scholarly journals Museum Exhibition Design: Communication of Meaning and the Shaping of Knowledge

2014 ◽  
Vol 153 ◽  
pp. 254-265 ◽  
Author(s):  
Shamsidar Ahmad ◽  
Mohamed Yusoff Abbas ◽  
Mohd. Zafrullah Mohd. Taib ◽  
Mawar Masri
Keyword(s):  
Exhibition Design ◽  
Design Communication ◽  
Communication Of Meaning ◽  
Museum Exhibition

scholarly journals The Shaping of Knowledge: Communication of meaning through museum exhibition design

2018 ◽  
Vol 3 (10) ◽  
pp. 178-186
Author(s):  
Shamsidar Ahmad ◽  
Mohamed Yusoff Abbas ◽  
Mohd. Zafrullah Mohd. Taib ◽  
Mawar Masri
Keyword(s):  
Service Management ◽  
Publishing House ◽  
Exhibition Design ◽  
Primary Objective ◽  
Visitor Studies ◽  
Visitor Behavior ◽  
Museum Exhibitions ◽  
International Publishing ◽  
Communication Of Meaning

The primary objective of museum management in shaping of knowledge can be achieved by a communication of meaning through quality displays of the permanent collection or temporary exhibitions, the specimens of a continent or the interactive apparatus of science. This paper looks at research derived primarily from the museum scholars and experts with academics working in the field of visitor studies towards developing exhibits that facilitated visitor learning. These findings are recast the approach in order to offer an integrated framework for visitor behavior has implications for service management of the service encounter at the museum in Malaysia. Keywords: Museum exhibitions design; communication of meaning; shaping of knowledge; quality of life. eISSN 2514-751X © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/aje-bs.v3i10.325  

scholarly journals Pendampingan perancangan ruang pamer museum dr.AK.Gani pada pameran bersama Museum Negeri Sumatera Selatan

2021 ◽  
Vol 2 (2) ◽  
pp. 239-245
Author(s):  
Shinta Puspasari ◽  
Keyword(s):  
Community Service ◽  
Exhibition Design ◽  
Group Discussions ◽  
Exhibition Space ◽  
Space Design ◽  
Room Design ◽  
State Museum ◽  
Museum Exhibitions ◽  
Activity Method ◽  
Museum Exhibition

A successful exhibition cannot be separated from the proper arrangement of the exhibition space. A good exhibition space arrangement will generate interest from exhibition visitors. Moreover, what if the exhibition is a museum exhibition. The arrangement of museum exhibitions requires a more complex arrangement. South Sumatra Province held a joint exhibition which various state museums throughout South Sumatra attended. Because various museums attend it, a good exhibition space arrangement is needed to present an optimal exhibition space so that it is attractive to visitors and is not inferior to other museums in the exhibition. Therefore, this service aims to assist dr.AK.Gani Museum as a partner to organize its exhibition space to make it more optimal. The community service activities offered at this activity are assistance in designing informative brochures and showing off collections. Exhibition activities went well and safely following health protocols during the COVID-19 pandemic, attended by various students and the general public. The activity method includes focus group discussions, exhibition room design, and effective exhibition space design implementation to produce the dr.AK.Gani Museum exhibition design has been implemented at the 2020 Joint Exhibition at the South Sumatra State Museum

scholarly journals Blind Photographers: Vision, Accessibility, and Empowerment in the Museum

2013 ◽  
Vol 33 (3) ◽  
Author(s):  
Douglas McCulloh
Keyword(s):  
Key Words ◽  
Exhibition Design ◽  
The Status ◽  
The Right ◽  
Museum Exhibition

<p>Photographs by blind artists are inherently conceptual. They operate at the heart of the medium, questioning the nature of sight and blindness, perception and photography. This paper uses a traveling museum exhibition&mdash;<em>Sight Unseen: International Photography by Blind Artists&mdash;</em>as a case study to explore these ideas and their implications for disability activism and exhibition accessibility. Using concrete examples and approaches, the paper proposes that an exhibition of work by blind photographers should become a laboratory of perception.&nbsp; The paper concludes that the goal of exhibition design and interpretive elements should not be one-sided&mdash;access for the blind. Rather it should be reciprocal&mdash;equalizing the status of the blind and sighted. Such an exhibition accords the blind the right to fully inhabit and display the products of their rich visualizations, while impelling the sighted to question the scope and reliability of their own vision.</p><p>Key Words: Blind access to museums, blind photographers, accessible curatorial practices.&nbsp;</p>

USE OF CULTURAL LANDSCAPES AS A PART OF OPEN-AIR MUSEUMS

2020 ◽  
Vol 2020 (2) ◽  
pp. 181-187
Author(s):  
Brych M ◽  
Keyword(s):  
Cultural Landscape ◽  
Cultural Landscapes ◽  
Holistic Perception ◽  
Museum Exhibition

In Ukraine, there is no holistic perception of historical and cultural environments of monumental ensembles and complexes as an object of protection and use today. Their preservation will be effective only when the understanding of the object of protection is extended to the boundaries of the cultural landscape, including all its valuable elements. The best way to implement this concept is to include cultural landscapes in the open-air museum exhibition as its integral, active, and living element.

Sign in / Sign up

Export Citation Format

Share Document