Industrial Paternalism: Discourse and Practice in Nineteenth-Century French Mining and Metallurgy

1985 ◽  
Vol 27 (4) ◽  
pp. 579-607 ◽  
Author(s):  
Donald Reid

In recent years paternalism has become one of the most discussed concepts in social history. While historians of women invoke paternalism and patriarchy to help explain relations of male domination, Marxist historians have found paternalism useful in expanding their analyses of class consciousness. Eugene Genovese organized his interpretation of slavery in the American south around paternalism. For E. P. Thompson, the breakdown of the ideology and practice of rural paternalism underlay the development of “class struggle without class” in eighteenth-century England. Despite Genovese's warning that paternalism is an inappropriate concept for understanding industrial society, several recent studies have identified paternalism as an important factor in the history of industrial labor during the nineteenth century. Daniel Walkowitz and Tamara Haraven have analyzed paternalism in the textile industries of upstate New York and southern New Hampshire. Lawrence Schofer and David Crew have studied paternalism in nineteenth-century German heavy industry, and Patrick Joyce has recently argued for its centrality in the restructuring of class relations in the late Victorian textile industry.

Women and the History of Their Work in Canada: Some Recent BooksSCHOOLING AND SCHOLARS IN NINETEENTH-CENTURY ONTARIO. Susan Houston arid Alison Prentice. Toronto: University of Toronto Press, 1988.THE NEW DAY RECALLED. THE LIVES OF GIRLS AND WOMEN IN ENGLISH CANADA, 1919-1939. Veronica Strong-Boag. Toronto: Copp Clark Pitman, 1988.LES FEMMES AU TOURNANT DU SIÈCLE, 1880-1940. Ville Saint-Laurent: Institut québécois de recherche sur la culture, 1989.LA NORME ET LES DÉVIANTES. DES FEMMES AU QUÉBEC PENDANT L’ENTRE DEUX GUERRES. André Lévesque. Montréal: Les editions du remue-ménage, 1989.WHILE THE WOMEN ONLY WEPT: LOYALIST REFUGEE WOMEN IN EASTERN ONTARIO. Janice MacKinnon-Potter. MontreallKingston: McGill-Queen’s University Press, 1992."THEY’RE STILL WOMEN AFTER ALL.” Ruth Roach Pierson. Toronto: McClelland & Stewart, 1986.WOMEN’S WORK, MARKETS AND ECONOMIC DEVELOPMENT IN NINETEENTH-CENTURY ONTARIO. Marjorie Griffin Cohen. Toronto: University of Toronto Press, 1988.MÉNAGÈRES AU TEMPS DE LA CRISE. Denyse Baillargeon. Montreal: Remue-ménage, 1991SUCH HARDWORKING PEOPLE: WOMEN, MEN AND THE ITALIAN IMMIGRANT EXPERIENCE IN POSTWAR TORONTO. Franca lacovetta. Montreal!Kingston: McGill-Queen’s University Press, 1992.CHAIN HER BY ONE FOOT: THE SUBJUGATION OF WOMEN IN I7TH CENTURY NEW FRANCE. Karen Anderson. New York: Routledge, 1991.PETTICOATS AND PREJUDICE: WOMEN AND LAW IN NINETEENTH-CENTURY CANADA. Constance Backhouse. Toronto: Women’s Press, 1991.SWEATSHOP STRIFE: CLASS, ETHNICITY AND GENDER IN THE JEWISH LABOUR MOVEMENT OF TORONTO, 1900-1939. Ruth Frager. Toronto: University of Toronto Press, 1992.DREAMS OF EQUALITY: WOMEN ON THE CANADIAN LEFT, 1920-1950. Joan Sangster. Toronto: McClelland & Stewart, 1989.WEDDED TO THE CAUSE: UKRAINIAN-CAN ADI AN WOMEN AND ETHNIC IDENTITY. Frances Swyripa. Toronto: University of Toronto Press, 1993.DEFIANT SISTERS: A SOCIAL HISTORY OF FINNISH IMMIGRANT WOMEN IN CANADA. Varpu Lindstrom-Best. Toronto: Multicultural History Society of Ontario, 1988.THE GENDER OF BREADWINNERS: WOMEN, MEN AND CHANGE IN TWO INDUSTRIAL TOWNS, 1880-1950. Joy Parr. Toronto: University of Toronto Press, 1990.THE AGE OF LIGHT, SOAP AND WATER: MORAL REFORM IN ENGLISH CANADA, 1885-1925. Mariana Valverde. Toronto: McClelland & Stewart, 1991.NEW WOMEN FOR GOD: CANADIAN PRESBYTERIAN WOMEN AND INDIA MISSIONS, 1876-1914. Ruth Brouwer. Toronto: University of Toronto Press, 1990.PETTICOATS IN THE PULPIT: EARLY NINETEENTH-CENTURY METHODIST PREACHERS IN UPPER CANADA. Elizabeth Gillan Muir. Toronto-.United Church Publishing, 1991.A SENSITIVE INDEPENDENCE: CANADIAN METHODIST WOMEN MISSIONARIES IN CANADA AND THE ORIENT, 1881-1925. Rosemary Gagan. Montreal!Kingston: McGill-Queen’s University Press, 1992.

1993 ◽  
Vol 28 (3) ◽  
pp. 159-178
Author(s):  
Betiina Bradbury

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.


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