II.—The Kells Crosier

Archaeologia ◽  
1955 ◽  
Vol 96 ◽  
pp. 59-113 ◽  
Author(s):  
Máire Mac Dermott
Keyword(s):  
British Museum ◽  
First Record ◽  
Museum Collection ◽  
Modern History ◽  
Royal Irish Academy ◽  
Early Christian ◽  
History Of

In the year 1850, Cardinal Wiseman writing to Dr. Russell of Maynooth mentions an ancient crosier which had come into his possession. This is the first record of the shrine known variously as the Kells crosier or the crosier of Cúduilig and Maelfinnén, which now forms one of the most beautiful and most treasured exhibits in the British Museum collection of Irish Early Christian antiquities. In his letter the cardinal describes how he had acquired this ‘most valuable relic’ at the auction of the belongings of a solicitor in London, the crosier evidently having been left in the chambers by a previous occupant, and asks for help in deciphering the inscription. Nothing whatever is known of the earlier history of the crosier or of when it was removed from Ireland. At the request of Dr. Russell, Petrie exhibited the crosier at a meeting of the Royal Irish Academy on 14th February 1851, and read a paper on it. The shrine was at the time deposited on loan in the Academy museum. The next step in the modern history of the Kells crosier was its acquisition by the British Museum in 1859.

The modern history of the first lambousa treasure of byzantine silverware from Cyprus

2009 ◽  
Vol 89 ◽  
pp. 389-403 ◽  
Author(s):  
Robert Merrillees
Keyword(s):  
Early Modern ◽  
British Museum ◽  
Late Antique ◽  
Modern History ◽  
History Of ◽  
Early Modern Era ◽  
Modern Era ◽  
Made In

AbstractFound in 1897, the important collection of Late Antique silverware known as the first Lambousa treasure (to distinguish it from a second find of Lambousa treasure made in 1902) was acquired in part by the British Museum in 1899. This paper reconstructs the history of the discovery of the first Lambousa treasure and the circumstances of its removal from Cyprus. Research for the paper has brought to light hitherto unknown documents, and throws new light on the collection of antiquities in the early modern era and the politics, attitudes and personalities involved.

A Short Modern History of Studying Sacrobosco’s De sphaera

2020 ◽  
Vol 65 (Special Issue) ◽  
pp. 23-33
Author(s):  
Alin Constantin Corfu
Keyword(s):  
20Th Century ◽  
Modern History ◽  
13Th Century ◽  
The Third ◽  
History Of ◽  
University Of Paris ◽  
The University

"A Short Modern History of Studying Sacrobosco’s De sphaera. The treatise generally known as De sphaera offered at the beginning of the 13th century a general image of the structure of the cosmos. In this paper I’m first trying to present a triple stake with which this treaty of Johannes de Sacrobosco (c. 1195 - c. 1256). This effort is intended to draw a context upon the treaty on which I will present in the second part of this paper namely, a short modern history of studying this treaty starting from the beginning of the 20th century up to this day. The first stake consists in the well-known episode of translation of the XI-XII centuries in the Latin milieu of the Greek and Arabic treaties. The treatise De sphaera taking over, assimilating and comparing some of the new translations of the texts dedicated to astronomy. The second Consists in the fact that Sacrobosco`s work can be considered a response to a need of renewal of the curriculum dedicated to astronomy at the University of Paris. And the third consists in the novelty and the need to use the De sphaera treatise in the Parisian University’s curriculum of the 13th century. Keywords: astronomy, translation, university, 13th Century, Sacrobosco, Paris, curriculum"

Russian Museum of Emperor Alexander III as a place of memory

2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky
Keyword(s):  
Comparative Analysis ◽  
Historical Consciousness ◽  
Russian Society ◽  
Museum Collection ◽  
Works Of Art ◽  
History Of ◽  
The Creation ◽  
Historical Representations

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.

From Stonehenge to Samarkand

2006 ◽  
Author(s):  
Brian Fagan
Keyword(s):  
Gustave Flaubert ◽  
Central Africa ◽  
British Museum ◽  
Holy Land ◽  
Cruise Ship ◽  
Modern Times ◽  
Ancient Civilization ◽  
Machu Picchu ◽  
History Of ◽  
The Silk Road

Ever since Roman tourists scratched graffiti on the pyramids and temples of Egypt over two thousand years ago, people have traveled far and wide seeking the great wonders of antiquity. In From Stonehenge to Samarkand, noted archaeologist and popular writer Brian Fagan offers an engaging historical account of our enduring love of ancient architecture--the irresistible impulse to visit strange lands in search of lost cities and forgotten monuments. Here is a marvelous history of archaeological tourism, with generous excerpts from the writings of the tourists themselves. Readers will find Herodotus describing the construction of Babylon; Edward Gibbon receiving inspiration for his seminal work while wandering through the ruins of the Forum in Rome; Gustave Flaubert watching the sunrise from atop the Pyramid of Cheops. We visit Easter Island with Pierre Loti, Machu Picchu with Hiram Bingham, Central Africa with David Livingstone. Fagan describes the early antiquarians, consumed with a passionate and omnivorous curiosity, pondering the mysteries of Stonehenge, but he also considers some of the less reputable figures, such as the Earl of Elgin, who sold large parts of the Parthenon to the British Museum. Finally, he discusses the changing nature of archaeological tourism, from the early romantic wanderings of the solitary figure, communing with the departed spirits of Druids or Mayans, to the cruise-ship excursions of modern times, where masses of tourists are hustled through ruins, barely aware of their surroundings. From the Holy Land to the Silk Road, the Yucatán to Angkor Wat, Fagan follows in the footsteps of the great archaeological travelers to retrieve their first written impressions in a book that will delight anyone fascinated with the landmarks of ancient civilization.

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