Supplementary excavations at Hal-Tarxien, Malta, in 1921

1924 ◽  
Vol 4 (2) ◽  
pp. 93-100
Author(s):  
T. Ashby
Keyword(s):  
Left Hand ◽  
Right Hand ◽  
History Of ◽  
The Right ◽  
The Temple ◽  
Second Period

Professor T. Zammit was so kind as to invite me, during a short visit to Malta in March and April 1921, to conduct supplementary excavations under the torba floors of the sanctuary at Hal-Tarxien, which he had discovered and excavated. The results are not without interest both for the history of the building and from the nature of the objects found. They bear out Professor Zammit's conclusions as to the relative date of the various portions of the building; and we may add that the spiral decorations and small niches found in the temple of the second period all appear to belong to the latest (third) period in the history of the whole. It also unfortunately seems clear that we have not, as I had hoped, acquired any information to help us in the dating of the various forms and decorations which we find in the pottery of Malta. The excavations in those parts of the building which belonged to the first and second periods revealed in almost every case the existence of an earlier floor below that which had previously been cleared. Taking the earliest building first, we found that the slabs in the right-hand apses BB, DD (which are alone preserved, the left-hand apses having been destroyed by subsequent alterations) rested upon the rock, which had been cut away so as to follow their curve, and were kept in place by inclination against one another, smaller stones being placed to block up the interstices between them.

Lucian Timon 4: another case of σκηπτόν/σκῆπτρον?

1980 ◽  
Vol 100 ◽  
pp. 182-182 ◽  
Author(s):  
Graham Anderson
Keyword(s):  
Initial Error ◽  
Left Hand ◽  
Risk Of Confusion ◽  
Right Hand ◽  
Works Of Art ◽  
The Right ◽  
The Temple

Lucian's Timon accuses Zeus of negligence: even his statue at Olympia has not punished the temple-robbers who despoiled it, although it had a δεκάπηχυν κεραυνὸν ἐν τῇ δεξιᾷ(Tim. 4). But according to Lucian’s contemporary Pausanias (v 11.1), the Zeus at Olympia possessed no such weapon; it held a Nike in the right hand, a sceptre in the left. A. M. Harmon (LCL Lucian ii 331) notes that since Pausanias’ testimony is confirmed by numismatic evidence, Lucian must be wrong and ‘the error is odd in so good an observer’. In fact Lucian could be rather careless over such details; but in this case we can hope to account for his mistake. While he must have seen the Zeus at Olympia at some stage, the statue was also an obvious subject for rhetorical ecphrasis and literary elaboration: one thinks of Dio Chrysostom’s Olympicus (Or. xii); and Lucian may well have been as bookish in his approach to works of art as he was in so many ‘cultural’ subjects. In this case the error would easily have arisen if he had read, misread, or misrecollected an accusative of σκηπτός (‘thunderbolt’) for σκῆπτρον (‘sceptre’) in a previous written source; he would then only have had to supply a synonym κεραυνός for the wrong object. The fact that the thunderbolt is in the wrong hand would then have followed easily from the initial error: one does not hurl thunderbolts with the left hand! The obvious risk of confusion between σκηπτόν and σκῆπτρονσκῆπτρον is illustrated by the problem at Plutarch, de Alex. fort.ii (Mor. 338b), where Clearchus becomes tyrant of Heraclea, takes to carrying a σκῆπτρον and calls his son Κεραυνός. The Teubner editor rightly adopts Valckenaer’s σκηπτόν for MSS σκῆπτρον: a tyrant sufficiently uninhibited to call his son Thunder would also be uninhibited enough to carry a replica of a bolt.

Echoes from Bassae

1965 ◽  
Vol 60 ◽  
pp. 156-158
Author(s):  
Peter Corbett
Keyword(s):  
The South ◽  
South Side ◽  
Left Hand ◽  
Modern Times ◽  
Right Hand ◽  
The Right ◽  
The Temple

A marble slab, built into a private chapel in a cemetery in Catania, has on it a centauromachy, carved in relief. In a recent publication the author observes that at the start of the century the chapel belonged to a Catanian antiquary, who decorated it with sculpture from various places and periods; apart from this, nothing is known about the provenience of the slab. He also comments that the whole face has been re-cut at an unknown date, but certainly in modern times, so that an exact judgement of the style is impossible, and adds that the theme was a common one in ancient art, citing in particular the metopes from the south side of the Parthenon and the frieze from the temple of Apollo at Bassae. It is possible to go somewhat further; the nine figures on the relief are all copied from the frieze from Bassae; reading from left to right, the first four figures correspond to Slab 526; the fifth one to the left-hand centaur on Slab 521; the next two to the left-hand pair on Slab 525, and the last couple to the group of a Greek and a centaur on Slab 521. It might seem impossible to decide beyond all doubt if the Catania relief is an ancient copy of the frieze, re-cut in modern times, or if it is entirely modern; the copyist has indeed taken certain liberties with his original, varying some of the details—for instance, the position of the right forearm of the right-hand centaur—and replacing the woman on Slab 521 by two figures from another slab, but these changes are perhaps not inconceivable in an ancient copy. Two other details, however, are decisive.

scholarly journals Multiple Congenital Bilateral Trigger Digits in a 2-Year-Old Child: Case Report

2013 ◽  
Vol 7 (1) ◽  
pp. 75-77 ◽  
Author(s):  
V De Luna ◽  
V Potenza ◽  
L Garro ◽  
P Farsetti ◽  
R Caterini
Keyword(s):  
Bacterial Infections ◽  
Rare Condition ◽  
Trigger Finger ◽  
Left Hand ◽  
Right Hand ◽  
History Of ◽  
One Year ◽  
The One ◽  
The Right

Trigger finger is a rare condition in children. In this paper, we report on a 2-year-old boy with multiple congenital bilateral trigger digits. The patient had no history of perinatal trauma, viral or bacterial infections, or metabolic disorders. The patient was treated with physiotherapy for one year. At the one-year follow-up, the boy presented with six trigger fingers (3 on the right hand, 3 on the left hand). Neither thumb was involved. The six trigger fingers were treated surgically: first, the right-hand trigger fingers and, six months later, those of the left hand. After each operation, a 4-week brace in extension was applied to the operated hand. The symptoms were completely resolved after surgical treatment. Many authors have recommended surgical release for the treatment of trigger finger in children; empirical treatment with physiotherapy may be an option when symptoms present or appear at an older age.

Editorial Note

1946 ◽  
Vol 11 (1) ◽  
pp. 2-2
Keyword(s):  
Editorial Note ◽  
Speech Sounds ◽  
Left Hand ◽  
Hand Column ◽  
Right Hand ◽  
Infant Speech ◽  
The Right

In the article “Infant Speech Sounds and Intelligence” by Orvis C. Irwin and Han Piao Chen, in the December 1945 issue of the Journal, the paragraph which begins at the bottom of the left hand column on page 295 should have been placed immediately below the first paragraph at the top of the right hand column on page 296. To the authors we express our sincere apologies.

scholarly journals Digit Variability in Carotenoid Scores Obtained with the Veggie Meter: A Pilot Study (P02-001-19)

2019 ◽  
Vol 3 (Supplement_1) ◽  
Author(s):  
Velarie Ansu ◽  
Stephanie Dickinson ◽  
Alyce Fly
Keyword(s):  
Indiana University ◽  
Left Hand ◽  
Funding Sources ◽  
Right Hand ◽  
Period Data ◽  
The Mean ◽  
The Right ◽  
Post Hoc ◽  
Main Effects ◽  
Mean Square Errors

Abstract Objectives To determine which digit and hand have the highest and lowest skin carotenoid scores, to compare inter-and-intra-hand variability of digits, and to determine if results are consistent with another subject. Methods Two subjects’ first(F1), second(F2), third(F3) and fifth(F5) digits on both hands were measured for skin carotenoids with a Veggie Meter, for 3 times on each of 18 days over a 37-day period. Data were subjected to ANOVA in a factorial treatment design to determine main effects for hand (2 levels), digits (4), and days (18) along with interactions. Differences between digits were determined by Tukey's post hoc test. Results There were significant hand x digit, hand x day, digit x day, and hand x digit x day interactions and significant simple main effects for hand, digit, and day (all P < 0.001). Mean square errors were 143.67 and 195.62 for subject A and B, respectively, which were smaller than mean squares for all main effects and interactions. The mean scores ± SD for F1, F2, F3, and F5 digits for the right vs left hands for subject A were F1:357.13 ± 45.97 vs 363.74 ± 46.94, F2:403.17 ± 44.77 vs. 353.20 ± 44.13, F3:406.76 ± 43.10 vs. 357.11 ± 45.13, and F5:374.95 ± 53.00 vs. 377.90 ± 47.38. For subject B, the mean scores ± SD for digits for the right vs left hands were F1:294.72 ± 61.63 vs 280.71 ± 52.48, F2:285.85 ± 66.92 vs 252.67 ± 67.56, F3:268.56 ± 57.03 vs 283.22 ± 45.87, and F5:288.18 ± 34.46 vs 307.54 ± 40.04. The digits on the right hand of both subjects had higher carotenoid scores than those on the left hands, even though subjects had different dominant hands. Subject A had higher skin carotenoid scores on the F3 and F2 digits for the right hand and F5 on the left hand. Subject B had higher skin carotenoid scores on F5 (right) and F1 (left) digits. Conclusions The variability due to hand, digit, and day were all greater than that of the 3 replicates within the digit-day for both volunteers. This indicates that data were not completely random across the readings when remeasuring the same finger. Different fingers displayed higher carotenoid scores for each volunteer. There is a need to conduct a larger study with more subjects and a range of skin tones to determine whether the reliability of measurements among digits of both hands is similar across the population. Funding Sources Indiana University.

The State Policy towards the Homeless in Moldova between the ‘Left Hand’ and the ‘Right Hand’. The Case of Chișinău Shelter

Südosteuropa ◽  
2019 ◽  
Vol 67 (2) ◽  
pp. 175-195
Author(s):  
Petru Negură
Keyword(s):  
Homeless People ◽  
Severe Disabilities ◽  
The State ◽  
Small Scale ◽  
Left Hand ◽  
Right Hand ◽  
Binary Approach ◽  
The One ◽  
The Right ◽  
Depth Interviews

Abstract The Centre for the Homeless in Chișinău embodies on a small scale the recent evolution of state policies towards the homeless in Moldova (a post-Soviet state). This institution applies the binary approach of the state, namely the ‘left hand’ and the ‘right hand’, towards marginalised people. On the one hand, the institution provides accommodation, food, and primary social, legal assistance and medical care. On the other hand, the Shelter personnel impose a series of disciplinary constraints over the users. The Shelter also operates a differentiation of the users according to two categories: the ‘recoverable’ and those deemed ‘irrecoverable’ (persons with severe disabilities, people with addictions). The personnel representing the ‘left hand’ (or ‘soft-line’) regularly negotiate with the employees representing the ‘right hand’ (‘hard-line’) of the institution to promote a milder and a more humanistic approach towards the users. This article relies on multi-method research including descriptive statistical analysis with biographical records of 810 subjects, a thematic analysis of in-depth interviews with homeless people (N = 65), people at risk of homelessness (N = 5), professionals (N = 20) and one ethnography of the Shelter.

scholarly journals The Left Hand Doesn’t Know What the Right Hand Is Doing—or Does It?

Cell Reports ◽  
2016 ◽  
Vol 17 (11) ◽  
pp. 2809-2810
Author(s):  
Jody C. Culham
Keyword(s):  
Left Hand ◽  
Right Hand ◽  
The Right

Nog een suggestie voor het onderwerp van Rembrandts historiestuk te Leiden: De grootmoedigheid van Alexander

1987 ◽  
Vol 101 (2) ◽  
pp. 89-94
Author(s):  
J. Bruyn
Keyword(s):  
17Th Century ◽  
General Nature ◽  
History Painting ◽  
Emotional Words ◽  
Left Hand ◽  
Right Hand ◽  
Political Allegory ◽  
The Subject ◽  
Background Wave ◽  
The Right

AbstractOf the nine interpretations proposed for Rembraradt's history Painting of 1626 now at Leiden, none is really convincing. Il seems attractive to think of palamedes Condemned by Agamemncm as the subject because of its political significance in the year after the publication of Voredel's tragecty Palamedcs or Innocence Murdered, which denounced the execution of the Remonstrant leader Johan van Oldenbarnevelt in 1619. γet the scene depicted does not fit any episode frorn the Palamedes story. It appears rather to represent three young men appearing before a crowned figure who makes a pronouncement, probably one of magnanimity or clemency. It is conceivable that the subject was taken from Q. Curtius Rufus's Historiae Alexandri Magni Macedonis, ofwhich several editions, including translations into the vernacular, were published in Holland in the first decades of the 17th century. The episode in question was known to the young Rubens, but does not seem to have been illustrated by any other artist. At the beginning of the seventh book it is described how Alexander summoned before. him in the presence of the army two oj three brothers, who had been close friends of Philotas, a former, friend of his who had been executed for plotting against his life. The youngest brother, Poleinon, had panicked and fled but was caught and brought back at the very moment when Alexander had accused the brothers and the eldest, Amyntas, after having been released from his bonds and given a spear which he held in his left hand, had embarked on his szzccess ful defence. The appearance of Polemon infuriated the soldiers, but when he took the blame on himself and prrifessed his brothers' innocence, they were moved to tears. So too was Alexander who, prompted by their cries, absolved the brothers. This anecdote does at least explain some of the features of Rembrandt's scene. The young man standing on the right with his right hand raised as if swearing an oath would be the eloquent Amyntas with a spear in his left hand. Hidden behind him kneels the second brother, Simias, while Polemon, 'a young man just come to maturity and in the first bloom of his youth', has fallen on one knee in the foreground, underlining his emotional words with his right hand bressed to his heart. Alexander raises his sceptre in token of his absolution and some men in the background wave and shout from a socle they have climbed. Interpreted in this way, the scene coralains not a topical political allegory but, as would seem usual with history paintings, a message of a more general nature: the magnanimity of Alexander as an 'exemblum virtutis'.

scholarly journals Refinements of the Lower Bounds of the Jensen Functional

2011 ◽  
Vol 2011 ◽  
pp. 1-13 ◽  
Author(s):  
Iva Franjić ◽  
Sadia Khalid ◽  
Josip Pečarić
Keyword(s):  
Lower Bounds ◽  
Jensen Inequality ◽  
Left Hand ◽  
Right Hand ◽  
Special Cases ◽  
Jensen Functional ◽  
The Difference ◽  
The Right

The lower bounds of the functional defined as the difference of the right-hand and the left-hand side of the Jensen inequality are studied. Refinements of some previously known results are given by applying results from the theory of majorization. Furthermore, some interesting special cases are considered.

Interosseous Muscle Pain in the Pianist's Hand: A Description of 27 Cases of Musician's Hand

2007 ◽  
Vol 22 (1) ◽  
pp. 24-25
Author(s):  
Naotaka Sakai
Keyword(s):  
Muscle Weakness ◽  
Muscle Pain ◽  
Deep Part ◽  
Piano Performance ◽  
Medical Problems ◽  
Main Symptom ◽  
Left Hand ◽  
Dorsal Hand ◽  
Right Hand ◽  
The Right

Among 703 professional pianists with medical problems in their hands seen by the author between 1981 and 2000, there were 27 patients who had interosseous muscle pain (23 women, 4 men; mean age, 30 yrs). The main symptom was dorsal hand pain during piano performance, especially when striking the keys with each finger rounded, mainly in the scale technique. Tenderness was noted in the deep part of the dorsal hand in the interosseous muscles, but not along or around the finger extensors. Patients sometimes complained of muscle weakness on abduction of the index, ring, and/or little fingers when performing octaves or chords on the piano keyboard. Resisted abduction and adduction testing of the fingers reproduced the pain which they experienced during or after performance. Pain occurred in the right hand in 10, left hand in 5, and bilaterally in 12. The pain was localized in the 4th and 5th interossei in 15 patients, in the 3rd and 4th in 14 patients; in the 2nd and 3rd in 11 patients; and in the 1st and 2nd in 1 patient.

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