This lavishly illustrated collection covers a period of time that has seen tremendous growth in English-language kabuki scholarship. In 1966, there were in print but three introductory books on kabuki in English—Faubian Bowers's Japanese Theatre (1952), Earle Ernst's The Kabuki Theatre (1956), and A. C. Scott's The Kabuki Theatre of Japan (1966)—along with a handful of plays in translation and a few journal articles. Today, thanks to the work of such researchers as Samuel L. Leiter, James R. Brandon, Leonard Pronko, Donald Shively, Lawrence R. Kominz, Andrew C. Gerstle, and others, kabuki scholarship can boast of dozens of books and book chapters, as well as scores of articles covering a range of topics from music, theatre architecture, and dramatic text to actors, acting, and audience. Furthermore, with the recent publication of the four-volume series Kabuki Plays on Stage (edited by Brandon and Leiter, 2002–3), fifty-one previously untranslated plays are now available in English. No longer is it necessary to spend years learning the Japanese language in order to carry out research into kabuki theatre.
