The Black Panther Party, Revolutionary Suicide, and Gravity’s Rainbow*

Author(s):  
Joanna Freer
2012 ◽  
Vol 47 (1) ◽  
pp. 171-188 ◽  
Author(s):  
JOANNA FREER

This article pertains to the recent upsurge of interest in the politics of Thomas Pynchon. It considers Pynchon as an author very much of the 1960s counterculture, and explores the countercultural values and ideals expressed in Gravity's Rainbow, with particular emphasis on revealing the novel's attitude to the Black Panther Party. Close textual analysis suggests Pynchon's essential respect for Huey P. Newton's concept of revolutionary suicide, and his contempt for Marxist dialectical materialism, two core elements of Panther political theory. Drawing on an analogy between the BPP and Pynchon's Schwarzkommando, an assessment is made of the novel's perspective on the part played by various factors – including the Panthers’ aggressive militancy, the rise of Eldridge Cleaver through the leadership, and the subtle influence of a logic of power influenced by scientific rationalism – in bringing about the disintegration of the Panther organization by the early 1970s. Given the similarities between the paths taken by the BPP and the wider counterculture in the late 1960s, the article considers Pynchon's commentary on the Panthers to be part of a cautionary tale for future revolutionaries fighting similar forms of oppression.


2021 ◽  
pp. 096701062199722 ◽  
Author(s):  
Nivi Manchanda ◽  
Chris Rossdale

The past ten years have witnessed a revival in scholarship on militarism, through which scholars have used the concept to make sense of the embeddedness of warlike relations in contemporary liberal societies and to account for how the social, political and economic contours of those same societies are implicated in the legitimation and organization of political violence. However, a persistent shortcoming has been the secondary role of race and coloniality in these accounts. This article demonstrates how we might position racism and colonialism as integral to the functioning of contemporary militarism. Centring the thought and praxis of the US Black Panther Party, we argue that the particular analysis developed by Black Panther Party members, alongside their often-tense participation in the anti–Vietnam War movement, offers a strong reading of the racialized and colonial politics of militarism. In particular, we show how their analysis of the ghetto as a colonial space, their understanding of the police as an illegitimate army of occupation and, most importantly, Huey Newton’s concept of intercommunalism prefigure an understanding of militarism premised on the interconnections between racial capitalism, violent practices of un/bordering and the dissolving boundaries between war and police action.


2010 ◽  
Vol 25 (38) ◽  
pp. 3229-3240 ◽  
Author(s):  
CHENG-ZHOU LIU

In the tunneling framework of Hawking radiation, the quantum tunneling of massive particles in the modified Schwarzschild black holes from gravity's rainbow is investigated. While the massive particle tunneling from the event horizon, the metric fluctuation is taken into account, not only due to energy conservation but also to the Planck scale effect of spacetime. The obtained results show that, the emission rate is related to changes of the black hole's quantum corrected entropies before and after the emission. This implies that, considering the quantum effect of spacetime, information conservation of black holes is probable. Meanwhile, the quantum corrected entropy of the modified black hole is obtained and the leading correction behave as log-area type. And that, the emission spectrum with Planck scale correction is obtained and it deviates from the thermal spectrum.


2015 ◽  
Vol 11 (3) ◽  
pp. 395-406
Author(s):  
Friedrich Kittler

The essay presents a reading of three war-related texts: Friedrich Schiller’s Wilhelm Tell, Heinrich von Kleist’s The Battle of Hermann, and Thomas Pynchon’s Gravity’s Rainbow. Written against the background of the Revolutionary Wars and the Prussian Wars of Liberation, respectively, the plays by Schiller and Kleist engage in the discursive construction of an emphatic sense of heimat (home), either by way of creating the new sentiment of homesickness (originally called nostalgia) or by advocating the complete destruction of the very home territory you are trying to defend. Gravity’s Rainbow, in turn, decodes the Second World War as a massive exercise in technology transfer. It effectively presents a deconstruction of heimat in an age in which the imperative to merge technologies supersedes all national agendas.


2014 ◽  
Vol 883 ◽  
pp. 598-614 ◽  
Author(s):  
Remo Garattini ◽  
Barun Majumder

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