THE MIDDLE EAST AND NORTH AFRICA IN THE IMPERIAL AND POST-COLONIAL HISTORIOGRAPHY OF FRANCE

2007 ◽  
Vol 50 (4) ◽  
pp. 935-949 ◽  
Author(s):  
JENNIFER M. DUECK
Keyword(s):  
Middle East ◽  
North Africa ◽  
Colonial History ◽  
Anglo Saxon ◽  
World War ◽  
Post Colonial ◽  
The First World War ◽  
Colonial Experience ◽  
History Of ◽  
First World

ABSTRACTThe imperial and post-colonial history of France has inspired an ever-growing body of literature in the last decade. Moving well beyond traditional political and economic narratives, these histories present a rich portrait of the policies, peoples, and perceptions that shaped the colonial and post-colonial experience in France and overseas. This article looks at how Arab communities and nations figure within the historiography on the period since the First World War. The first of three sections examines works devoted to culture and imperialism that span the twentieth century, with special emphasis on the differences between the scholarship emerging from French and Anglo-Saxon milieus. The second section looks at how recent histories have used the interwar years as a unit of analysis for understanding French colonialism in the Middle East and North Africa. Algeria, as the cornerstone of the empire and the theatre of the bloodiest colonial war for independence, forms the basis of the third section, which considers new conceptions of nationalism and decolonization.

scholarly journals The First World War and its Legacy in the Middle East

2016 ◽  
pp. 91-108
Author(s):  
Eugene Rogan
Keyword(s):  
Middle East ◽  
Middle Eastern ◽  
First World War ◽  
Past Century ◽  
World War ◽  
The Past ◽  
The First World War ◽  
History Of ◽  
The Great War ◽  
First World

The First World War proved a crucial turning point in the modern history of the Middle East and North Africa. Under conditions of total warfare, conscripts and civilians suffered greater losses and depredations than in any other conflict in the region before or since. The Great War also led to the breakup of the Ottoman Empire after four centuries of rule over the Arab lands, to be replaced by a modern state system actively negotiated between the Entente Powers in the course of the war. While the borders of Middle Eastern states have proven remarkably enduring over the past century, so too have the problems engendered by the wartime partition diplomacy.

Constructing the Index of Arabs

2020 ◽  
pp. 121-141
Author(s):  
Nurfadzilah Yahaya
Keyword(s):  
Middle East ◽  
Southeast Asia ◽  
Ottoman Empire ◽  
First World War ◽  
World War ◽  
The First World War ◽  
Imperial Power ◽  
History Of ◽  
Sepoy Mutiny ◽  
First World

This chapter elaborates the gradual dissolution of the Ottoman Empire after the First World War contributed to the nationalization of the Arab diaspora in the British and Dutch colonial imagination. It highlights a phenomenon which linked the diaspora to an Arab nation instead of the colonies in Southeast Asia where they had established themselves. As much as the surveillance was focused on Southeast Asia, the chapter reveals that the British interests in the Middle East, in the wake of the demise of the major imperial power in the region (the Ottomans), dictated the direction of surveillance policies. It outlines how the First World War formed a watershed moment in the history of British–Arab relations in Southeast Asia. The chapter also looks at how the strained wartime resources caused colonial officials to feel more vulnerable and isolated, leading them to cement their alliance with the Arab community. Ultimately, the chapter examines the constant attempts of the members of the Arab diaspora who continually tried to prove their utility and legitimacy to colonial authorities, culminating in 1915, in the wake of the Sepoy Mutiny in Singapore, in an alliance with the British of Muslims loyal to the king of England.

scholarly journals Misfits of War: First World War Nurses in the Daughters of Mars by Thomas Keneally

2017 ◽  
Vol 52 (4) ◽  
pp. 409-426 ◽  
Author(s):  
Anna Branach-Kallas
Keyword(s):  
Middle East ◽  
First World War ◽  
Historical Research ◽  
World War ◽  
Female Protagonists ◽  
Rigorous Research ◽  
The First World War ◽  
History Of ◽  
Nursing Sisters ◽  
First World

Abstract The article is an analysis of the representation of Australian nurses in Thomas Keneally 2012 First World War novel, The Daughters of Mars. Inspired by rigorous research, Keneally fictionalizes the lives of two nursing sisters in the Middle East, on a hospital ship in the Dardanelles, as well as in hospitals and casualty clearing stations on the Western Front. His novel thus reclaims an important facet of the medical history of the First World War. The author of the article situates her analysis in the context of historical research on the First World War and the Australian Anzac myth, illuminating the specifically Australian elements in Keneally’s portrait of the Durance sisters. She demonstrates that The Daughters of Mars celebrates the achievements of “Anzac girls”, negotiating a place for them in the culture of commemoration. Yet, at the same time, Keneally attempts to include his female protagonists in the “manly” world of Anzac values, privileging heroism over victimization. Consequently, they become “misfits of war”, eagerly accepting imperial and nationalist ideologies. Thus, in a way characteristic of Australian First World War literature, The Daughters of Mars fuses the tropes of affirmation and desolation.

Socio-political and confessional preconditions of the birth of the Ukrainian Evangelical-Reformed Church in Western Ukraine (20-30 years of the twentieth century)

2000 ◽  
pp. 67-75
Author(s):  
R. Soloviy
Keyword(s):  
Public Life ◽  
First World War ◽  
World War ◽  
Reformed Church ◽  
Religious Influences ◽  
The First World War ◽  
Western Ukraine ◽  
History Of ◽  
Religious Factor ◽  
First World

In the history of religious organizations of Western Ukraine in the 20-30th years of the XX century. The activity of such an early protestant denominational formation as the Ukrainian Evangelical-Reformed Church occupies a prominent position. Among UCRC researchers there are several approaches to the preconditions for the birth of the Ukrainian Calvinistic movement in Western Ukraine. In particular, O. Dombrovsky, studying the historical preconditions for the formation of the UREC in Western Ukraine, expressed the view that the formation of the Calvinist cell should be considered in the broad context of the Ukrainian national revival of the 19th and 20th centuries, a new assessment of the religious factor in public life proposed by the Ukrainian radical activists ( M. Drahomanov, I. Franko, M. Pavlik), and significant socio-political, national-cultural and spiritual shifts caused by the events of the First World War. Other researchers of Ukrainian Calvinism, who based their analysis on the confessional-polemical approach (I.Vlasovsky, M.Stepanovich), interpreted Protestantism in Ukraine as a product of Western cultural and religious influences, alien to Ukrainian spirituality and culture.

Ale na razie tu cisza” – fotografie sprzed katastrofy w wybranych zapisach literackich (Stefan Chwin, Ryszard Kapuściński, Wisława Szymborska)

2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk
Keyword(s):  
Time Perspective ◽  
Terrorist Attack ◽  
First World War ◽  
General Concept ◽  
Literary Texts ◽  
World War ◽  
The Past ◽  
The First World War ◽  
History Of ◽  
First World

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.

Press Propaganda and Subaltern Agents of Pan-Islamic Networks in the Muslim Mediterranean World prior to World War I

2018 ◽  
Author(s):  
Odile Moreau
Keyword(s):  
Middle East ◽  
World War I ◽  
North Africa ◽  
World War ◽  
Subaltern Studies ◽  
Resistance Movements ◽  
The Press ◽  
Mediterranean World ◽  
History Of

This chapter explores movement and circulation across the Mediterranean and seeks to contribute to a history of proto-nationalism in the Maghrib and the Middle East at a particular moment prior to World War I. The discussion is particularly concerned with the interface of two Mediterranean spaces: the Middle East (Egypt, Ottoman Empire) and North Africa (Morocco), where the latter is viewed as a case study where resistance movements sought external allies as a way of compensating for their internal weakness. Applying methods developed by Subaltern Studies, and linking macro-historical approaches, namely of a translocal movement in the Muslim Mediterranean, it explores how the Egypt-based society, al-Ittihad al-Maghribi, through its agent, Aref Taher, used the press as an instrument for political propaganda, promoting its Pan-Islamic programme and its goal of uniting North Africa.

From the history of the military past of composer and conductor Boris Galaev

2020 ◽  
pp. 39-44
Author(s):  
Felix S. Kireev
Keyword(s):  
First World War ◽  
World War ◽  
Documentary Sources ◽  
Musical Activity ◽  
Russian State ◽  
The First World War ◽  
History Of ◽  
The Military ◽  
First Time ◽  
First World

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).

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