Graph-Theoretical Analysis in Schizophrenia Performing an Auditory Oddball Task

Author(s):  
A. Bachiller ◽  
J. Poza ◽  
C. Gómez ◽  
V. Molina ◽  
V. Suazo ◽  
...  
2012 ◽  
Vol 6 ◽  
pp. 26-36 ◽  
Author(s):  
Toshiro Fujimoto ◽  
Eiichi Okumura ◽  
Kouzou Takeuchi ◽  
Atsushi Kodabashi ◽  
Hiroaki Tanaka ◽  
...  

2021 ◽  
Vol 12 ◽  
Author(s):  
Varun D. C. Arrazola

Songs and poems from different traditions show a striking formal similarity: lines are flexible at the beginning and get more regular toward the end. This suggests that the free-beginning/strict-end pattern stems from a cognitive bias shared among humans. We propose that this is due to an increased sensitivity to deviants later in the line, resulting from a prediction-driven attention increase disrupted by line breaks. The study tests this hypothesis using an auditory oddball task where drum strokes are presented in sequences of eight, mimicking syllables in song or poem lines. We find that deviant strokes occurring later in the line are detected faster, mirroring the lower occurrence of deviant syllables toward the end of verse lines.


Mindfulness ◽  
2019 ◽  
Vol 11 (3) ◽  
pp. 643-659 ◽  
Author(s):  
Jake Robert Payne ◽  
Oliver Baell ◽  
Harry Geddes ◽  
Bernadette Fitzgibbon ◽  
Melanie Emonson ◽  
...  

2008 ◽  
Vol 39 (3) ◽  
pp. 139-143 ◽  
Author(s):  
N.R. Cooper ◽  
P.B. Fitzgerald ◽  
R.J. Croft ◽  
D.J. Upton ◽  
R.A. Segrave ◽  
...  

eNeuro ◽  
2015 ◽  
Vol 2 (3) ◽  
pp. ENEURO.0067-14.2015 ◽  
Author(s):  
Rita Sleimen-Malkoun ◽  
Dionysios Perdikis ◽  
Viktor Müller ◽  
Jean-Luc Blanc ◽  
Raoul Huys ◽  
...  

2007 ◽  
Vol 118 (10) ◽  
pp. 2234-2247 ◽  
Author(s):  
Robert J. Barry ◽  
Jacqueline A. Rushby ◽  
Janette L. Smith ◽  
Adam R. Clarke ◽  
Rodney J. Croft ◽  
...  

2005 ◽  
Vol 1278 ◽  
pp. 105-108 ◽  
Author(s):  
P. Chunhau ◽  
M. Shimono ◽  
M. Iwanaga ◽  
R. Hasegawa ◽  
Y. Honda ◽  
...  

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