FROM REVOLUTIONARIES TO MUSLIMS: LIMINAL BECOMINGS ACROSS PALESTINIAN GENERATIONS IN DENMARK

2016 ◽  
Vol 48 (1) ◽  
pp. 67-86 ◽  
Author(s):  
Anja Kublitz

AbstractExploring generational changes and continuities among Palestinian families in Denmark, this article investigates why the children of thefidāᵓīn(fighters) and many of thefidāᵓīnthemselves have turned their backs on secular politics and embraced Islam. The Palestinians who arrived in Denmark from Lebanon in the wake of the Lebanese Civil War were members of the Palestinian Liberation Organization and were known as the generation of the revolution (jīl al-thawra). Extending Karl Mannheim's approach to generations, I argue that in order to explain the transition among Palestinians in Denmark from revolutionaries to Muslims we can rely on neither genealogy nor historical context alone, but need to pay equal attention to the structural continuities that crosscut generations. I suggest that rather than conceive of revolutionaries and Muslims as oppositions, we should think of them as substitutions, as liminal becomings that are actualized across historical generations.

2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.


2021 ◽  
Vol 14 (3) ◽  
pp. 105-124
Author(s):  
Jamal Wakim

This article argues that the Lebanese Civil War (1975–90) was in essence a terror of state directed by mercantile economic and political elites (the comprador class) controlling the Lebanese state and society against the middle and poorer classes (the working class). The aim of this terror or organized violence was to subdue the subordinate classes, which in the late 1960s and early 1970s rebelled against the confessional system that operated for the benefit of the comprador class. The rebellion was expressed by members of the working-class joining cross-confessional nationalist and leftist parties. Hence, violence was aimed at reestablishing the confessional order as a means to restore a hegemonic system that served the interests of the comprador class at a time when this class was rehabilitating its economic role by resurrecting the financial system, which had received a severe blow in the late 1960s. It effected this rehabilitation through the Taif Agreement signed between Lebanese parliamentarians in 1989, under the auspices of Syria, Saudi Arabia, and the United States, to favor the new mercantile elite led by Rafiq Hariri.


2021 ◽  
pp. 1-31
Author(s):  
Kasaija Phillip Apuuli

Abstract Since the end of the revolution that toppled the rule of Muammar Qaddafi in October 2011, Libya has never known peace. The country descended into civil war with different factions contending for control. In this milieu, the United Nations attempted to mediate an end to the crisis but its efforts have failed to gain traction partly as a result of other mediation initiatives undertaken by several European actors. Sub-regional and continental organizations, including the Arab Maghreb Union (AMU) and the African Union (AU) respectively, that should have taken the lead in the mediation have been absent. Meanwhile, continued fighting has hampered a mediated settlement, and terrorist groups such as the Islamic State (IS) and al-Qaeda have taken advantage of the situation to establish a presence in the country. In the end, rather than ending the crisis, Libya has provided the ground for competing mediation processes which have prolonged the crisis.


Author(s):  
Inés Aquilué ◽  
Estanislao Roca ◽  
Javier Ruiz

Regarding topological interpretation of space, this research aims to identify urban morphologies, whose topology becomes increasingly determining under high uncertainty. This topological approach has been applied in an evolutionary analysis of urban spaces under siege, fear and conflict, which conducted to the construction of a specific method. This method analyses the transformation of urban areas in five consecutive phases: urban form [1], increase of uncertainty [2], application of the apparatus [3], change in urban form [4], information flows [5]. These five phases were applied to different empirical studies, analysed through specific morphological and topological models. In the light of this method, two selected urban morphologies Dobrinja –a suburb in Sarajevo– and the Beirut Central District have been examined. The urban morphology of both areas was dramatically transformed after both civil conflicts –the Bosnian War and the Lebanese Civil War–. Dobrinja suffered severe modifications, first provoked by the violence of the siege during the Bosnian War [1992-1995], and then by the Inter-Entity Boundary Line as a result of the Dayton Peace Agreement [December 1995], which divided the neighbourhood and caused serious alterations in its ethno-demographic and spatial structure. The Beirut Central District was first destroyed by the violence experienced in the Lebanese Civil War [1975-1990] and then by the process of subsequent reconstruction [since 1992], which led to a simplification of its structure. The two morphological and topological analyses enable us to determine the initial causes and their spatial consequences in both urban areas, regarding their conflict and post-conflict stage.


Sign in / Sign up

Export Citation Format

Share Document