Badr Shâkir Al-Sayyâb and the Free Verse Movement

1970 ◽  
Vol 1 (3) ◽  
pp. 248-258 ◽  
Author(s):  
Issa J. Boullata

To measure the achievement of Badr Shâkir al-Sayyâb and ascertain his place in modern Arabic poetry, the general condition of Arabic poetry up to the Second World War must be taken into consideration.

2018 ◽  
Vol 4 (2) ◽  
pp. 67-124
Author(s):  
Rebekka Lotman

The first sonnets in Estonian language were published almost 650 years after this verse form was invented by Federico da Lentini in Sicily, in the late of 19th century. Sonnet form became instantly very popular in Estonia and has since remained the most important fixed form in Estonian poetry. Despite its widespread presence over time the last comprehensive research on Estonian sonnet was written in 1938.This article has a twofold aim. First, it will give an overview of the incidence of Estonian sonnets from its emergence in 1881 until 2015. The data will be studied from the diachronic perspective; in calculating the popularity of the sonnet form in Estonian poetry through the years, the number of the sonnets published each year has been considered in relation to the amount of published poetry books. The second aim is to outline through the statistical analyses Estonian sonnets formal patterns: rhyme schemes and meter. The sonnet’s original meter, hendecasyllable, is tradionally translated into Estonian as iambic pentameter. However, over the time various meters from various verse systems (accentual, syllabic, syllabic-accentual, free verse) have been used. The data of various meters used in Estonian sonnets will also be examined on the diachronic axis. I have divided the history of Estonian sonnets into eight parts: the division is not based only on time, but also space: post Second World War Estonian sonnet (as the whole culture) was divided into two, Estonian sonnet abroad, i. e in the free world, and sonnet in Soviet Estonia.The material for this study includes all the published sonnets in Estonian language, i.e almost 4400 texts.


Author(s):  
Katharine Bubel

Renowned as the ‘poet of Carmel-Sur’, Robinson Jeffers held a place of prominence in American literature from the mid-1920s through to the 1930s. He lived in seclusion with his family at Tor House, which he built from sea-worn granite on a promontory in Carmel, California. In Carmel he developed his signature style of graphically tragic narrative poems and verse dramas, typically set in the surrounding landscape and accompanied by meditative lyric poems exploring related themes. Jeffers eschewed high modernism’s post-symbolist aesthetics for what he saw as its withdrawal from reality, crafting instead a free verse style that employed long, rhythmically stressed lines and a solemn tone. His prosody and themes are coloured by his non-anthropocentric philosophy, which he named inhumanism. Jeffers’ critical acclaim turned to disfavour during the Depression and the Second World War; his popularity fluctuated, and finally dwindled. Critical interest in Jeffers’ works was renewed in the 1970s and 1980s, and readership has since increased, particularly due to the timeliness of his acute environmental aesthetics.


Author(s):  
Corinna Peniston-Bird ◽  
Emma Vickers

2016 ◽  
Vol 46 (185) ◽  
pp. 543-560 ◽  
Author(s):  
Ingo Schmidt

This article draws on Marxist theories of crises, imperialism, and class formation to identify commonalities and differences between the stagnation of the 1930s and today. Its key argument is that the anti-systemic movements that existed in the 1930s and gained ground after the Second World War pushed capitalists to turn from imperialist expansion and rivalry to the deep penetration of domestic markets. By doing so they unleashed strong economic growth that allowed for social compromise without hurting profits. Yet, once labour and other social movements threatened to shift the balance of class power into their favor, capitalist counter-reform began. In its course, global restructuring, and notably the integration of Russia and China into the world market, created space for accumulation. The cause for the current stagnation is that this space has been used up. In the absence of systemic challenges capitalists have little reason to seek a major overhaul of their accumulation strategies that could help to overcome stagnation. Instead they prop up profits at the expense of the subaltern classes even if this prolongs stagnation and leads to sharper social divisions.


2017 ◽  
pp. 437-446
Author(s):  
Maria Ciesielska

Men’s circumcision is in many countries considered as a hygienic-cosmetic or aesthetic treatment. However, it still remains in close connection with religious rites (Judaism, Islam) and is still practiced all over the world. During the Second World War the visible effects of circumcision became an indisputable evidence of being a Jew and were often used especially by the so-called szmalcownicy (blackmailers). Fear of the possibility of discovering as non-Aryan prompted many Jews hiding on the so-called Aryan side of Warsaw to seek medical practitioners who would restore the condition as it was before the circumcision. The reconstruction surgery was called in surgical jargon “knife baptizing”. Almost all of the procedures were performed by Aryan doctors although four cases of hiding Jewish doctors participating in such procedures are known. Surgical technique consisted of the surgical formation of a new foreskin after tissue preparation and stretching it by manual treatment. The success of the repair operation depended on the patient’s cooperation with the doctor, the worst result was in children. The physicians described in the article and the operating technique are probably only a fragment of a broader activity, described meticulously by only one of the doctors – Dr. Janusz Skórski. This work is an attempt to describe the phenomenon based on the very scanty source material, but it seems to be the first such attempt for several decades.


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