Susan Hoyle & Carolyn Temple Adger (eds.), Kids talk: Strategic language use in later childhood. Oxford & New York: Oxford University Press, 1998. Pp. xv, 290. Hb $75.00, pb $35.00.

2000 ◽  
Vol 29 (2) ◽  
pp. 273-275
Author(s):  
Tony Wootton

This is a book containing reports of original research on children aged somewhere between seven and eighteen. All the contributors are based in the US, and with one exception all the thirteen studies were also carried out in the US; the exception, by Marilyn Merritt, also incorporates material from work which she has done in various parts of the African continent. Taken together, the studies cover many aspects of these young people's lives – home, school, playground, voluntary group meetings and work schemes. In most cases, one is struck by the extensive fieldwork which lies behind these research reports. Long periods of observation seem to be commonplace; and the efforts are impressive because, as Shirley Brice Heath points out in her chapter, obtaining naturalistic data from young people of this age can pose problems regarding both access and quality of data. In almost all cases, a corpus of audio or audio-visual recordings forms a basis for at least part of the analysis, though chapters are generally written so as to focus on only a small set of conversation extracts – a strategy which often does little justice to the range of data gathered within the research.

2016 ◽  
Vol 28 (8) ◽  
pp. 1399-1400 ◽  
Author(s):  
Martin Nikolaus Dichter ◽  
Eva-Maria Wolschon ◽  
Gabriele Meyer ◽  
Sascha Köpke

Dementia is a chronic and currently incurable syndrome. Therefore, quality of life (QoL) is a major goal when caring for people with dementia (Gibson et al., 2010) and a major outcome in dementia research (Moniz-Cook et al., 2008). The measurement of QoL, especially proxy-rating, is challenging because of the proxy-perspective (Pickard and Knight, 2005), reliability (Dichter et al., 2016), validity (O'Rourke et al., 2015), and responsiveness (Perales et al., 2013). Probably due to these challenges, it has not been possible to show positive effects for QoL in almost all non-pharmacological interventions for people with dementia (Cooper et al., 2012). One recommended (Moniz-Cook et al., 2008) and frequently used instrument is the Quality of Life in Alzheimer's Disease scale (QoL-AD), which was originally developed in the US for community-dwelling people with dementia. The QoL-AD consists of 13 items based on a 4-point Likert scale ranging from “1”=poor to “4”=excellent (Logsdon et al., 1999). The original instrument has been adapted for people living in nursing homes (NH) by Edelmann et al. (2005).


Tempo ◽  
2019 ◽  
Vol 73 (290) ◽  
pp. 7-12
Author(s):  
Tim Rutherford-Johnson

AbstractAaron Einbond was born in New York in 1978. He received his compositional education in the US (Harvard, University of California, Berkeley), the UK (Cambridge, Royal College of Music) and France (IRCAM), and his teachers have included Mario Davidovsky, Julian Anderson, Edmund Campion and Philippe Leroux. He currently teaches music composition, sound and technology at City University, London. He is interested in applications of technology within instrumental music, and almost all of his works combine electronics and acoustic instruments. Since 2007 – beginning with his piece Beside Oneself for viola and electronics (first performed by Ellen Ruth Rose), composed while studying at the University of California, Berkeley – he has also used audio analysis and retrieval software to transcribe recorded sounds into instrumental notation.Einbond's interest in phonographic transcription connects his work to that of other composers of his generation, including Patricia Alessandrini, Joanna Bailie, Richard Beaudoin and Cassandra Miller. (It also finds precedents in a wider musical interest in forms of transcription that one can find in the music of composers as diverse as Peter Ablinger, Luciano Berio and Michael Finnissy.) What makes Einbond's work distinctive is his focus on timbre as a musical parameter, rather than more abstract or easily quantifiable values such as pitch.


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