The ways of coping with post-war trauma of Yezidi refugee women in Turkey

2017 ◽  
Vol 65 ◽  
pp. 60-70 ◽  
Author(s):  
Eda Erdener
2010 ◽  
Vol 9 (5) ◽  
pp. 611-630
Author(s):  
Jonathan White

AbstractI examine responses to norm indeterminacy in the transnational context, focusing on regional integration in post-War Europe. I argue that the development of the European Union has been facilitated by the use of a legitimizing device whereby policy decisions at a European level are cast as beyond the scope of reasonable political disagreement and therefore distinct from the conditions which make democracy a desirable political form at the national level. This rejection of the political significance of norm indeterminacy has led to a widely diagnosed trend of “depoliticization” in European politics. The paper examines how best to understand this trend, and explores how an adapted account of “enlightened localism” might offer better ways of coping with indeterminate norms.


2019 ◽  
Vol 28 (7) ◽  
pp. 1057-1077
Author(s):  
Jacqueline Jenkinson ◽  
Caroline Verdier

2018 ◽  
Vol 30 (1) ◽  
pp. 32-38 ◽  
Author(s):  
Ahlam Al-Natour ◽  
Samar Mohammad Al-Ostaz ◽  
Edith J. Morris

Introduction: Marital violence increases during times of war. This study aims to describe the lived experience of marital violence toward Syrian refugee women during the current war in Syria. Design: A descriptive phenomenological research methodology was used to conduct semistructured interviews with 16 purposively selected Syrian refugee women residing in displacement centers in Jordan. Colaizzi’s steps of data analysis were used. Results: Four themes identified were identified: (1) Loss, insecurity, and suffering; (2) Shame and humiliation; (3) Justifying and enduring marital violence; and (4) Ways of coping with marital violence. Conclusion: The Syrian War conflict changed women’s lifeway and created a context for marital violence. Study findings suggests addressing marital violence during wartime and allocating resources to provide care and support of victims of violence in the displaced countries.


Author(s):  
Augustyn Bańka

Abstract This paper is an attempt at exploring the phenomenon of creation of strangers and estrangement as post-war trauma effects. It starts with an observation that post-war is a mental state manifesting itself in individuals as estrangement from themselves, environment, other people, and from the very meaning of life. The post-war trauma triggers a tendency for recovery and normalization of life, which, however, never ends. The paper focuses mainly on four aspects. Firstly, critical moments of the evolution of post-war periods in Europe are discussed, starting with the end of war until now. Secondly, the evolution of change in mental moral grammar in specific post-war periods is looked upon. Thirdly, paths to recovery and normalization through the creation of strangers and estrangement in consecutive, critical post-war periods are indicated. Lastly, this paper tries to present the paradoxes of all the periods of the post-war syndrome.


2015 ◽  
Vol 206 (2) ◽  
pp. 116-121 ◽  
Author(s):  
Elizabeth A. Newnham ◽  
Rebecca M. Pearson ◽  
Alan Stein ◽  
Theresa S. Betancourt

BackgroundRecent evidence suggests that post-conflict stressors in addition to war trauma play an important role in the development of psychopathology.AimsTo investigate whether daily stressors mediate the association between war exposure and symptoms of posttraumatic stress and depression among war-affected youth.MethodStandardised assessments were conducted with 363 Sierra Leonean youth (26.7% female, mean age 20.9, s.d. = 3.38) 6 years post-war.ResultsThe extent of war exposures was significantly associated with post-traumatic stress symptoms (P<0.05) and a significant proportion was explained by indirect pathways through daily stressors (0.089, 95% CI 0.04–0.138, P<0.001). In contrast, there was little evidence for an association from war exposure to depression scores (P = 0.127); rather any association was explained via indirect pathways through daily stressors (0.103, 95% CI 0.048–0.158, P<0.001).ConclusionsAmong war-affected youth, the association between war exposure and psychological distress was largely mediated by daily stressors, which have potential for modification with evidence-based intervention.


2014 ◽  
Vol 22 (3) ◽  
pp. 253-291
Author(s):  
Heidi Epstein

What biblical critical insights might re-reading the Song of Songs through its contemporary musical afterlives produce? I propose that certain offbeat musical settings of the Song participate in the discursive composition of specifically postmodern versions of love (e.g. those of Berlant, Belsey, Illouz), and thereby disrupt the transmission of normalizing socio-romantic energies within what Lauren Berlant calls “the intimate public sphere.” In this intertextual case study, Ralph Vaughan Williams’ 1925Flos campi– a work usually praised for its harmonious reconciliation of sensual and spiritual musical moods and idioms – becomes a dystopic allegory of postmodern love. Gestating during WWI as Vaughan Williams served in France and Greece, then composed during a post-war decade of collective disenchantment with the Great War’s socio-political balance sheet,Flos campiconstitutes an ambivalent response to both the composer’s individual as well as a more collective experience of national post-war trauma. With help from Roland Boer’s Lacanian reading of the Song (2000), I locate this ambivalence in the composer’s enigmatic treatment of musical pastoralisms and modal-tonal harmonies as well as his expressive deployment of formal, motivic, and thematic repetition. The dissonant erotic semiotics that these techniques produce inFlos campican be enlisted today to challenge religio-rhetorical co-optations of the Song to bolster heteronormative institutions of love, sexuality, marriage and family by way of the Song’s supposedly timeless message that “Love Conquers All.” Correlatively, readingFlos campias a product of post-war trauma and an allegory of postmodern love invites biblical critics to hear the text’s pastoralisms with fresh “ears.”



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