Toward a law of global communications networks

1988 ◽  
Vol 5 (3) ◽  
pp. 340
Author(s):  
C. Sánchez-Azqueta ◽  
S. Celma

The amount of data transmitted over the global communications networks has experienced a dramatic increase over the last years, mainly driven by the exponential growth of the Internet. For this reason, increasingly faster and more reliable circuits are needed to allow a correct performance at speeds in the range of the Gbps. The superior power characteristics and overall performance make optical fiber the preferred choice to implement the channel in communications links, giving rise to the concept of optical communications. Due to their bandwidth limitations, in a typical optical communcations link data cannot be transmitted with a timing reference; the clock signal that allows its correct interpretation has to be extracted at the receiver in a block called clock and data recovery circuit (CDR). Typically, a CDR circuit is a closed-loop system that generates an oscillating signal capable of tracking the phase of the incoming data stream; as well, it uses the generated clock signal to regenerate the data stream, minimising the effects of non-idealities during transmission. This paper presents the design of a CDR circuit intended to meet the 10GBase-LX4 Ethernet specifications for continuous operation at 3.125 GHz, designed in a standard 0.18 m CMOS technology provided by UMC. A detailed description of the full CDR circuit and the different blocks taking part in it will be provided, emphasising the requirements that each of them must satisfy. Finally, the correct performance of the proposed CDR circuit will be analysed by means of an extensive set of post-layout simulations.


2018 ◽  
Vol 13 (3) ◽  
pp. 364-381
Author(s):  
Margot Gayle Backus ◽  
Spurgeon Thompson

As virtually all Europe's major socialist parties re-aligned with their own national governments with the outbreak of World War I, Irish socialist and trade unionist James Connolly found himself internationally isolated by his vociferous opposition to the war. Within Ireland, however, Connolly's energetic and relentless calls to interrupt the imperial transportation and communications networks on which the ‘carnival of murder’ in Europe relied had the converse effect, drawing him into alignment with certain strains of Irish nationalism. Connolly and other socialist republican stalwarts like Helena Molony and Michael Mallin made common cause with advanced Irish nationalism, the one other constituency unamenable to fighting for England under any circumstances. This centripetal gathering together of two minority constituencies – both intrinsically opposed, if not to the war itself, certainly to Irish Party leader John Redmond's offering up of the Irish Volunteers as British cannon fodder – accounts for the “remarkably diverse” social and ideological character of the small executive body responsible for the planning of the Easter Rising: the Irish Republican Brotherhood's military council. In effect, the ideological composition of the body that planned the Easter Rising was shaped by the war's systematic diversion of all individuals and ideologies that could be co-opted by British imperialism through any possible argument or material inducement. Although the majority of those who participated in the Rising did not share Connolly's anti-war, pro-socialist agenda, the Easter 1916 Uprising can nonetheless be understood as, among other things, a near letter-perfect instantiation of Connolly's most steadfast principle: that it was the responsibility of every European socialist to throw onto the gears of the imperialist war machine every wrench on which they could lay their hands.


2020 ◽  
Vol 1 (1) ◽  
pp. 101-115 ◽  
Author(s):  
Sean Cubitt

Through an overview of historical medals, logos, poems, paintings and engravings, imagery that picks at the gap between the persistence of the local and the deracination of the global enterprise, the article focuses on the visual imaginaries employed to mythologize and to make sense of the reach and power of global media, noting in particular the reduction of land and sea to blank canvases on which communication media superimpose their networks. The article serves as a genealogy of Internet cartography and infographics, attending to the problematic relations between text, numbers, diagrams and pictures and their displacement of environments and localities.


Author(s):  
Ayyoub Akbari-Moghanjoughi ◽  
German Santos-Boada ◽  
Josep Sole-Pareta ◽  
Jose Roberto de Almeida Amazonas

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