Douglas L. Fix and John Shufelt (eds): Charles W. Le Gendre: Notes of Travel in Formosa. Tainan: National Museum of Taiwan History, 2012. ISBN 978 986 03 2127 2.

2013 ◽  
Vol 76 (1) ◽  
pp. 170-172
Author(s):  
Niki Alsford
2021 ◽  
pp. 162-176
Author(s):  
Kirk A. Denton

Chapter 7 concerns the National Museum of Taiwan Literature (國立台灣文學館‎) and its efforts to assert literature as a cultural foundation for a national polis. It presents a close reading of the exhibit when the museum first opened in 2003 and the 2011 revised exhibition. Like the National Museum of Taiwan History, this museum emphasizes Taiwan’s linguistic and cultural diversity, as well as its strong sense of openness and cultural tolerance.


2021 ◽  
pp. 48-64
Author(s):  
Kirk A. Denton

Chapter 2 focuses on the National Museum of Taiwan History (國立台灣歷史博物館‎) opened in 2011 in the city of Tainan. The first in Taiwan dedicated to telling the story of Taiwan’s development into nationhood, the museum centers its narrative around the tropes of inclusiveness, ethnic diversity, immigration, and political pluralism. In the process, it avoids the excesses of a more radical Taiwanese nativism and presents a “consensus” view of the history of the island that de-emphasizes historical traumas, such as inter-ethnic conflict, the horrendous treatment of Taiwan’s indigenous peoples, and the February 28 Incident.


2020 ◽  
Vol 3 (2) ◽  
pp. 343-361
Author(s):  
Susan Shih Chang ◽  
Jeremy Huai-Che Chiang

Abstract This review article looks at “Oppression and Overcoming: Social Movements in Post-War Taiwan” (2019.5.28–2020.5.17), an exhibition at the National Museum of Taiwan History (nthm) through approaches of museum studies and social movement studies, and aims to understand its implication for doing Taiwan Studies. This review concludes that “Oppression and Overcoming” is significant as a novel museological practice by being part of a continuation of social movements, which transformed the museum to a space for civil participation and dialogue. This allows the exhibition to become a window for both citizens and foreigners to understand and realize Taiwan’s vibrant democracy and civil society. In addition, this review suggests that future exhibitions on social movements could demonstrate the possibility to position Taiwan in a global context to better connect with other countries in the Asian region.


CounterText ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 26-32
Author(s):  
Norbert Bugeja

In this retrospective piece, the Guest Editor of the first number of CounterText (a special issue titled Postcolonial Springs) looks back at the past five years from various scholarly and personal perspectives. He places particular focus on an event that took place mid-way between the 2011 uprisings across a number of Arab countries and the moment of writing: the March 2015 terror attack on the Bardo National Museum in Tunis, which killed twenty-two people and had a profound effect on Tunisian popular consciousness and that of the post-2011 Arab nations. In this context, the author argues for a renewed perspective on memoir as at once a memorial practice and a political gesture in writing, one that exceeds concerns of genre and form to encompass an ongoing project of political re-cognition following events that continue to remap the agenda for the region. The piece makes a brief final pitch for Europe's need to re-cognise, within those modes of ‘articulacy-in-difficulty’ active on its southern borders, specific answers to its own present quandaries.


2015 ◽  
Vol 66 (2) ◽  
pp. 163-190 ◽  
Author(s):  
Richard Sharpe

In his Rhind Lectures of 1879 Joseph Anderson argued for identifying the Monymusk Reliquary, now in the National Museum of Scotland, with the Brecc Bennach, something whose custody was granted to Arbroath abbey by King William in 1211. In 2001 David H. Caldwell called this into question with good reason. Part of the argument relied on different interpretations of the word uexillum, ‘banner’, taken for a portable shrine by William Reeves and for a reliquary used as battle-standard by Anderson. It is argued here that none of this is relevant to the question. The Brecc Bennach is called a banner only as a guess at its long-forgotten nature in two late deeds. The word brecc, however, is used in the name of an extant reliquary, Brecc Máedóc, and Anderson was correct to think this provided a clue to the real nature of the Brecc Bennach. It was almost certainly a small portable reliquary, of unknown provenance but associated with St Columba. The king granted custody to the monks of Arbroath at a time when he was facing a rebellion in Ross, posing intriguing questions about his intentions towards this old Gaelic object of veneration.


Author(s):  
Melani McAlister

In October 2017, hundreds of faculty, friends, and former students gathered at the National Museum of African American History and Culture (NMAAHC) to remember James Oliver “Jim” Horton. It was a fitting gathering place. As the museum’s director, Lonnie Bunch, commented, Jim’s legacy is everywhere at the museum, from the fact that several of his former doctoral students are now curators to the foundational commitment of the museum itself: that African American history is not a local branch of US history but integral to its core. Jim always insisted in his lectures and classes and on his many TV appearances and public engagements that “American history is African American history.” 


Geo&Bio ◽  
2019 ◽  
Vol 2019 (17) ◽  
pp. 136-147
Author(s):  
Galina Anfimova ◽  
◽  
Volodymyr Grytsenko ◽  
Kateryna Derevska ◽  
Kseniia Rudenko ◽  
...  

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