scholarly journals AUGUSTINE ON THE DANGERS OF FRIENDSHIP

2015 ◽  
Vol 65 (2) ◽  
pp. 836-851 ◽  
Author(s):  
Tamer Nawar

The philosophers of antiquity had much to say about the place of friendship in the good life and its role in helping us live virtuously. Augustine is unusual in giving substantial attention to the dangers of friendship and its potential to serve as an obstacle (rather than an aid) to virtue. Despite the originality of Augustine's thought on this topic, this area of his thinking has received little attention. This paper will show how Augustine, especially in the early books of the Confessiones, carefully examines the potential of friendship to lead us astray. In particular, friendships may prove an impediment to virtue by: derailing our practical reasoning (rather than aiding it); fostering vices (rather than virtues); and misdirecting our love. Augustine's investigation of the murky depths of friendship shows an original philosopher and keen observer of the human condition at work.

2011 ◽  
Vol 2 (2) ◽  
pp. 15-32
Author(s):  
Marie-France Begué

The intention of this work is to trace in the most archaic human condition the anthropological roots that justify the foundation of an ethics, as conceived by Paul Ricœur in his book Oneself as Another. To do this, first I will try to expose the route that the creative image follows from its genesis in drives to its full semantics in the symbol, according to the dialogue that the author engaged with Freud in his work Freud and Philosophy based on his hermeneutic concerns. Second, considering a critical remark that Ricœur makes about Freud, I will explore the intentional orientation towards “the good life”, whose reflexive sense, “self-esteem”, integrates the symbolic dimension of action and sets the basis for the realization (épanouissement) of the human person.


2018 ◽  
Vol 10 (1) ◽  
pp. 128-150
Author(s):  
Daniel Enstedt ◽  
Kristina Hermansson

This article examines the discourse of the “good life” in popular religion and literature in contemporary Sweden. The results indicate thnew spiritual movements (e.g. mindfulness and the Enneagram) situate traditional transcendental goals within the individual, immanent self and the utopian ideals (e.g. individual wellbeing and happiness) expressed in popular literature are to be achieved through changing individuals’ attitudes rather than their material and structural circumstances. Furthermore, this understanding of the individual relies on a culturally based discourse in which medicalized, therapeutic language, what Michel Foucault called “bio-power”, defines humanity and the human condition. This cultural discourse centers on the individual’s potential and responsibility to change dysfunctional habits, situations, and relationships, whereas structural, contextual, and situational solutions are ignored. The Swedish popular literature and religion examined here both express this discourse and constitute an important new form of authority when it comes to articulating new utopian ideals to relate to in everyday life, at work, and in family life.


Author(s):  
Dmitry Kataev

“If acceleration is a problem in modern society, then resonance is perhaps the solution” is the key thesis of Hartmut Rosa’s Sociology of Relationship to the World, or “the sociology of the ‘good life’”, which has become one of the brightest and most controversial critical theories at the beginning of this century. The content, the reception, the criticism of the concept of resonance, and the resulting discussions which became the reason for the renewal of the “methodological positivism dispute” in German sociology are the subjects of this article. The first part of the article is devoted to the consideration of the concept of resonance as a theoretical tool for the new critical sociology, an alternative to the resource-based approach prevailing in mainstream sociology which is unable to measure the quality of human life and the subject-world relationship. In conjunction with other works of the author, the paper analyzes the main idea of Rosa, that is, the creation of an updated critical theory of resonant relations. In doing so, Rosa thematizes the dialectics between the normative and descriptive content of resonance and alienation as integral elements of modern lifeforms and the human condition, the dichotomy of the “good life” and the “bad life”, and the differentiation of the horizontal, diagonal, and vertical “axes of resonance” and their role in building of “relationships to the world”. The second part highlights the main areas of the critical “sociology of relationship to the world” and the concept of resonance. Particular attention will be paid to the “methodological dispute”, since it is precisely this debate that is associated with another project of the “big theory” of the early 21st century, that of the “integrative sociology” of H. Esser, an updated theory of rational choice that was transformed into an analytical-empirical sociology as opposed to the new critical theory by Rosa. Finally, in the conclusion, an attempt is made to determine the place of both alternatives from the point of view of the Weberian-studies tradition, since both polemists explicitly or indirectly refer to the classic. The question of whether Rosa’s concept of resonance is a new sociological paradigm or whether it is a sociological theology remains open.


1998 ◽  
Vol 43 (10) ◽  
pp. 667-668
Author(s):  
Isaac Prilleltensky
Keyword(s):  

1999 ◽  
Author(s):  
Christie K. Napa ◽  
Laura A. King
Keyword(s):  

Author(s):  
Alistair Fox

The analysis in this chapter focuses on Christine Jeffs’s Rain as evidence of a shift that had occurred in New Zealand society whereby puritan repression is no longer perceived as the source of emotional problems for children in the process of becoming adults, but rather its opposite – neoliberal individualism, hedonism, and the parental neglect and moral lassitude it had promoted. A comparison with Kirsty Gunn’s novel of the same name, upon which the adaptation is based, reveals how Jeffs converted a poetic meditation on the human condition into a cinematic family melodrama with a girl’s discovery of the power of her own sexuality at the core.


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