scholarly journals THE MAKING OF THE EARLY MODERN BRITISH FAIRY TRADITION

2014 ◽  
Vol 57 (4) ◽  
pp. 1135-1156 ◽  
Author(s):  
RONALD HUTTON
Keyword(s):  
Early Modern ◽  
Cultural History ◽  
Middle Ages ◽  
Collective Identity ◽  
Christian Theology ◽  
Human Beings ◽  
Late Middle Ages ◽  
Literary Sources ◽  
The Reformation ◽  
British Culture

ABSTRACTThis review is intended to examine the development of representations of elves and fairies in British culture between the twelfth and the seventeenth centuries. It will argue that a very clear two-stage evolution in those representations can be found in literary sources, from an inchoate range found in different kinds of text, with no apparent collective identity, to a coherent sense of a kingdom, to which the common word ‘fairy’ could be applied, to an intense interest in, and discussion of, the nature of fairies. The first development occurred in the late middle ages, and the second after the Reformation, and both were pan-British phenomena. These literary changes were, moreover, paralleled at each stage, and perhaps responsible for, changes in perception in culture at large. The alterations in representations of these non-human beings, with no clear status in Christian theology, may have wider implications for an understanding of late medieval and early modern cultural history.

scholarly journals From Domestic Devotion to the Church Altar: Venerating Icons in the Late Medieval and Early Modern Adriatic

Religions ◽  
2019 ◽  
Vol 10 (6) ◽  
pp. 390 ◽  
Author(s):  
Margarita Voulgaropoulou
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Public And Private ◽  
Late Medieval ◽  
Popular Piety ◽  
Eastern Christianity ◽  
Late Middle Ages ◽  
Literary Sources ◽  
Devotional Practices ◽  
Private Collections

Although traditionally associated with Eastern Christianity, the practice of venerating icons became deeply rooted in the Catholic societies of the broad Adriatic region from the Late Middle Ages onwards and was an indispensable part of everyday popular piety. The evidence lies in the massive amount of icons located today in public and private collections throughout the Italian Peninsula, Croatia, Slovenia, and Montenegro. At a time when Greeks were branded as “schismatics”, and although the Byzantine maniera greca had become obsolete in Western European art, icon painting managed to survive at the margins of the Renaissance, and ultimately went through its own renaissance in the sixteenth century. Omnipresent in Catholic households, icons were very often donated to churches as votive offerings and were gradually transformed into the focal points of collective public devotion. Through the combined study of visual evidence, archival records and literary sources, this article will shed light on the socio-political, confessional, and artistic dynamics that allowed for Byzantine or Byzantinizing icons to gain unprecedented popularity throughout the Catholic milieus of the Late Medieval and Early Modern Adriatic, and become integrated into domestic and public devotional practices.

500 Jahre Rezeption der Reformation in Siebenbürgen und Ungarn: Anfänge und Netzwerke von Konfessionspluralismus in der Überlappungszone von West- und Ostkirche

2020 ◽  
Vol 8 (1) ◽  
pp. 1-14
Author(s):  
Ulrich A. Wien
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Religious Freedom ◽  
Western Europe ◽  
Joint Effort ◽  
Influence Zone ◽  
Protestant Churches ◽  
Late Middle Ages ◽  
The Reformation

Abstract This thematic issue of the Journal of Early Modern Christianity focuses on the reception of the Reformation in Transylvania and especially on the development of Protestant churches oriented towards Luther and influenced by Melanchthon. In the late Middle Ages, Transylvania had become part of the cultural influence zone of Central Europe, but throughout the sixteenth century the region became permeated by religious developments in Western Europe too. Here, a very peculiar constellation of religious pluralism and co-existence emerged, and the different contributions examine the premises and networks behind these dynamics. In this joint effort, it becomes clear how Transylvania turned into a pioneer region of religious freedom, as it witnessed simultaneously the development of Catholic, Orthodox and various Protestant confessional cultures.

The Waning of the Little Ice Age: Climate Change in Early Modern Europe

2013 ◽  
Vol 44 (3) ◽  
pp. 301-325 ◽  
Author(s):  
Morgan Kelly ◽  
Cormac Ó Gráda
Keyword(s):  
Climate Change ◽  
Early Modern ◽  
Cultural History ◽  
Middle Ages ◽  
Little Ice Age ◽  
Temperature Series ◽  
Ice Age ◽  
Early Modern Europe ◽  
Late Middle Ages ◽  
As Effects

The supposed ramifications of the Little Ice Age, a period of cooling temperatures straddling several centuries in northwestern Europe, reach far beyond meteorology into economic, political, and cultural history. The available annual temperature series from the late Middle Ages to the end of the nineteenth century, however, contain no major breaks, cycles, or trends that could be associated with the existence of a Little Ice Age. Furthermore, the series of resonant images, ranging from frost fairs to contracting glaciers and from dwindling vineyards to disappearing Viking colonies, often adduced as effects of a Little Ice Age, can also be explained without resort to climate change.

The Emergence of Subjectivity in the Ancient and Medieval World

2020 ◽  
Author(s):  
Jon Stewart
Keyword(s):  
Cultural History ◽  
Middle Ages ◽  
Philosophical Anthropology ◽  
Cultural Development ◽  
Western Civilization ◽  
Individual Freedom ◽  
Human Beings ◽  
The Family ◽  
The Individual ◽  
Different Cultures

This work represents a combination of different genres: cultural history, philosophical anthropology, and textbook. It follows a handful of different but interrelated themes through more than a dozen texts that were written over a period of several millennia. By means of an analysis of these texts, this work presents a theory about the development of Western Civilization from antiquity to the Middle Ages. The main line of argument traces the various self-conceptions of the different cultures as they developed historically. These self-conceptions reflect different views of what it is to be human. The thesis is that in these we can discern the gradual emergence of what we today call inwardness, subjectivity and individual freedom. As human civilization took its first tenuous steps, it had a very limited conception of the individual. Instead, the dominant principle was that of the wider group: the family, clan or people. Only in the course of history did the idea of what we know as individuality begin to emerge. It took millennia for this idea to be fully recognized and developed. The conception of human beings as having a sphere of inwardness and subjectivity subsequently had a sweeping impact on all aspects of culture, such as philosophy, religion, law, and art. Indeed, this conception largely constitutes what is today referred to as modernity. It is easy to lose sight of the fact that this modern conception of human subjectivity was not simply something given but rather the result of a long process of historical and cultural development.

Die geschriebene Stadt

2021 ◽  
Vol 48 (1) ◽  
pp. 1-40
Author(s):  
Teresa Schröder-Stapper
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Urban Space ◽  
Essential Role ◽  
Early Modern Period ◽  
Space And Time ◽  
Late Middle Ages ◽  
Modern Period ◽  
The City

The Written City. Inscriptions as Media of Urban Knowledge of Space and Time The article investigates the function of urban inscriptions as media of knowledge about space and time at the transition from the late Middle Ages to the early modern period in the city of Braunschweig. The article starts with the insight that inscriptions in stone or wood on buildings or monuments not only convey knowledge about space and time but at the same time play an essential role in the construction of space and time in the city by the practice of inscribing. The analysis focuses on the steadily deteriorating relationship between the city of Braunschweig and its city lord, the Duke of Braunschweig-Lüneburg, and its material manifestation in building and monument inscriptions. The contribution shows that in the course of the escalating conflict over autonomy, a change in epigraphic habit took placed that aimed at claiming both urban space and its history exclusively on behalf of the city as an expression of its autonomy.

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