The Defence of an Alien Priory: Modbury (Devon) in the 1450s

1999 ◽  
Vol 50 (2) ◽  
pp. 303-312 ◽  
Author(s):  
ALISON McHARDY ◽  
NICHOLAS ORME

Alien priories, the small dependencies of foreign religious houses established in the years following the Norman Conquest, were partly thank-offerings for military success and partly civilising centres and reminders of home for England's new rulers. Their foundation in the newly-conquered lands mirrored the success of the Anglo-Normans in colonising the British Isles, since later examples were planted in southern Scotland and in Ireland too. In England their establishment dated from the late eleventh to the early thirteenth centuries. They passed out of existence over a time-scale which was almost as long, for from the late thirteenth century, during periods of Anglo-French war, they were under attack from the crown as alleged nests of spies and as exporters of wealth to the enemy. The consequent seizure of these small houses by the crown and their vigorous exploitation by the exchequer reduced monastic life in all these houses and extinguished it in many, so that the mother houses found it advantageous to sell smaller properties while some of the larger priories were prompted to seek denization. Such solutions are evident from the last two decades of the fourteenth century. Apparent landmarks in this process of disintegration and change prove, upon close inspection, to be illusory; neither the ‘expulsion’ of 1378 nor the Act of Dissolution of 1414 were such decisive moments in the history of these houses as was once thought. Instead, we may suggest, each of these small houses must be examined separately, for the later history of each was distinctive. The religious life was entirely extinguished in some, which had become merely manors, by the later fourteenth century. Courtiers under Edward III and Richard II acquired a number which they used for the endowment of new religious houses; the Carthusian order was an especial beneficiary. Henry V endowed his new foundation of Sheen with alien priories, while some others were used to augment the endowments of existing monasteries and even hospitals. Pontefract (Yorkshire), thanks to the good offices of John of Gaunt, became denizen in 1393.

2021 ◽  
Vol 12 (2) ◽  
Author(s):  
Peter John Worsley

Robson in 1983 and 1988 in his reconsideration of the poetics of kakawin epics and Javanese philology drew readers’ attention to the importance of genre for the history of ancient Javanese literature. Aoyama in his study of the kakawin Sutasoma in 1992, making judicious use of Hans Jauss’s concept of “horizon of expectation”, offered the first systematic discussion of the genre of Old Javanese literary works. The present essay offers a commentary on the terms which mpu Monaguna and mpu Prapañca, authors of the thirteenth century epic kakawin Sumanasāntaka and the fourteenth century Deśawarṇana, themselves, employ to refer to the generic characteristics of their poems. Mpu Monaguna referred to his epic poem as a narrative work (kathā), written in a prakṛt, Old Javanese, and rendered in the poetic form of a kakawin and finally as a ritual act intended to enable the poet to achieve apotheosis with his tutelary deity and his poem to be the means of transforming the world, in particular to ensure the wellbeing of the readers, listeners, copyists and those who possessed copies of his poetic work. Mpu Prapañca described his Deśawarṇana differently. Also written in Old Javanese and in the poetic form of a kakawin—he refers to his work variously as a narrative work (kathā), a chronicle (śakakāla or śakābda), a praise poem (kastawan) and also as a ritual act designed to enable the author in an ecstatic state of rapture (alangö), and filled with the power and omniscience of his tutelary deity, to ensure the continued prosperity of the realm of Majapahit and to secure the rule of his king Rājasanagara. The essay considers each of these literary categories.


2021 ◽  
Author(s):  
Julian Poppe

This work manages to breathe new life into the old concept of ethnogenesis research and the associated linking of various modern research disciplines on culture, religion and language by drawing on the results of the latest genetic research on the history of the origin of the English people. In doing so, ethnogenetic processes in England from the original population of the British Isles up to and including the Norman Conquest are analysed, their effects evaluated, and the influence of the Anglo-Saxons and Celts judged to be greatest. It also highlights the applicability of ethnogenesis research today and the extent to which advances in genetics enrich it. With a foreword by Jens Ejnar Olesen.


Vivarium ◽  
2018 ◽  
Vol 56 (3-4) ◽  
pp. 340-366
Author(s):  
Christopher J. Martin

Abstract The history of thinking about consequences in the Middle Ages divides into three periods. During the first of these, from the eleventh to the middle of the twelfth century, and the second, from then until the beginning of the fourteenth century, the notion of natural consequence played a crucial role in logic, metaphysics, and theology. The first part of this paper traces the development of the theory of natural consequence in Abaelard’s work as the conditional of a connexive logic with an equivalent connexive disjunction and the crisis precipitated by the discovery of inconsistency in this system. The second part considers the accounts of natural consequence given in the thirteenth century as a special case of the standard modal definition of consequence, one for which the principle ex impossibili quidlibet does not hold, in logics in which disjunction is understood extensionally.


Archaeologia ◽  
1902 ◽  
Vol 58 (1) ◽  
pp. 275-292
Author(s):  
William Page

The history of mural and panel painting in England before the sixteenth century may perhaps be divided into three periods. Firstly, that from the Norman Conquest, or possibly before, which continued during the wave of monastic enthusiasm which swept over Europe, and ended at the close of the thirteenth century. During this time there is every reason to suppose from the evidence of chronicles, fabric rolls, and works accounts that in England as well as elsewhere all the decorative arts were practised by persons associated together in schools or lodges with three gradations of members, namely, masters, workmen, and apprentices or novices. Art was at this date fostered by the monasteries, indeed, those who practised it were largely drawn from the inmates of the Benedictine houses, and it would seem that, at all events at St. Albans, the sacrists were themselves workers and sometimes held the rank of master workmen. During this period one man practised many arts. We know that Richard the Painter superintended the building of Hereford Castle in 1172, and, later, Master John of St. Omer, while making the great lectern for the chapter house at Westminster in 1253, had carpenters, masons, painters, smiths, and others working under his direction. Numerous other instances could be quoted were not the practice so well known as to make it unnecessary.


2018 ◽  
Vol 30 (2) ◽  
pp. 94-119
Author(s):  
Simon Meecham-Jones

The textual history of The Book of the Duchess challenges many spurious traditions encouraged by the apparently disordered state of Chaucer’s texts on his death. The lack of contemporary references casts doubt on whether the poem was circulated in the fourteenth century or commissioned by John of Gaunt as an elegy for his wife. The first witnesses, in three mid-fifteenth-century manuscripts, contain substantial lacunae, ‘resolved’ in Thynne’s printed edition of 1532. This article examines Bodleian MS Fairfax 16, which bears the arms of John Stanley of Hooton, a leading court functionary from a rising family. It argues that the selection of texts in that MS reflects Stanley’s contact with a cultural milieu centred on the Duke of Suffolk, while the inclusion of The Book of the Duchess and The House of Fame may result from Suffolk’s wife Alice Chaucer making available material from her grandfather’s personal papers.


Traditio ◽  
2017 ◽  
Vol 72 ◽  
pp. 301-340
Author(s):  
EDWARD A. RENO

Medieval canon law recognized detrusion (detrusio in monasterium) as a sentence for women convicted of adultery. Civil law had made adultery a capital crime, so that detrusio was a milder action. This article traces the history of detrusio in canon law, especially in the thirteenth century, and treats further questions that detrusio raised. Detrusio was originally a pastoral provision, meant to provide a woman rejected by her husband for adultery an opportunity to enter religious life. But in the hands of the jurists detrusio became a coercive ecclesiastical penalty for adultery. The practice raised further concerns, for example: how the woman's property was to be treated; whether the woman sentenced to detrusio became a religious; whether a monastery should be a site of confinement for the laity; and, under what conditions a husband could take his adulterous wife back. The case was also raised of a man who accused his wife of adultery so that he could dissolve his marriage and enter a monastery.


Author(s):  
Caroline Starkey

This chapter examines the multiple roles that meditation plays in the lives of contemporary Buddhist monastics. Specifically, and drawing on rich ethnographic data, it focuses on the experiences of women who have taken Buddhist ordination within six different Buddhist groups and lineages in the British Isles. This chapter provides a brief history of the lived experience of meditation among emerging and established Buddhist monastic groups in Britain and an analysis of the role, function, and value of meditation practices, particularly among women. It makes comparisons between women of different Buddhist traditions in their approach to meditation and considers the implications of this for understanding the function of meditation in the Buddhist monastic tradition. Underpinning this approach is a challenge to assumptions about the individualistic nature of meditation in the contemporary West, emphasizing its communal role among monastic women in Britain.


TALIA DIXIT ◽  
2021 ◽  
pp. 59-83
Author(s):  
Carmen Benítez Guerrero ◽  
◽  
Covadonga Valdaliso Casanova

Although traditionally it was considered that the annals were the form of historical writing in the Early Middle Ages and fell into decline in the thirteenth century, several witnesses prove that the series of annals –i.e., series of concise historical records arranged chronologically –were copied, corrected, expanded, and continued, bringing it up to date, in the fifteenth and sixteenth centuries. This article comprises a study of a series of annals copied in the fifteenth century, but composed before, that cover the history of the Castilian Crown, focusing especially on the so-called Reconquest. As we will try to show, its contents are closely related to other annals written in Andalusia in the first half of the fourteenth century, as well as to later similar compositions


Author(s):  
Alain De libera

Albert the Great was the first scholastic interpreter of Aristotle’s work in its entirety, as well as being a theologian and preacher. He left an encyclopedic body of work covering all areas of medieval knowledge, both in philosophy (logic, ethics, metaphysics, sciences of nature, meteorology, mineralogy, psychology, anthropology, physiology, biology, natural sciences and zoology) and in theology (biblical commentaries, systematic theology, liturgy and sermons). His philosophical work is based on both Arabic sources (including Alfarabi, Avicenna and Averroes) and Greek and Byzantine sources (such as Eustratius of Nicaea and Michael of Ephesus). Its aim is to insure that the Latin world was properly introduced to philosophy by providing a systematic exposition of Aristotelian positions. Albert’s method of exposition (paraphrase in the style of Avicenna rather than literal commentary in the style of Averroes), the relative heterogeneity of his sources and his own avowed general intention ‘to list the opinions of the philosophers without asserting anything about the truth’ of the opinions listed, all contribute to making his work seem eclectic or even theoretically inconsistent. This was compounded by the nature and number of spurious writings which, beginning in the fourteenth century, were traditionally attributed to him in the fields of alchemy, obstetrics, magic and necromancy, such as The Great and the Little Albert, The Secrets of Women and The Secrets of the Egyptians. This impression fades, however, when one examines the authentic works in the light of the history of medieval Aristotelianism and of the reception of the philosophical sources of late antiquity in the context of the thirteenth-century university.


Sign in / Sign up

Export Citation Format

Share Document