive abilities. It considers whether music training is associated with measures of general cognitive abilities, visuospatial abilities, and language abilities, as well as with real-world measures such as academic achievement and healthy aging. Although positive associations with music training are evident in each instance, causal evidence is lacking, inconsistent, or weak. The one exception appears to be specialized music training that focuses on listening skills and rhythm perception, which seems to improve listening skills more generally. Improved phonological awareness can, in turn, lead to improvements in reading, particularly for young children who are beginning to read, or for children with dyslexia. Otherwise, associations with music training appear to be the consequence of individual differences in demographics, personality, music aptitude, and cognitive ability, which influence who takes music lessons, particularly for extended durations of time.


2014 ◽  
Vol 86 (2) ◽  
pp. 394-406 ◽  
Author(s):  
Sylvain Moreno ◽  
Yunjo Lee ◽  
Monika Janus ◽  
Ellen Bialystok

2019 ◽  
Vol 62 (12) ◽  
pp. 4534-4543
Author(s):  
Wei Hu ◽  
Sha Tao ◽  
Mingshuang Li ◽  
Chang Liu

Purpose The purpose of this study was to investigate how the distinctive establishment of 2nd language (L2) vowel categories (e.g., how distinctively an L2 vowel is established from nearby L2 vowels and from the native language counterpart in the 1st formant [F1] × 2nd formant [F2] vowel space) affected L2 vowel perception. Method Identification of 12 natural English monophthongs, and categorization and rating of synthetic English vowels /i/ and /ɪ/ in the F1 × F2 space were measured for Chinese-native (CN) and English-native (EN) listeners. CN listeners were also examined with categorization and rating of Chinese vowels in the F1 × F2 space. Results As expected, EN listeners significantly outperformed CN listeners in English vowel identification. Whereas EN listeners showed distinctive establishment of 2 English vowels, CN listeners had multiple patterns of L2 vowel establishment: both, 1, or neither established. Moreover, CN listeners' English vowel perception was significantly related to the perceptual distance between the English vowel and its Chinese counterpart, and the perceptual distance between the adjacent English vowels. Conclusions L2 vowel perception relied on listeners' capacity to distinctively establish L2 vowel categories that were distant from the nearby L2 vowels.


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