Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice

Prospects ◽  
1988 ◽  
Vol 13 ◽  
pp. 1-35 ◽  
Author(s):  
Patricia Caldwell

Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.

Prospects ◽  
1988 ◽  
Vol 13 ◽  
pp. 1-35
Author(s):  
Patricia Caldwell

Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.


2000 ◽  
Vol 29 (1) ◽  
pp. 141-144
Author(s):  
E. Jennifer Monaghan

In what she terms “an exercise in historical eavesdropping”, Kamensky explores the relationship between speech and society in 17th-century New England. In doing so, she places speech at center stage in the New England experience. Her insightful study floodlights the connections between gender and speech, speech and power, community cohesiveness and community deviance. Early New Englanders, she argues, believed “speech was conduct and conduct was speech” that is, in a culture that remained largely oral, they imbued speech with powers almost as great as those of actual deeds.


Reviews: Cultural History, History Meets Fiction, the Masculine Self in Late Medieval England, the Tower of London in English Renaissance Drama: Icon of Opposition, Writing Lives. Biography and Textuality, Identity and Representation in Early Modem England, Women Writers and Public Debate in Seventeenth-Century Britain, Religion, Reform, and Women's Writing in Early Modem England, Work and Play on the Shakespearean Stage, Shakespeare and the Nobility: The Negotiation of Lineage., Roger L'Estrange and the Making of Restoration Culture, Shakespeare and Garrick, Prodigal Daughters: Susanna Rowson's Early American Women, Spheres of Action: Speech and Performance in Romantic Culture, Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism, the Victorians and Old Age, Shakespeare and Victorian Women., Becoming a Woman of Letters. Myths of Authorship and Facts of the Victorian Market, the Cambridge Companion to Gilbert and Sullivan, Hitler's War Poets: Literature and Politics in the Third Reich, the Importance of Feeling English: American Literature and the British Diaspora, 1750–1850, the Oprah Affect: Critical Essay s on Oprah's Book ClubAnnaGreen, Cultural History , Palgrave Macmillan, 2008, pp. viii + 163, £15.99BeverleySouthgate, History Meets Fiction , Pearson, 2009, pp. xi + 215, £14.99 pbDerekG. Neal, The Masculine Self in Late Medieval England , University of Chicago Press, 2008. pp. xii + 320. $68.00; $25.00 pb.KristenDeiter, The Tower of London in English Renaissance Drama: Icon of Opposition , Routledge, 2008, pp. xiii+259, £60KevinSharpe and ZwickerSteven N. (eds), Writing Lives. Biography and Textuality, Identity and Representation in Early Modem England , Oxford University Press, 2008, pp. xiii + 369, £55.CatharineGray, Women Writers and Public Debate in Seventeenth-Century Britain , Early Modern Cultural Studies, 1500–1700, Palgrave Macmillan, 2007, pp. x + 262, £42.50KimberlyAnne Coles, Religion, Reform, and Women's Writing in Early Modem England , Cambridge University Press, 2008, pp. vii + 250, £50.TomRutter, Work and Play on the Shakespearean Stage , Cambridge University Press, 2008, pp. x + 205. £65CatherineGrace Canino, Shakespeare and the Nobility: The Negotiation of Lineage. Cambridge University Press, 2007. pp. x + 266, £50AnneDunan-Page and LynchBeth (eds), Roger L'Estrange and the Making of Restoration Culture , Ashgate, 2008, pp. xx + 236, £55.VanessaCunningham, Shakespeare and Garrick , Cambridge University Press, 2008, pp. viii + 231, £50.MarionRust, Prodigal Daughters: Susanna Rowson's Early American Women , University of North Carolina Press, 2008, pp. x + 311, $59.95, $24.95 pb.AlexanderDick and EsterhammerAngela (eds), Spheres of Action: Speech and Performance in Romantic Culture , University of Toronto Press, 2009, pp. viii + 306, £42.RobertS. Levine, Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism , University of North Carolina Press, 2008, pp. x + 322, $59.95, $21.95 (pb).KarenChase, The Victorians and Old Age , Oxford University Press, 2009, pp. xiv + 284, £55; LooserDorothy, Women Writers and Old Age in Great Britain 1750–1850, Johns Hopkins University Press, 2008, pp. xvi + 234, £29.GailMarshall, Shakespeare and Victorian Women. Cambridge University Press, 2009. pp. x+ 207. £50.LindaH. Peterson, Becoming a Woman of Letters. Myths of Authorship and Facts of the Victorian Market , Princeton University Press, 2009, pp. xv + 289, £19.95.EdenD. and SarembaM. (eds), The Cambridge Companion to Gilbert and Sullivan , Cambridge University Press, 2009, pp. v + 274. £17.99 pb.JayBaird, Hitler's War Poets: Literature and Politics in the Third Reich , Cambridge University Press, 2008. pp. xv + 284. £47, £17.99 pb.LennardTennenhouse, The Importance of Feeling English: American Literature and the British Diaspora, 1750–1850. Princeton University Press, 2007, pp. x + 158, $35.CeciliaKonchar Farr and HarkerJaime (eds) The Oprah Affect: Critical Essay s on Oprah's Book Club , 2008, SUNY Press, pp. 336, $74.50, $24.95 pb.

2010 ◽  
Vol 19 (1) ◽  
pp. 80-104
Author(s):  
Gary Farnell ◽  
Christopher Parker ◽  
John M. Fyler ◽  
Christopher Highley ◽  
R. C. Richardson ◽  
...  

2009 ◽  
Vol 36 (2-3) ◽  
pp. 281-298
Author(s):  
Catherine Fountain

This article compares two missionary grammars written in the middle of the 17th century, Horacio Carochi’s (1579–1662)Arte de la Lengua Mexicana con la declaración de los adverbios della(1645) and John Eliot’s (1604–1690)The Indian Grammar Begun: or, an Essay to Bring the Indian Language into Rules(1666). Although published only 21 years apart, the two works differ in both context and theoretical underpinnings. These differences are manifested both in the type and depth of analysis undertaken by each author. Indeed, Carochi’s analysis goes much deeper and offers a more complete description of the language treated. While this can be attributed in part to Carochi’s own linguistic ability, the quality and completeness of his grammar is due in large part to the existence of a tradition of scholarship concerning Nahuatl in New Spain, a tradition that is strikingly absent in New England of the time.


Author(s):  
Vincent Carretta

The person now best known as Phillis Wheatley was born around 1753 in West Africa, most likely south of the Senegambia area. In 1761 the slave ship Phillis brought her to Boston, where the merchant John Wheatley and his wife, Susanna, purchased her. Wheatley’s mistress enabled her to become literate and encouraged her to write poetry that soon found its way into New England newspapers. Phillis Wheatley gained transatlantic recognition with her 1770 elegy on the death of the evangelist George Whitefield, which she addressed and sent to his English patron, the Countess of Huntingdon. By 1772 Wheatley had written enough poems so that she could attempt to capitalize on her growing transatlantic reputation by producing a book of previously published and new poems. Rather than publishing her volume in Boston, Phillis and her mistress successfully sought a London publisher through Huntingdon’s patronage. Phillis accompanied her owner’s son to London in 1773, where she spent several weeks promoting the forthcoming publication of her Poems on Various Subjects: Religious and Moral. Its publication made her the first English-speaking person of African descent to publish a book and, consequently, to become a founder of African American literature. Phillis Wheatley was on her way back to Boston before her book appeared in September 1773. She probably agreed to return only if her owners promised to free her, as she told a correspondent, “at the desire of [her] friends in England” (Carretta 2019, cited under Primary Texts, p. 110), one of whom was Granville Sharp. Sharp had procured a ruling in the King’s Bench in 1772 that legally no slave brought to England could be forced to return to the colonies as a slave. Her owners freed her within a few weeks of her return in September 1773 to Boston, where she quickly took charge of promoting, distributing, and selling her book. Her former mistress died the following March. Phillis continued to live with her former master, John Wheatley, until his death in March 1778. She became engaged to John Peters, a free black, the next month, and married him in November 1778. Initially a successful businessman, Peters soon suffered financial distress during the post-Revolution depression. Publication of Wheatley’s Poems gained her widespread contemporaneous fame, bringing her to the attention of Voltaire, Benjamin Rush, Benjamin Franklin, John Paul Jones, and George Washington, among others. However, during her lifetime, her fame was short-lived once she was on her own and after her marriage. She published only a few poems after 1773 and unsuccessfully tried to find a Boston publisher for a proposed second volume of her writings, which was to include correspondence and be dedicated to Benjamin Franklin. Her husband was probably in jail for debt when Phillis died in poverty in Boston on 5 December 1784. Her first biographer, Matilda Margaretta Odell, claims that Phillis and John had three children, who all died young. However, no records of their births, baptisms, or deaths have been found. Although Odell says only that John Peters “went South,” he died in Charlestown, just north of Boston, in March 1801.


2020 ◽  
Vol 5 (1) ◽  
pp. 89-103
Author(s):  
Gerardo Bustamante Bermúdez

This paper is a brief review of the contribution of Aralia López González as historian of Latin American literature, with particular emphasis on the Mexican narrative and its particular development in women writers born at the beginning of the last century and texts published until the nineties. Attentive to the issue of feminine writing, the researcher dedicated a large part of her academic life to observe, from the perspective of literary and cultural studies, the critical and editorial reception of women’s writing, as well as the themes and aesthetics in which consecrated and even marginalized women writers flourish. The possibility of studying this textual corpus was a way of making female voices visible, including that of the researcher herself and that of other writers and literary critics.


Author(s):  
Tony Tanner

When Huckleberry Finn was published in 1882 at least one New England library promptly banned it. This rather pathetic gesture is an apt indication of the larger crisis of culture of the decade, the significance of which extends in many directions - social, philosophical, and theological. In art, it took the form of a stylistic rebellion, a rebellion that ultimately rendered obsolete the cherished styles of Longfellow, Emerson and Holmes, and set a tone which has remained a constant in American literature to this day. This rebellion was brought to a head by one man; and his book, Huckleberry Finn, is pivotal in the history of American literature.


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