[no title]

1992 ◽  
Vol 17 (1) ◽  
pp. 30-31
Author(s):  
Halina Rusak
Keyword(s):  
New York ◽  
New York City ◽  
Contemporary Art ◽  
Visual Arts ◽  
York City ◽  
Art History ◽  
Art World ◽  
Full Spectrum ◽  
Insight Into

My involvement as an artist and as an art librarian allows me to see a full spectrum of art history from its inception by an artist to its assessment by an art historian. It enables me to better understand the needs of faculty and students in the field of visual arts, as well as to interface effectively with faculty and scholars in art history. My gallery membership at SOHO 20 in New York City provides me with insight into art trends in the making. It demonstrates well a woman’s place in the contemporary art world, and a role of a critic in promoting or establishing an artist. I feel that this knowledge makes me a better librarian.

scholarly journals Mapping intermediaries in contemporary art according to pragmatic sociology

2012 ◽  
Vol 15 (6) ◽  
pp. 695-702 ◽  
Author(s):  
Nathalie Heinich
Keyword(s):  
Contemporary Art ◽  
Visual Arts ◽  
Cultural Policy ◽  
Art World ◽  
Historical Explanation ◽  
Pragmatic Sociology ◽  
Insight Into

The role and number of intermediaries involved in the process of artistic mediation tend to be all the more important as the art world becomes more autonomous, ruled by specific values, words and actions. This is particularly obvious in the case of contemporary visual arts, as this article demonstrates. The example of a French member of the Nouveaux Réalistes movement helps mapping the various categories of persons, institutions, gestures, objects owing to which a piece of scrap may be offered the career of an authentic artwork. The article concludes by providing a historical explanation of the growing role of intermediaries in modern and contemporary art, and insight into current French cultural policy concerning intermediaries in the visual arts.

Contemporary Art-World Bias in Regard to Display Holography: New York City

Leonardo ◽  
1989 ◽  
Vol 22 (3/4) ◽  
pp. 419 ◽  
Author(s):  
D. Tulla Lightfoot
Keyword(s):  
New York ◽  
New York City ◽  
Contemporary Art ◽  
York City ◽  
Art World

Christopher Wheeldon

2021 ◽  
pp. 735-753
Author(s):  
Rachel Straus
Keyword(s):  
New York ◽  
New York City ◽  
York City ◽  
Broadway Musical ◽  
The Press ◽  
Michael Jackson

In 2000, English-born Christopher Wheeldon became the first artist-in-residence at New York City Ballet (NYCB). The press compared his choreography to George Balanchine’s. This chapter discusses Wheeldon’s critically acclaimed NYCB ballet Polyphonia (2001) in relation to the “thick narrative” of the company’s history. It argues that Wheeldon’s collaborations with NYCB dancers Wendy Whelan and Jock Soto, in Polyphonia and other works, produced a unique aesthetic, one that transcended Balanchine’s neoclassical legacy. The chapter ends by considering how Wheeldon’s controversial decision to direct the Broadway musical about Michael Jackson is not out of character, but emblematic of his propensity to embrace the role of an outsider, who works to understand the unfamiliar and who surpasses what is expected of him.

Post-War Blues (1945–1947)

2016 ◽  
Author(s):  
James King
Keyword(s):  
New York ◽  
New York City ◽  
Visual Arts ◽  
York City ◽  
Modern Art ◽  
Museum Of Modern Art ◽  
Post War ◽  
Similar Kind ◽  
At Home

This chapter details events in Roland Penrose's life from 1945 to 1947. Lee and Roland flew to New York City on 19 May 1946. Roland was elated to have the opportunity to rekindle his relationship with the Museum of Modern Art's (MOMA) director Alfred H. Barr, Jr., who likely warned him about the dangers he would face if he backed any kind of proposal to open a museum of modern art in London. Roland was taken with MOMA's collection: ‘Realizing that it was on a far greater scale that anything that could be dreamt of in London, consistently indifferent to all matters concerning the visual arts and still enfeebled by the war, this achievement nevertheless roused in me a longing to attempt some similar kind of folly at home’. Barr would also have expressed his gratitude to Roland for allowing his Picassos to be sent to MOMA during the war.

The Import of a Narrative : The Role of Aesthetics and Discursive Elements in Fabricating Change in the Centre of São Paulo

2021 ◽  
Author(s):  
Beatriz Kalichman ◽  
Beatriz Rufino
Keyword(s):  
New York ◽  
New York City ◽  
Real Estate ◽  
York City ◽  
Central Area ◽  
Sao Paulo ◽  
Urban Transformation ◽  
São Paulo ◽  
The Past

This chapter examines the use of aesthetic and discursive elements in the production of a narrative about República, a district in the central area of São Paulo (Brazil) that has been transformed through a real estate boom in the past ten years. We focus on newly built studio apartments, and on the efforts to differentiate them from the quitinetes, apartments with similar features built in the 1950s and 1960s that have been heavily stigmatized. We situate our analysis of this purposeful urban transformation within a context intertwined with urban marketing, publicity, and image making. Our research shows the strong presence of an industrial aesthetic in the area, which we understand as being a deliberate echo of the gentrification process that took place in SoHo in New York City in the 1970s.

Support at Any Distance? The Role of Location and Prejudice in Public Opposition to the “Ground Zero Mosque”

2013 ◽  
Vol 46 (04) ◽  
pp. 753-759
Author(s):  
Brian F. Schaffner
Keyword(s):  
New York ◽  
New York City ◽  
Public Opinion ◽  
York City ◽  
Survey Experiment ◽  
Ground Zero ◽  
Multicultural Center ◽  
Public Opposition

AbstractIn 2010, a debate erupted about plans to construct a mosque (as part of a larger multicultural center) approximately two blocks from Ground Zero in New York City. The main justification given by those who opposed the mosque was that building it so close to Ground Zero would appear to be insensitive. Public opinion appeared to support this notion, as large majorities of Americans registered their opposition to the mosque in surveys conducted at the time. In this article, I examine whether distance was, in fact, an important factor influencing citizens' opposition to the mosque. Using a survey experiment, I asked for opinions on the building of a mosque while randomizing how far the mosque was located from Ground Zero. Results from the experiment indicate that opposition to the mosque was unaffected by how far the mosque would be located from Ground Zero, but strongly influenced by factors such as partisanship, ideology, and tolerance for out groups.

Corporate Role of New York City in the Metropolitan Hierarchy

1990 ◽  
Vol 80 (4) ◽  
pp. 370 ◽  
Author(s):  
James O. Wheeler
Keyword(s):  
New York ◽  
New York City ◽  
York City
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