scholarly journals The Beginnings of Bible Mission of the British and Foreign Bible Society in Early Nineteenth Century Hungary

Perichoresis ◽  
2021 ◽  
Vol 19 (1) ◽  
pp. 39-47
Author(s):  
Ottó Pecsuk

Abstract The paper examines the very beginnings of Bible Mission in Hungary within the Habsburg Empire in the first part of the nineteenth century. It divides the first thirty years into two major epochs: the one before Gottlieb August Wimmer, Lutheran pastor of Felsőlövő (Oberschützen) and agent of the British and Foreign Bible Society (BFBS) and the one characterized by his work until the revolution of 1848. In the paper, I summarize the main obstacles of Bible Mission both political and religious as well as the main achievements and formations of policies and practices that still define Bible Mission of the Bible Societies in all around the world. The work of BFBS in Hungary in this period was also intertwined with the formative period of the Budapest Scottish Mission, a topic that I also touch in the paper.

2016 ◽  
Vol 24 (2) ◽  
pp. 3-24 ◽  
Author(s):  
Roland Boer

This study offers a specific interpretation of the Taiping Revolution in China in the mid-nineteenth century. It was not only the largest revolutionary movement in the world at the time, but also one that was inspired by Christianity. Indeed, it marks the moment when the revolutionary religious tradition arrived in China. My account of the revolution stresses the role of the Bible, its radical reinterpretation by the Taiping revolutionaries, and the role it played in their revolutionary acts and reconstruction of economic and social relations. After providing this account, I raise a number of implications for Marxist approaches to religion. These involve the revolutionary religious tradition, first identified by Engels and established by Karl Kautsky, the question of political ambivalence of a religion like Christianity, and the distinction between ontological and temporal transcendence.


2021 ◽  
Vol 7 (1) ◽  
pp. 131-152
Author(s):  
Conor Heffernan

In 1949 the Irish branch of the Women’s League of Health and Beauty travelled to Stockholm, Sweden to take part in the second annual Lingiad Festival. Created the previous decade to celebrate the gymnastic system of Per Henrik Ling established in the early nineteenth-century, the Festival was a multisporting cultural event open to groups from around the world. One such group was the Women’s League of Health and Beauty. Founded in London in 1930 by the Irish-born Mary Bagot Stack, the League marked the decade’s most expansive form of exercise for women. Owing to the League’s Irish connection, the first League branch came to Belfast in 1930 and was followed by a Dublin branch some years later. Open to women across the life cycle, the League was targeted at both the working woman and the stay-at-home mother. Where previous studies have examined the creation of the League in Ireland, this piece focuses on the League’s appearance at the 1949 Lingiad. Despite numerous appeals for government funding, the League was forced to raise its own funds for the trip, a point which rankled many journalists both before and after the tournament. There was an inherent tension in the League’s involvement. On the one hand, it offered new opportunities for female exercise and provided a fillip for further engagement. That withstanding, the ongoing difficulties experienced by the League in actually making it to Lingiad highlighted the secondary, and often forgotten, nature of women’s exercise in Ireland at this time. Using memoirs, film and newspaper articles, the piece positions the League’s Lingiad trip as symbolic of both the advances and restrictions inherent in women’s exercise in mid twentieth-century Ireland.


2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.


Author(s):  
Sarah Collins

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.


2009 ◽  
Vol 27 (3) ◽  
pp. 515-548 ◽  
Author(s):  
Jennifer Heuer

In the early nineteenth century, an obscure rural policeman petitioned the French government with an unusual story. Charles Fanaye had served with Napoleon's armies in Egypt. Chased by Mameluks, he was rescued in the nick of time by a black Ethiopian woman and hidden in her home. Threatened in turn by the Mameluks, Marie-Hélène (as the woman came to be called) threw in her lot with the French army and followed Fanaye to France. The couple then sought to wed. They easily overcame religious barriers when Marie-Héléne was baptized in the Cathedral of Avignon. But another obstacle was harder to overcome: an 1803 ministerial decree banned marriage between blacks and whites. Though Fanaye and Marie-Héléne begged for an exception, the decree would plague them for the next sixteen years of their romance.


Author(s):  
Laurel Daen

This chapter adds to historical studies of artificial body parts by exploring the reciprocal relationship between fictional texts and the prosthesis industry in nineteenth-century Britain and America. Focussing primarily on prostheses—including artificial legs, dentures, and glass eyes—in relation to female users, it demonstrates that fictional writing was a key component of nineteenth-century prosthesis discourse. The chapter argues that literary stories provided practical advice for readers on the kinds of prostheses that should be avoided for both social and functional purposes. Women in particular were targeted as consumers who should pay special attention when choosing prostheses. Popular literary sources, often packaged as marriage plots, provided kinds of advertisements not for but against certain prostheses. Meanwhile, both entire fictional works and particular representational strategies were used by contemporary prosthetists interchangeably as means through which to subtly disparage the devices of opposing makers, reinforce the proprietary ownership of particular designs, or promote the concealing abilities of particular devices to female users.


1967 ◽  
Vol 113 (500) ◽  
pp. 779-780 ◽  
Author(s):  
Mark D. Altschule

One current classification of depression divides the syndrome into psychotic and non-psychotic varieties. It is interesting that a similar classification developed over a thousand years ago out of some words of St. Paul. In his Second Epistle to the Corinthians, Ch. 7, v. 10, Paul wrote: “For godly sorrow worketh repentance to salvation not to be repented of, but the sorrow of the world worketh death.” The word sorrow used in English translations of the Bible stood for the tristitia of Latin versions (Greek λνπη); connoting sadness, sorrow, despondency, depression. Paul's distinction between the two kinds of tristitia, the one “from God” and the other “of the world”, led mediaeval theologians to enlarge on differences between the two kinds of depression.


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