The Secret Life of Waste: Recycling Dreams of Migration

This essay opens up a new perspective on migration through the lens of waste, tracing the effects of war, border securitization, and global capitalism on a local scale. The analysis of Afganistanbul (2018), a short documentary produced by a team at Kadir Has University in Istanbul where the book in hand originated, captures the predicament of undocumented waste workers in the city who lack the means to continue their journey to Europe or return to their homeland, while resources and revenue in the global recycling business circulate freely. Following the film in its close-up on a specific site of life and labour, this essay teases out competing aspirations among local and migrant city dwellers, arguing that representations of migrant experiences are prone to the temptation of poverty porn and calling on spectators to consider their own implication in interlocking systems of inequity.

Afterword

This short section reasserts and summarizes some of the key conclusions to the book, explaining how London responded to the strategic choices of Roman emperors and governors, initially as a gateway emporium and subsequently as a defended administrative enclave. Episodes of systematic change were also provoked by exogenous shock, and the effects of war and plague can be identified in the archaeological record from London. Imperial inputs helped London to recover from such events, but the city was wholly a creature of Rome and otherwise lacking in social capital. Its eventual failure was a direct product of the failure of the Roman administration. Some directions for future research are considered.

Family Matters: Trauma and the Legacy of War in James Allen Moad II’s Outside Paducah: The Wars at Home

Outside Paducah: The Wars at Home (2016), a play written and performed solo by James Allen Moad II, a former Air Force pilot, explores the enduring effects of war on American veterans and their families after soldiers return home from the battleground. The play moves beyond the individual representation of a traumatized veteran by addressing two intertwined issues: the collective and transgenerational burden of war, both in the form of physical wounds and/or moral injuries. Outside Paducah contributes to promoting the stage as a dynamic place to think about the war legacy and to question and challenge war itself by stressing the importance of understanding the cost of war on both personal and societal levels. The play shows that the scenes of war fought in foreign lands are brought back to the home territories and families, who become equally demoralised by the perpetuation of war in their homelands. The soldiers return as ghosts of their previous selves and haunt their families and friends from one generation to the next. Therefore, war remains an open wound at the core of the American nation. At the same time, the play sheds some light on the harsh realities of the underprivileged and how joining the military often seems to provide a way out of the world of poverty and lack of resources.

The Long-run Effects of War: A Literature Review

We review the literature for the long-term effects of war on human capital. We document the negative effects of exposure to war on individual health, prospective earnings, educational attainment, prospective earnings, and labor productivity in the long run. The findings call for immediate and effective actions to reduce the detrimental repercussions of war.

How war-related deprivation affects political participation: Evidence from education loss in Liberia

How does civil war affect citizen engagement with democracy? Civilians who live through warfare face numerous disruptions to everyday life that can have permanent effects on political engagement even after peace is achieved. This article analyzes the role of depressed living standards resulting from education loss during the Liberia Civil War as a case study of war-related deprivation. I argue that the negative effects of war on education and economic outcomes clash with the expectations that citizens have for postwar democracy, with adverse consequences for political participation. I demonstrate support for this argument using a mixed methods approach, combining qualitative interviews with census, voting, and Afrobarometer survey data. I leverage a difference-in-differences identification strategy to causally identify the negative impact of conflict on human capital for a generation of young adults, and on the downstream consequences of disruptions in education on political participation. Results indicate that children who were of school age during the civil war are differentially less likely to have any formal schooling by the end of the war. I further find that educational deficiencies disproportionately decrease postwar job prospects, breeding resentment against the newly elected government. This extends to political participation: those who lost out on educational opportunities due to war exhibit lower political engagement and less desire to engage with democratic processes.

(((

((( is conceived of not only as a poetry collection and an artist book, but also as a series of actions, a sculpture, an installation, a living object, and a verbal ecosystem. The poetic voyage of (((, recounted in a concrete yet mysterious, abstract yet bodily language, is proposed here in a trilingual English–Italian–French edition. In the spirit of Uitgeverij’s editorial approach, this will allow readers from different parts of the world to discover in their own ways how ((( explores some of the author’s recurring themes through highly innovative poetic and narrative processes: the effects of war on children; technology and surveillance systems; immaterial and unknown phenomena; human emotions and non-human manifestations of nature via undefined objects and bodies, animals, and cosmological landscapes. The three parentheses of the title hint at multiple layers that are opened and never closed: ((( seeks to push language out of its verbal and human boundaries, towards unobservable territories. The genre of this book, although stemming from poetry in the sense of Dichtung, that is, concentration of meaning in highly dense verbal structures, is eminently queer, as it escapes identities and definitions. Through its multidimensional, intense, and surprising writing architecture, ((( explores new conceptual and emotional possibilities in the 21st century, confirming poetry and post-genre writing as powerful forms of inquiry in the contemporary era.

The place and the role of sport in the war-torn society of Afghanistan

For Afghanistan, security is one of the last things the country can be associated with. Despite the efforts that have been made over the last decade, it is still too early to speak about political, economic, and institutional stability. Against this background of uncertainty, and despite the lack of legislation, funding, and investment tools, Afghanistan's flag is being played in the finals of many international events. Тhis is the phenomenon that provokes our research interest. The present aims to give a brief overview of the country's national sporting achievements and to examine the views of two key experts in the field to identify how the development of sport in the country influences the peace-making processes from a social perspective. The used methodology includes a semi-structured interview conducted independently with both respondents in 2019 which is analyzed in the context of social reconstruction of a war-torn society. The results show that national success in elite international sports events has a high potential to be an effective tool in neutralizing some of the negative social effects of war on the society (like distancing, hatred, identity restructuring, etc.) by bringing hope, creating role models, changing perceptions, uniting people under one flag, creating heroes.

kamaugawar and the creation of a dystopian reality: A study in hassan Blasim's "Crossword" and Ambrose Bierce's "Chi

The study shows how war can create a dystopian reality worse than the reality depicted in the dystopian stories. War creates a circular or enclosed world that has no exit where people cannot see the end of the tunnel. The study discusses two short stories, one is for the Iraqi writer Hassan Blasim entitled "Crosswords" and the other for the American writer Ambrose Bierce entitled "Chickamauga". These two short stories fit one of the categories of dystopian fiction where the society witnesses the effects of war and civilians and soldiers become the victims. Though the two stories do not adhere to the futuristic perspective of dystopian fiction, they could express the thought of their writers' that what is going on in the society though it is real but it is at the same time, dystopian. Key Words: Dystopia, War, Defamiliarization, Hassan Blasim, Ambrose Bierce.

International Trade and Conflict

This chapter surveys the empirical literature on the effects of foreign trade on political-military conflict. There have been three “waves” of work on this topic since 1980. It is argued that the most recent wave differs from earlier waves in various important respects. First, it has made significant headway in addressing the causal mechanisms underlying the relationship between trade and conflict. Second, this wave has addressed a wider variety of aspects of trade, including trade policy and trade agreements. Third, a variety of recent studies have shed new light on the effects of trade on the outbreak of war, as well as the effects of war on the trade ties of combatants. Finally, the third wave of research on trade and conflict has addressed whether the effects of trade stem from market capitalism more generally and whether a simultaneous relationship exists between trade and conflict.