Being Human in the Wor(l)d: Chinese Men and Maxine Hong Kingston's Reworking of Robinson Crusoe

2000 ◽  
Vol 34 (2) ◽  
pp. 187-206
Author(s):  
MONICA CHIU
Keyword(s):  
Eighteenth Century ◽  
The Novel ◽  
Robinson Crusoe ◽  
Chinese Men ◽  
Self Sufficiency

Daniel Defoe's 1719 novel Robinson Crusoe is nothing less than a nationalist narrative that extols the burgeoning capitalism of eighteenth-century England. In this moving tale, a ship-wrecked slave trader, stranded on an island for twenty-four-years, single-handedly consolidates the arduous and multi-tasked feat of making bread – from planting the wheat to producing the finished product – into a one-person job. On a smaller but no less devastating scale, he also succeeds in replicating the process of colonization through his master–slave relationship with Friday. The novel thus popularizes the notion of self-sufficiency through the mechanisms of capitalism, conquest, and the transmission of hegemony.

They Were Prodigals and Enslavers

2019 ◽  
pp. 108-138
Author(s):  
Sean D. Moore
Keyword(s):  
New York ◽  
Eighteenth Century ◽  
Civil Society ◽  
Slave Trade ◽  
The Other ◽  
The Novel ◽  
Robinson Crusoe ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Almost All

This chapter examines the founding of the New York Society Library as part of the trend of merchants made wealthy by slavery and related commerce establishing philanthropic and civil society institutions in the mid- and late eighteenth century. By mapping the reading network around Daniel Defoe’s Robinson Crusoe in this library, it establishes that almost all of its readers from 1789–90 supported Defoe’s pro-slavery views as articulated by Crusoe’s choice to go to sea to engage in the Africa trade, and how most American editions of the novel advocated young men doing the same. The library’s City Readers database also makes it easy to inventory the other books that readers of Crusoe were reading in order to gauge the level of pro-slavery versus Manumission Society sentiment. In doing so, it provides a portrait of New York society as one in which whites of every background benefited from the slave trade.

The Rise of the Illustrated English Novel to 1832

2014 ◽  
Author(s):  
Robert Folkenflik
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
The Novel ◽  
Robinson Crusoe ◽  
English Novel ◽  
Illustrated Novels ◽  
First Editions

This chapter describes the rise of the illustrated English novel. Eighteenth-century novels were cheap; illustrations expensive. Illustrated novels typically were not first editions, though some of the best known (Robinson Crusoe, Sir Launcelot Greaves) anomalously were. Looking at novels from roughly twenty years apart, one can see a number of changes from the increased presence of native engravers and designers to the burgeoning of illustrated volumes with the overthrow of perpetual copyright in 1774 (making possible the novel series of James Harrison and others), as well as shifting technologies leading from copperplates to the use of steel engravings in the nineteenth century. Important illustrators of novels included Pine and Clark, Hayman and Gravelot, Hogarth, Thomas Stothard, Thomas Rowlandson, Blake, and George Cruikshank.

Restoration Theatre and the Novel

2018 ◽  
Author(s):  
Jenny Davidson
Keyword(s):  
Eighteenth Century ◽  
Literary Form ◽  
The Novel ◽  
Cultural Transition ◽  
Strong Affinity ◽  
History Of ◽  
Restoration Theatre ◽  
Restoration Comedy ◽  
London Stage

This chapter explores the broad cultural transition from drama to novel during the Restoration period, which triggered one of the most productive periods in the history of the London stage. However, when it comes to the eighteenth century proper, the novel is more likely to be identified as the century's most significant and appealing popular genre. The chapter considers why the novel has largely superseded drama as the literary form to which ambitious and imaginative literary types without a strong affinity for verse writing would by default have turned their attention and energies by the middle of the eighteenth century. Something important may have been lost in the broad cultural transition from drama to novel. This chapter, however, contends that many things were preserved: that the novel was able to absorb many of the functions and techniques not just of Restoration comedy but of the theatre more generally.

The Female Quixote

2008 ◽  
Author(s):  
Charlotte Lennox ◽  
Margaret Anne Doody
Keyword(s):  
Eighteenth Century ◽  
Women's Literature ◽  
Samuel Johnson ◽  
The Novel ◽  
Charlotte Lennox

The Female Quixote (1752), a vivacious and ironical novel parodying the style of Cervantes, portrays the beautiful and aristocratic Arabella, whose passion for reading romances leads her into all manner of misunderstandings. Praised by Fielding, Richardson and Samuel Johnson, the book quickly established Charlotte Lennox as a foremost writer of the Novel of Sentiment. With an excellent introduction and full explanatory notes, this edition will be of particular interest to students of women's literature, and of the eighteenth-century novel.

Tom Jones

2008 ◽  
Author(s):  
Henry Fielding
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
The Novel ◽  
Fourth Edition ◽  
Tom Jones ◽  
History Of

Fielding's comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere.

Germaine de Staël’s and the Early Usage of Improvisation in English

2014 ◽  
Author(s):  
Erik Simpson
Keyword(s):  
Eighteenth Century ◽  
English Language ◽  
Napoleonic Wars ◽  
The Novel ◽  
Artistic Practice ◽  
New Information

This chapter describes the emergence of the terminology of improvisation in the English language. Terms relating to improvisation began to appear in the eighteenth century and came to be used frequently in the nineteenth. Germaine de Staël’s 1807 novel Corinne ou L’Italie (published in French and translated into English the same year) was an important part of this emergence of improvisation. By attending to the content and language of Corinne, including the novel’s earliest translations, the chapter argues that the novel helped create a sense of improvisation as an Italianate artistic practice with political overtones specific to the context of the Napoleonic Wars. For the Staëlian improviser, art and history alike progress not toward pre-ordained goals but by taking new information into account and improvising new ends.

Sententiousness and the Novel: Laying Down the Law in Eighteenth-Century French Fiction.

1987 ◽  
Vol 20 (4) ◽  
pp. 483
Author(s):  
Peggy Kamuf ◽  
Geoffrey Bennington
Keyword(s):  
Eighteenth Century ◽  
The Novel ◽  
The Law
Sign in / Sign up

Export Citation Format

Share Document