The Pattern of Land Tenure Reform in East Asia after World War II. By Sidney Klein. (New York: Bookman Associates. 1958. Pp. 260. $10.00.)

1959 ◽  
Vol 53 (2) ◽  
pp. 575-575
1959 ◽  
Vol 41 (2) ◽  
pp. 465
Author(s):  
L. I. Hewes ◽  
Sidney Klein

1959 ◽  
Vol 35 (3) ◽  
pp. 404
Author(s):  
W. K. ◽  
Sidney Klein

Author(s):  
James W. McGuire

This article examines the politics of development in Latin America and East Asia, focusing on eight countries: Argentina, Brazil, Chile, Costa Rica, South Korea, Taiwan, Indonesia, and Thailand. It begins by analyzing levels and changes of GDP per capita and income inequality in these countries from 1960 to 2010, showing that the capitalist economies of Latin America grew more slowly and had higher income inequality than their East Asian counterparts. It considers the reasons for this development divergence, including government policies in such areas as land tenure, education, promotion of manufactured exports, and macroeconomic management. The article also looks at historical legacies and social-structural factors that help explain these cross-regional (as well as some intra-regional) policy differences, including colonial heritage, the geopolitical situation after World War II, natural resources, and class structure.


Author(s):  
Andrea Harris

This chapter takes a biographical approach to Lincoln Kirstein’s creation of a modernist theory of ballet to situate its development in the 1930s cultural wing of the Popular Front and explore its evolution through and after World War II. Fueled by the cultural front’s belief in the role of the arts in social revolution, Kirstein seized the opportunity to decouple ballet from existing biases about its elitism and triviality, and formulate new ideas about its social relevance in the Depression period. After exploring the development of Kirstein’s social modernism in the cultural front, chapter 2 then turns to the challenges posed to the 1930s belief that art could be productively combined with politics through two major turning points in Kirstein’s life. These are his experiences in World War II, and the erosion of his own artistic role in the ballet company after the formation of the New York City Ballet and the ascendance of George Balanchine’s dance-for-dance-sake aesthetic in the late 1940s. The chapter illustrates Kirstein’s attempts to negotiate the social modernist aesthetic he crafted under the wing of the cultural front within the volatile political, economic, and artistic circumstances of World War II, anticommunism, and the Cold War.


Author(s):  
John Lie

In the 2010s, the world is seemingly awash with waves of populism and anti-immigration movements. Yet virtually all discussions, owing to the prevailing Eurocentric perspective, bypass East Asia (more accurately, Northeast Asia) and the absence of strong populist or anti-immigration discourses or politics. This chapter presents a comparative and historical account of East Asian exceptionalism in the matter of migration crisis, especially given the West’s embrace of an insider-outsider dichotomy superseding the class- and nation-based divisions of the post–World War II era. The chapter also discusses some nascent articulations of Western-style populist discourses in Northeast Asia, and concludes with the potential for migration crisis in the region.


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