2019 Barnard Prize Winner - A Nation of Ink and Paint: Map Drawing and Geographic Pedagogy in the American Ceylon Mission

2019 ◽  
Vol 59 (4) ◽  
pp. 468-500 ◽  
Author(s):  
Mark E. Balmforth
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
South Asia ◽  
Teaching Method ◽  
American Education ◽  
Early Nineteenth Century ◽  
The World ◽  
New Nation ◽  
Ways Of Being

Emma Willard's map-drawing geographic pedagogy revolutionized early nineteenth-century American education, turning students into participants in the crafting of the new nation. This essay explores the conditions under which map drawing was transported to American missionary schools in South Asia and helped instigate a Tamil nation in British Ceylon. What did the missionaries intend the teaching method to impart? What were the consequences of this pedagogical form on dominant Tamil portrayals of space and identity in Ceylon? To answer these questions and to track the foreign career of American didactic mapmaking, this essay draws on print and manuscript archival materials, including two maps by a Tamil student at the American Ceylon Mission named Robert Breckenridge. The essay argues that the use of map-drawing pedagogy in Ceylon partially transmitted American ways of being in the world, which were consequential for local spatial knowledges and the crafting of a Tamil national identity on the island.

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

The National and the Universal

2020 ◽  
pp. 368-386
Author(s):  
Sarah Collins
Keyword(s):  
Nineteenth Century ◽  
Cultural Difference ◽  
John Stuart Mill ◽  
Late Nineteenth Century ◽  
Johann Gottfried Herder ◽  
Early Nineteenth Century ◽  
The World ◽  
Respective Treatment ◽  
History Of

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.

Commentary: A Stroll in the Piazza and a Night at the Opera

2006 ◽  
Vol 36 (4) ◽  
pp. 621-628
Author(s):  
Mary Ann Smart
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Civil Society ◽  
Social Engagement ◽  
Early Nineteenth Century ◽  
National Discourse ◽  
Music Journalism ◽  
The Subject ◽  
Giacomo Leopardi

Giacomo Leopardi was convinced that the willingness of Italians to wallow passively in operatic spectacle was an important reason for Italy's lack of a civil society based on debate and the exchange of opinions. Despite recent proposals that opera and opera going constituted signiªcant means of social engagement and contributed to regional and/or national identity, the preoccupations of early nineteenth-century music journalism suggest that opera existed outside the mainstream of both political and aesthetic debate, and was not yet the subject of a truly vibrant national discourse.

German Neo-Pietism and the Formation of National Identity

2019 ◽  
Vol 88 (1) ◽  
pp. 87-119
Author(s):  
Doron Avraham
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
National Identity ◽  
French Revolution ◽  
Political Authority ◽  
Early Nineteenth Century ◽  
Religious Devotion ◽  
Alternative Meaning ◽  
Christian Conservatives ◽  
Prevailing View

In the early nineteenth century, a neo-Pietist circle of awakened Protestants emerged in Prussia and other German lands. Disturbed by the consequences of the French Revolution, the ensuing reforms and the rising national movement, these neo-Pietists—among them noble estate owners, theologians, and other scholars—tried to introduce an alternative meaning for the alliance between state and religion. Drawing on seventeenth- and eighteenth-century pietist traditions, neo-Pietists fused their keen religious devotion with newly constructed conservative ideals, thus rehabilitating the legitimacy of political authority while investing the people's confession with additional meaning. At the same time, and through the same pietistic source of inspiration, conservative neo-Pietists forged their own understanding of national identity: its origins, values, and implications. In this regard, and against the prevailing view of the antagonist stance taken by Christian conservatives toward nationalism in the first half on the nineteenth century, this article argues for the consolidation of certain concepts of German national identity within Christian conservatism.

The Unknown Reviewer of Christ Abel: Jeffrey, Hazlitt, Tom Moore

PMLA ◽  
1955 ◽  
Vol 70 (3) ◽  
pp. 417-432
Author(s):  
Elisabeth Schneider
Keyword(s):  
Nineteenth Century ◽  
Young Men ◽  
Early Nineteenth Century ◽  
The World ◽  
Edinburgh Review

Among the reviews of poetry in the early nineteenth century few have been more celebrated, or more notorious, than the review of Coleridge's Christabel which appeared in the Edinburgh Review for September 1816. The Quarterly on Keats, Mr. Blackwood's young men on the Cockney School, Jeffrey's “This will never do” of the Excursion, and the Edinburgh Review's indirect and unwitting gift to the world of English Bards and Scotch Reviewers—perhaps only these have had greater fame, of sorts. The destroyers of new poets may have had an inkling of the vengeance of posterity, for the authorship of some of these reviews was a mystery exceptionally well preserved even for that age of anonymous criticism. Time, however, and amateur detectives have succeeded in fixing the responsibility for most of them; the review of Christabel is the chief remaining puzzle.

scholarly journals The Beginnings of Bible Mission of the British and Foreign Bible Society in Early Nineteenth Century Hungary

Perichoresis ◽  
2021 ◽  
Vol 19 (1) ◽  
pp. 39-47
Author(s):  
Ottó Pecsuk
Keyword(s):  
Nineteenth Century ◽  
Formative Period ◽  
Habsburg Empire ◽  
Early Nineteenth Century ◽  
The Bible ◽  
The World ◽  
The One ◽  
Revolution Of 1848 ◽  
The Revolution ◽  
Policies And Practices

Abstract The paper examines the very beginnings of Bible Mission in Hungary within the Habsburg Empire in the first part of the nineteenth century. It divides the first thirty years into two major epochs: the one before Gottlieb August Wimmer, Lutheran pastor of Felsőlövő (Oberschützen) and agent of the British and Foreign Bible Society (BFBS) and the one characterized by his work until the revolution of 1848. In the paper, I summarize the main obstacles of Bible Mission both political and religious as well as the main achievements and formations of policies and practices that still define Bible Mission of the Bible Societies in all around the world. The work of BFBS in Hungary in this period was also intertwined with the formative period of the Budapest Scottish Mission, a topic that I also touch in the paper.

Literary Histories

2015 ◽  
Author(s):  
Seth Lerer
Keyword(s):  
Eighteenth Century ◽  
National Identity ◽  
Literary History ◽  
English Literature ◽  
Medieval Literature ◽  
Heinrich Heine ◽  
Early Nineteenth Century ◽  
The World ◽  
History Of ◽  
Literary Histories

Literary history has had a mixed history among the readers and the writers of the European traditions. For William Warburton, an eighteenth-century ecclesiast and critic, literary history was “the most agreeable subject in the world.” However, the early nineteenth-century German poet Heinrich Heine describes literary history as a “morgue where each seeks out the friend he most loved.” The complex connotation of literary history stems in part from the modern European understanding of the place of literature in the formation of national identity. This article examines how the history of medieval literature was received during the Renaissance. It first looks at the regulations of late Henrician reading, particularly the 1543 Act for the Advancement of True Religion, before focusing on Miles Hogarde and his poetry. It then discusses Richard Tottel’sMiscellanyin the context of English literature and its past, along with the poetry of love and loss that follows Tottel.

Sign in / Sign up

Export Citation Format

Share Document