Urban Destination Selection among African Americans during the 1950s Great Migration

2008 ◽  
Vol 32 (3) ◽  
pp. 437-469 ◽  
Author(s):  
Townsand Price-Spratlen

This article examines a place utility model of how destination assets influenced inmigration for the 1950s African American urban system. Archival and historiographical data are combined with census data to conduct weighted least-squares regressions that compare economic, ethnogenic, and other place utilities. Despite declines in migrant selectivity and net southern out-migration, ethnogenic characteristics increased the size of in-migrant streams during the 1950s, net of the momentum from prior migration and, most important, net of economic and demographic place utilities. Even as several dramatic changes began or intensified during the period, ethnogenic attractions continued to shape destination selection during this “bridge” decade of civil rights–era migration.

2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Afifah Indriani ◽  
Delvi Wahyuni

This thesis is an analysis of a novel written by Nic Stone entitled Dear Martin (2017). It explores the issue of institutional racism in the post-civil rights era. The concept of systemic racism by Joe R.Feagin is employed to analyze this novel. This analysis focuses on four issues of systemic racism as seen through several African-American characters. This analysis also depends on the narrator to determine which parts of the novel are used as the data. The result of the study shows that African-American characters experience four forms of institutional racism which are The White Racial Frame and Its Embedded Racist Ideology, Alienated Social Relations, Racial Hierarchy with Divergent Group Interest, and Related Racial Domination: Discrimination in Many Aspects. In conclusion, in this post-civil rights movement era, African-Americans still face institutional racism.


Author(s):  
Cameron Leader-Picone

This chapter analyzes representations of Hurricane Katrina in African American literature to argue that the storm served to illustrate the entrenchment of structural racism and the importance of a specifically racialized tradition in African American literature. Adopting the theoretical framework of “slow violence,” the chapter analyzes two novels which depict both the storm and its aftermath: Jesmyn Ward’s Salvage the Bones (2011) and Kiese Laymon’sLong Division (2013). In the context of the early twenty-first century, these representations of Katrina do not displace the social advancements of African Americans but instead force recognition of the incompleteness not only of specific political battles but also of ongoing race, gender, and class-based narratives, thereby questioning the optimism of a rhetoric of post-Blackness. In particular, the novels establish continuity between Civil Rights Era traumas and struggles and Hurricane Katrina to push against a rhetoric focused on the transcendence of the past.


Author(s):  
Carol Bunch Davis

This book explores the tensions between cultural memory of the African American Freedom Struggle and representations of African American identity staged in five plays between 1959 and 1969 during the civil rights era. Through close readings of the plays, their popular and African American print media reviews, and the cultural context in which they were produced, the book shows how these representations complicate narrow ideas of blackness, which often limit the freedom struggle era to Martin Luther King's nonviolent protest and cast Malcolm X's black nationalism as undermining the Civil Rights Movement's advances. These five plays strategically revise the rhetoric, representations, ideologies, and iconography of the African American freedom struggle, subverting its dominant narrative. This revision critiques racial uplift ideology's tenets of civic and moral virtue as a condition of African American full citizenship. The dramas also reimagine the Black Arts Movement's restrictive notions of black authenticity as a condition of racial identity, and their staged representations construct a counter-narrative to cultural memory of the freedom struggle during that very era. In their use of a “postblack ethos” to enact African American subjectivity, the plays envision black identity beyond the quest for freedom, anticipating what blackness might look like when it moves beyond the struggle. Finally, the book discusses recent revivals, showing how these 1960s plays shape dimensions of modern drama well beyond the decade of their creation.


2010 ◽  
Vol 8 (3) ◽  
pp. 897-898
Author(s):  
Robert Gooding-Williams

This is a timely, engaging, and illuminating study of Black Nationalism. The book's “fundamental project,” Melanye T. Price writes, “is to systematically understand individual Black Nationalism adherence among African Americans in the post-Civil Rights era” (p. 60). Black Nationalism has a long history in African American politics, but with the demise of Jim Crow and the election of our first black president, we may reasonably wonder whether ordinary African American citizens are disposed to endorse it. Price's book is important because it addresses this question head-on, defending the thesis that a renewal of Black Nationalism remains a viable possibility in post-Obama America.


2017 ◽  
Author(s):  
Karida L. Brown

My dissertation project is an empirical examination of the ways in which social transformations of the 20th century—read along the grain of the Great Migration—impacted the collective identity of African Americans over space and time. In this work, I will analyze the racialized subjectivity and identity (trans)formation of a diaspora of African Americans who partook in an intergenerational migration from the plantations of central Alabama to the coalfields of southeastern Kentucky in the first half of the 20th century, and then moved on to urban cities throughout the United States throughout the Civil Rights-era. The latter generation of migrants collectively experienced major shifts in the social structures of their community of origin, such as transitioning from “colored schools” to a State mandated integrated school system, retrenchment in the labor economy of a single-industry community, and the subsequent mass out-migration from their community of origin. These jolts to the social structures of their society not only altered their horizon of opportunity, but also resulted in major dislocations in the cultural systems that informed their collective identity. Particular to the case, I am concerned with the ways in which these cultural traumas—memories of events that collectivities believe rended the social fabric of their society—impacted the collective identity of this diaspora. In spite of their geographic dispersion, this generation of migrants has managed to stay connected through a set of “invented traditions” that they constituted at the tail end of their out-migration. For example, the Eastern Kentucky Social Club—an organization established by this group of migrants in 1970—has hosted a reunion in different cities across the country every year for the last forty-four years. At its height, this event drew over 3,000 African American migrants from across the country. The broader aim of the project is to reconstruct the rich history and culture of this special population of Black Appalachians to put forth a re-examination of W.E.B. Du Bois’ phenomenological analysis of racialized subjectivity and African American identity formation in 20th century America.The overarching research questions that guide this study are (1) How do we explain the emergence of their post-migration diasporic identity? (2) How has their collective identity been negotiated, transformed and reinscribed through their changing, and sometimes contested, subjectivity as racialized American citizens through the continuum of the pre and post civil rights era? I will specifically focus on three events that have been the site of transformation for the individuals in my case, (1) the school desegregation process—an event that occurred almost a decade after the Brown vs. Board of Education decision in this region, (2) the mass out-migration from southeastern Kentucky—a community level event that was a precursor to the emergence of their diasporic identity, and (3) the construction of the EKAAMP archive—an event that marks the institutional transference from memory to history. These eventful temporalities provide three categories of analysis that will allow me to make important linkages to my research questions in the context of the past, present, and future.


Author(s):  
Eden Osucha

This chapter examines fictional depictions of African American presidents as a popular trope in U.S. film, television, and literature, as producing a discourse of “black presidentialism” that implicitly embeds a logic of passing that comes into relief in sketch-comedy performances by Richard Pryor and David Chappelle. This chapter argues that Chappelle’s “counterburlesque” as “Black President Bush,” which rearticulates George W. Bush’s Iraq War policy and its justifications rearticulates in terms of black hypermasculinity and street vernacularities, exposes how popular culture’s discourse of black presidentialism, in its post–Civil Rights era instantiations, invokes what the traditional passing narrative understands as the disconnect between its protagonist’s appearance and presumed essence of his or her identity, with acute attention to the role gender plays in racial semblance. In the case of the black president trope, that dualism is recoded as the tension between the abstracted white manhood of the office of the presidency and black masculine racial particularity.


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