Age-related changes in child and adolescent event-related potential component morphology, amplitude and latency to standard and target stimuli in an auditory oddball task

1996 ◽  
Vol 24 (3) ◽  
pp. 223-238 ◽  
Author(s):  
Stuart J. Johnstone ◽  
Robert J. Barry ◽  
John W. Anderson ◽  
Stephen F. Coyle
Keyword(s):  
Child And Adolescent ◽  
Event Related Potential ◽  
Auditory Oddball ◽  
Oddball Task ◽  
Age Related ◽  
Potential Component ◽  
Auditory Oddball Task ◽  
Age Related Changes

Age-related effects on superior temporal gyrus activity during an auditory oddball task

Neuroreport ◽  
2005 ◽  
Vol 16 (10) ◽  
pp. 1075-1079 ◽  
Author(s):  
Sanja Kovacevic ◽  
Clifford Qualls ◽  
John C. Adair ◽  
David Hudson ◽  
C. Chad Woodruff ◽  
...  
Keyword(s):  
Superior Temporal Gyrus ◽  
Auditory Oddball ◽  
Oddball Task ◽  
Age Related ◽  
Auditory Oddball Task

scholarly journals Changes in Event-Related Desynchronization and Synchronization during the Auditory Oddball Task in Schizophrenia Patients

2012 ◽  
Vol 6 ◽  
pp. 26-36 ◽  
Author(s):  
Toshiro Fujimoto ◽  
Eiichi Okumura ◽  
Kouzou Takeuchi ◽  
Atsushi Kodabashi ◽  
Hiroaki Tanaka ◽  
...  
Keyword(s):  
Event Related Desynchronization ◽  
Auditory Oddball ◽  
Oddball Task ◽  
Auditory Oddball Task

scholarly journals Deviants Are Detected Faster at the End of Verse-Like Sound Sequences

2021 ◽  
Vol 12 ◽  
Author(s):  
Varun D. C. Arrazola
Keyword(s):  
Cognitive Bias ◽  
Formal Similarity ◽  
Auditory Oddball ◽  
Oddball Task ◽  
Increased Sensitivity ◽  
Auditory Oddball Task

Songs and poems from different traditions show a striking formal similarity: lines are flexible at the beginning and get more regular toward the end. This suggests that the free-beginning/strict-end pattern stems from a cognitive bias shared among humans. We propose that this is due to an increased sensitivity to deviants later in the line, resulting from a prediction-driven attention increase disrupted by line breaks. The study tests this hypothesis using an auditory oddball task where drum strokes are presented in sequences of eight, mimicking syllables in song or poem lines. We find that deviant strokes occurring later in the line are detected faster, mirroring the lower occurrence of deviant syllables toward the end of verse lines.

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