Christopher Wheeldon

Author(s):  
Rachel Straus

In 2000, English-born Christopher Wheeldon became the first artist-in-residence at New York City Ballet (NYCB). The press compared his choreography to George Balanchine’s. This chapter discusses Wheeldon’s critically acclaimed NYCB ballet Polyphonia (2001) in relation to the “thick narrative” of the company’s history. It argues that Wheeldon’s collaborations with NYCB dancers Wendy Whelan and Jock Soto, in Polyphonia and other works, produced a unique aesthetic, one that transcended Balanchine’s neoclassical legacy. The chapter ends by considering how Wheeldon’s controversial decision to direct the Broadway musical about Michael Jackson is not out of character, but emblematic of his propensity to embrace the role of an outsider, who works to understand the unfamiliar and who surpasses what is expected of him.

2011 ◽  
Vol 34 (1) ◽  
pp. 89-105
Author(s):  
Peter G. Vellon

“For Heart, Patriotism, and National Dignity”: The Italian Language Press in New York City and Constructions of Africa, Race, and Civilization” examines how mainstream and radical newspapers employed Africa as a trope for savage behavior by analyzing their discussion of wage slavery, imperialism, lynching, and colonialism, in particular Italian imperialist ventures into northern Africa in the 1890s and Libya in 1911-1912. The Italian language press constructed Africa as a sinister, dark, continent, representing the lowest rung of the racial hierarchy. In expressing moral outrage over American violence and discrimination against Italians, the press utilized this image of Africa to emphatically convey its shock and disgust. In particular, Italian prominenti newspapers capitalized on this racial imagery to construct a narrative of Italianness and Italian superiority in order to combat unflattering depictions of Italian immigrants arriving in the United States.


Author(s):  
Beatriz Kalichman ◽  
Beatriz Rufino

This chapter examines the use of aesthetic and discursive elements in the production of a narrative about República, a district in the central area of São Paulo (Brazil) that has been transformed through a real estate boom in the past ten years. We focus on newly built studio apartments, and on the efforts to differentiate them from the quitinetes, apartments with similar features built in the 1950s and 1960s that have been heavily stigmatized. We situate our analysis of this purposeful urban transformation within a context intertwined with urban marketing, publicity, and image making. Our research shows the strong presence of an industrial aesthetic in the area, which we understand as being a deliberate echo of the gentrification process that took place in SoHo in New York City in the 1970s.


2013 ◽  
Vol 46 (04) ◽  
pp. 753-759
Author(s):  
Brian F. Schaffner

AbstractIn 2010, a debate erupted about plans to construct a mosque (as part of a larger multicultural center) approximately two blocks from Ground Zero in New York City. The main justification given by those who opposed the mosque was that building it so close to Ground Zero would appear to be insensitive. Public opinion appeared to support this notion, as large majorities of Americans registered their opposition to the mosque in surveys conducted at the time. In this article, I examine whether distance was, in fact, an important factor influencing citizens' opposition to the mosque. Using a survey experiment, I asked for opinions on the building of a mosque while randomizing how far the mosque was located from Ground Zero. Results from the experiment indicate that opposition to the mosque was unaffected by how far the mosque would be located from Ground Zero, but strongly influenced by factors such as partisanship, ideology, and tolerance for out groups.


1990 ◽  
Vol 80 (4) ◽  
pp. 370 ◽  
Author(s):  
James O. Wheeler
Keyword(s):  
New York ◽  

2011 ◽  
Vol 3 (3) ◽  
pp. 244-267 ◽  
Author(s):  
C Kirabo Jackson ◽  
Henry S Schneider

This study investigates the role of social networks in aligning the incentives of agents in settings with incomplete contracts. Specifically, the study examines the New York City taxi industry where taxis are often leased and lessee-drivers have worse driving outcomes than owner-drivers due to moral hazard. Using within-driver variation and instrumental variable strategies to remove selection, we find that drivers leasing from members of their country-of-birth community exhibit significantly reduced effects of moral hazard, representing an improvement of almost one-half of a standard deviation of the outcome measures. Screening is ruled out as an explanation, and other mechanisms are investigated. (JEL D82, D86, L92, Z13)


2003 ◽  
Vol 25 (4) ◽  
pp. 14-18
Author(s):  
Barbara Jones

Belford is a small (about 1.32 square miles), relatively isolated, fishing community. It is nestled between Port Monmouth and Leonardo on Route 36 in the Bayshore area of Middletown, New Jersey. It sits across the bay from New York City such that the view from the fishing port is of New York City and the Earle Naval Pier. Belford is a mix of houses and small businesses, although the primary economic focus is the Belford Seafood Cooperative and the beach/fishing access areas. Ethnographic data was collected for the Belford commercial fishing port as part of a larger effort to provide information that can be used to assess the impacts of changes in the regulatory environment on fisheries and fishing communities. The profile of Belford the follows contributes to other work done on the likely social impacts of alternative regulatory actions, as well as developing scientifically defensible criteria for determining fishery dependency. This research also contributes to our understanding of the role of gentrification on traditional fishing communities, particularly the stress gentrification puts on traditional behaviors.


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