scholarly journals Rome and Mesopotamia – importers into India in the first millennium AD

Antiquity ◽  
2007 ◽  
Vol 81 (314) ◽  
pp. 972-988 ◽  
Author(s):  
Roberta Tomber

Ever since Wheeler's triumphant discovery of Roman pottery at Arikamedu in the 1940s, it has been appreciated that the east coast of India was in reach of the Roman Empire. Tracking down the finds of Roman pottery on the Indian sub-continent reported since then, the author discovered that many of the supposed Roman amphorae were actually ‘torpedo jars’ from Mesopotamia. Here the areas of influence of these two great imports, probably of wine, are mapped for the first time.

Check List ◽  
2014 ◽  
Vol 9 (4) ◽  
pp. 897 ◽  
Author(s):  
Jigneshkumar N. Trivedi ◽  
Kauresh D. Vachhrajani

Cryptopodia angulata is reported for the first time from Saurashtra coast of Gujarat state. One adult female was found in trawl catch near Sutrapada village of Saurashtra coast on January, 2012. Although the species is not common in Indian waters, this species has been reported from the south east coast of India. This is the first report from Saurashtra coast.


2016 ◽  
Vol 8 (13) ◽  
pp. 9592 ◽  
Author(s):  
Muddula Krishna Naranji ◽  
Velamala Govinda Rao ◽  
Devara Venu

A single specimen of the Sharptail Mola Masturus lanceolatus (Lienard, 1840) (total length 1.39m) was collected from a commercial trawler operated from Visakhapatnam at a depth range of 150–300 m, east coast of India on 12 April 2016.  It was recorded for the first time in Visakhapatnam.  A detailed description, morphometric and meristic characters of the species are provided in this paper 


2018 ◽  
Vol 10 (1) ◽  
Author(s):  
Alakesh Pradhan ◽  
Bijay K. Mahapatra

A relatively poorly known species of band fish, Acanthocepola indica (Cepolidae), is reported for the first time from the north-east coast of India, Bay of Bengal, based on single specimen 236,86mm long, collected in Digha. We include a detailed, illustrated description of the specimen


2006 ◽  
Vol 19 (2) ◽  
Author(s):  
M. RAJKUMAR ◽  
P.J. ANTONY ◽  
J.P. TRILLES

The length-weight relationship of Asian seabass (Lates calcarifer Bloch, Centropomidae) was estimated for the first time based on a wild population; specimens were collected from Pichavaram mangrove waters during October 2003 to September 2004. A highly significant correlation between length and weight, as a relative condition changing in the course of the year, were particularly observed. These data will be certainly useful for the Asian seabass aquaculture development and fisheries.


2012 ◽  
Vol 2 (11) ◽  
pp. 517-520
Author(s):  
VIJAYA BHANU, CH VIJAYA BHANU, CH ◽  
◽  
ANNAPURNA, C ANNAPURNA, C ◽  
SRINIVASA RAO, M SRINIVASA RAO, M ◽  
SIVA LAKSHMI, M. V SIVA LAKSHMI, M. V ◽  
...  

Author(s):  
G. O. Hutchinson

Greek literature is divided, like many literatures, into poetry and prose; but in the earlier Roman Empire, 31 BC to AD 300, much Greek (and Latin) prose was written in one organized rhythmic system. Whether most, or hardly any, Greek prose adopted this patterning has been entirely unclear; this book for the first time adequately establishes an answer. It then seeks to get deeper into the nature of prose-rhythm through one of the greatest Imperial works, Plutarch’s Lives. All its phrases, almost 100,000, have been scanned rhythmically. Prose-rhythm is revealed as a means of expression, which draws attention to words and word-groups. (Online readings are offered too.) Some passages in the Lives pack rhythms together more closely than others; the book looks especially at rhythmically dense passages. These do not occur randomly; they attract attention to themselves, and are marked out as climactic in the narrative, or as in other ways of highlighted significance. Comparison emerges as crucial to the Lives on many levels. Much of the book closely discusses particular dense moments, in commentary form, to show how much rhythm contributes to understanding, and is to be integrated with other sorts of criticism. These remarkable passages make apparent the greatness of Plutarch as a prose-writer: a side not greatly considered amid the huge resurgence of work on him. The book also analyses closely rhythmic and unrhythmic passages from three Greek novelists. Rhythm illuminates both a supreme Greek writer, Plutarch, and three prolific centuries of Greek literary history.


Author(s):  
Johannes Zachhuber

It has rarely been recognized that the Christian writers of the first millennium pursued an ambitious and exciting philosophical project alongside their engagement in the doctrinal controversies of their age. This book offers for the first time a full analysis of this Patristic philosophy. It shows how it took its distinctive shape in the late fourth century and gives an account of its subsequent development until the time of John of Damascus. The book falls into three main parts. The first of them starts from an analysis of the philosophical project underlying the teaching of the Cappadocian fathers, Basil of Caesarea, Gregory of Nyssa, and Gregory of Nazianzus. This philosophy, arguably the first distinctively Christian theory of being, soon becomes near-universally shared in Eastern Christianity. A few decades after the Cappadocians, all sides in the early Christological controversy take its fundamental tenets for granted. Its application to the Christological problem thus appeared inevitable. Yet it created substantial conceptual problems. Parts II and III of the book describe in detail how these problems led to a series of increasingly radical modifications of the Cappadocian philosophy. The chapters of Part II are dedicated to the miaphysite opponents of the Council of Chalcedon, while Part III discusses the defenders of the Council from the early sixth to the eighth centuries. Through this overview, the book reveals this period as one of remarkable philosophical creativity, fecundity, and innovation.


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