Yorkshire’s Godly Incendiary: The Career of Henry Darley During the Reign of Charles I

1999 ◽  
Vol 12 ◽  
pp. 435-464
Author(s):  
David Scott

The Puritans of northern England have been well served by modern historians. The work of J. T. Cliffe and R. C. Richardson has shed a considerable amount of light on the Yorkshire and Lancashire godly in the seventeenth century, while case-studies of prominent northern parliamentarians, such as Claire Cross’s recent biography of Alderman Hoyle of York, have contributed much to our understanding of how the region’s Puritans reacted to the Laudian ‘captivity’ of the Church and the endeavours after 1640 to build a new Jerusalem.

1992 ◽  
Vol 24 (2) ◽  
pp. 261-278 ◽  
Author(s):  
H. Larry Ingle

“Friends, take heed of setting up that which God will throw down, lest you be found fighters against God.”The nearly two decades comprising the period of the English Revolution were marked by a widespread interest in the timely appearance of the millennium, the thousand year period of Christ's promised earthly reign. From scholarly biblical studies of Daniel and Revelation to omens such as total eclipses of the sun and rumors of a Nottingham girl returning from the dead to warn a sinful world of approaching destruction, people in revolutionary England were bombarded with “evidence” of divine intervention and the expected arrival of the new kingdom. Parliament's victory in the English civil wars and its execution of Charles I in 1649 dramatically blew away the aura of divinity surrounding the monarchy and promised a new and glorious age. As they read prophecies in Revelation about a New Jerusalem where God would dry all tears and banish death, sorrow, and pain, enthusiasts of the seventeenth century anxiously looked for the Christ who promised, “Behold, I come quickly.” So prevalent were such notions that, as one authority has stressed, popular millenarianism seemed only a small step beyond received orthodoxy.


2014 ◽  
Vol 39 (1) ◽  
Author(s):  
Jan Kurowiak

AbstractAs a work of propaganda, graphics Austroseraphicum Coelum Paulus Pontius should create a new reality, make appearances. The main impression while seeing the graphics is the admiration for the power of Habsburgs, which interacts with the power of the Mother of God. She, in turn, refers the viewer to God, as well as Franciscans placed on the graphic, they become a symbol of the Church. This is a starting point for further interpretation of the drawing. By the presence of certain characters, allegories, symbols, we can see references to a particular political situation in the Netherlands - the war with the northern provinces of Spain. The message of the graphic is: the Spanish Habsburgs, commissioned by the mission of God, they are able to fight all of the enemies, especially Protestants, with the help of Immaculate and the Franciscans. The main aim of the graphic is to convince the viewer that this will happen and to create in his mind a vision of the new reality. But Spain was in the seventeenth century nothing but a shadow of former itself (in the time of Philip IV the general condition of Spain get worse). That was the reason why they wanted to hold the belief that the empire continues unwavering. The form of this work (graphics), also allowed to export them around the world, and the ambiguity of the symbolic system, its contents relate to different contexts, and as a result, the Habsburgs, not only Spanish, they could promote their strength everywhere. Therefore it was used very well as a single work of propaganda, as well as a part of a broader campaign


Author(s):  
Bridget Heal

Chapter 5 focuses on one particular type of Lutheran devotional image: the crucifix. It examines transformations in Lutheran Passion piety from the early Reformation to the era of Paul Gerhardt (1607–76), using this to illustrate the increasing significance accorded to images. Luther himself had condemned the excesses of late-medieval Passion piety, with its emphasis on compassion for Christ and the Virgin Mary, on physical pain and on tears. From the later sixteenth century onwards, however, Lutheran sermons, devotional literature, prayers and poetry described Christ’s suffering in increasingly graphic terms. Alongside this, late-medieval images of the Passion were restored and new images were produced. Drawing on case studies from the Erzgebirge, a prosperous mining region in southern Saxony, and Upper Lusatia, the chapter investigates the ways in which images of the Passion were used in Lutheran communities during the seventeenth century.


Author(s):  
Rosamund Oates

Tobie Matthew (c.1544–1628) lived through the most turbulent times of the English Church. Born during the reign of Henry VIII, he saw Edward VI introduce Protestantism, and then watched as Mary I violently reversed her brother’s changes. When Elizabeth I came to the throne in 1558, Matthew rejected his family’s Catholicism to join the fledgling Protestant regime. Over the next sixty years, he helped build a Protestant Church in England under Elizabeth I, James I, and Charles I. Rising through the ranks of the Church, he was Archbishop of York in the charged decades leading up to the British Civil Wars. Here was a man who played a pivotal role in the religious politics of Tudor and Stuart England, and nurtured a powerful strain of Puritanism at the heart of the established Church....


Author(s):  
Siobhan Keenan

The Progresses, Processions, and Royal Entries of King Charles I, 1625–1642 is the first book-length study of the history, and the political and cultural significance, of the progresses, public processions, and royal entries of Charles I. As well as offering a much fuller account of the king’s progresses and progress entertainments than currently exists, this study throws new light on one of the most vexed topics in early Stuart historiography—the question of Charles I’s accessibility to his subjects and their concerns, and the part that this may, or may not, have played in the conflicts which culminated in the English civil wars and Charles’s overthrow. Drawing on extensive archival research, the book opens with an introduction to the early modern culture of royal progresses and public ceremonial as inherited and practised by Charles I. Part I explores the question of the king’s accessibility and engagement with his subjects further through case studies of Charles’s ‘great’ progresses in 1633, 1634, and 1636. Part II turns attention to royal public ceremonial culture in Caroline London, focusing on Charles’s royal entry on 25 November 1641. More widely travelled than his ancestors, Progresses reveals a monarch who was only too well aware of the value of public ceremonial and who did not eschew it, even if he was not always willing to engage in ceremonial dialogue with his people or able to deploy the power of public display to curry support for his policies as successfully as his Tudor and Stuart predecessors.


Author(s):  
James B. Bell

In step with the gradually unfolding imperial policies of the successive governments of King Charles I and later monarchs, the Church of England was extended to the northern part of the Western hemisphere between 1662 and 1829. Under the supervision of the Board of Trade and Plantations until 1701, and the Society for the Propagation of the Gospel in Foreign Parts from that year, decade after decade an increasing number of men of differing origins and places of collegiate education in Britain came to serve missions of the Church in early America. The ranks included natives of England, Wales, Scotland, Ireland, and the American colonies, who were supported by the SPG or the legislatures of the provinces in which the Church was established. Development was shaped by imperial policies and administration over 160 years amid rising populations, changing political situations, and the consequences of war and diplomacy.


Author(s):  
Jonathan Hehn

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.


Costume ◽  
2015 ◽  
Vol 49 (1) ◽  
pp. 8-31 ◽  
Author(s):  
Claire Robinson

A pair of embroidered seventeenth-century gauntlet gloves, reputedly presented by King Charles I to his courtier Sir Henry Wardlaw, was donated to the University of St Andrews in 2001. This article sets out to uncover the truth behind this nearly four-hundred-year-old family legend by investigating Sir Henry’s royal connections and the social significance of the gauntlet gloves as a high-status, luxury clothing accessory. Based on the study of historic gloves in museum and private collections, it endeavours to date the gloves by discussing their design and manufacture within the context of seventeenth-century clothing fashion. This article also explores the symbolism behind the gauntlet gloves’ decorative scheme by unravelling some of the hidden messages that are conveyed about cultural, religious, political and technological developments and perspectives through seventeenth-century embroidery.


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