The Freethinker, the Jews, and the Missionaries: George Houston and the Mystery of Israel Vindicated

AJS Review ◽  
1980 ◽  
Vol 5 ◽  
pp. 101-114 ◽  
Author(s):  
Jonathan D. Sarna

In 1820, a volume entitled Israel Vindicated, written by "An Israelite," was published in New York City. It was the first Jewish polemic composed in response to the founding of a missionary society, the American Society for Meliorating the Condition of the Jews, and it remained influential throughout the nineteenth century. The author of this work, however, has never been identified. Nor has the volume itself received the attention it deserves. This article attempts to fill both of these lacunae.Section one describes and analyzes Israel Vindicated. It places the work within the context of its times, and compares it to other, more traditional anti-Christian polemics. Section two outlines the postpublication history of Israel Vindicated. Soon after it appeared, some New Yorkers attempted to have the work banned, and its author exposed and punished. Later, the work was variously invoked by Jews and Judeophobes alike, though, of course, for different purposes. In section three, the author of Israel Vindicated assumes center stage. A review of old and new evidence leads to the conclusion that the work flowed from the pen of freethinker George Houston, assisted probably by his Jewish printer, Abraham Collins. Finally, section four analyzes the motivations of George Houston and his Jewish supporters. As is shown, this was far from the first time that Jews joined forces temporarily with other, sometimes hostile minority groups in pursuit of self-interest. Adversity makes strange bedfellows.

AJS Review ◽  
1980 ◽  
Vol 5 ◽  
pp. 101-114
Author(s):  
Jonathan D. Sarna

In 1820, a volume entitled Israel Vindicated, written by "An Israelite," was published in New York City. It was the first Jewish polemic composed in response to the founding of a missionary society, the American Society for Meliorating the Condition of the Jews, and it remained influential throughout the nineteenth century. The author of this work, however, has never been identified. Nor has the volume itself received the attention it deserves. This article attempts to fill both of these lacunae.Section one describes and analyzes Israel Vindicated. It places the work within the context of its times, and compares it to other, more traditional anti-Christian polemics. Section two outlines the postpublication history of Israel Vindicated. Soon after it appeared, some New Yorkers attempted to have the work banned, and its author exposed and punished. Later, the work was variously invoked by Jews and Judeophobes alike, though, of course, for different purposes. In section three, the author of Israel Vindicated assumes center stage. A review of old and new evidence leads to the conclusion that the work flowed from the pen of freethinker George Houston, assisted probably by his Jewish printer, Abraham Collins. Finally, section four analyzes the motivations of George Houston and his Jewish supporters. As is shown, this was far from the first time that Jews joined forces temporarily with other, sometimes hostile minority groups in pursuit of self-interest. Adversity makes strange bedfellows.


2000 ◽  
Vol 34 (1) ◽  
pp. 243-243 ◽  
Author(s):  
Richard Alba

The following essays were originally presented at a symposium at the 1998 annual meeting of the Eastern Sociological Society. The charge to the authors was to revisit Beyond the Melting Pot, the classic statement about ethnicity, race, and the American city, first published in 1963, and to assess how well its interpretations apply to the contemporary immigration metropolis. The commentators included two New Yorkers (Nancy Foner and Philip Kasinitz), since New York City was the terrain of the book, and two non-New Yorkers (Elijah Anderson and Alejandro Portes). Their commentaries touch on many points in the immigration landscape of today, from immigration's impacts on African Americans to immigrant transnationalism, and identify a number of continuities and discontinuities between the contemporary metropolis and that of nearly four decades ago. Further, Nathan Glazer's response provides, for the first time in a widely accessible form, his reflections on how well the book's portrait and predictions have held up. I am grateful to the IMR editor, Lydio Tomasi, and the journal's board for the opportunity to present this symposium to readers.


2012 ◽  
Vol 11 (1) ◽  
pp. 27-70
Author(s):  
Julia Guarneri

In 1877, a Congregational pastor started a modest effort to send New York City tenement children on two-week summer vacations in country homes. The pastor's Fresh Air Fund grew, in the following decades, into a hugely popular program and a celebrated cause. The charity thrived in part because its simple project adapted well to several different reform environments. The fund made a place for itself in the evangelical child-saving efforts of the Gilded Age, the civic-minded reforms of the Progressive Era, and the more individualistic pursuits of the 1920s. In each era, fund leaders cast country vacations as simple means to address middle-class New Yorkers' fears about their changing city, from the influx of immigrants to the spread of disease to rising class tensions.Tracking the Fresh Air Fund over fifty years reveals the sea changes in child-welfare work between 1877 and 1927, but it also calls attention to continuities often overlooked in the history of child welfare. Throughout the Gilded Age and Progressive Era, the fund tapped supporters' constant and deep-seated beliefs in children's potential, the restorative power of the outdoors, and a child's right to play.


2020 ◽  
Vol 73 (3) ◽  
pp. 66-78
Author(s):  
Vince Schleitwiler ◽  
Abby Sun ◽  
Rea Tajiri

This roundtable grew out of conversations between filmmaker Rea Tajiri, programmer Abby Sun, and scholar Vince Schleitwiler about a misunderstood chapter in the history of Asian American film and media: New York City in the eighties, a vibrant capital of Asian American filmmaking with a distinctively experimental edge. To tell this story, Rea Tajiri contacted her artist contemporaries Shu Lea Cheang and Roddy Bogawa as well as writer and critic Daryl Chin. Daryl had been a fixture in New York City art circles since the sixties, his presence central to Asian American film from the beginning. The scope of this discussion extends loosely from the mid-seventies through the late nineties, with Tajiri, Abby Sun, and Vince Schleitwiler initiating topics, compiling responses, and finalizing its form as a collage-style conversation.


Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 875-879
Author(s):  
M. Thendral ◽  
Dr. G. Parvathy

DeLillo is a well- known American novelist of fifteen novels, who is widely regarded by other critics as an important satirist of modern culture. Throughout his novels, he has picturized the chaos underwent by the society i.e. the effects of media, technology and popular culture on the daily lives of contemporary American society. All of his novels move in and around New York City as a setting. The study attempts to examine the development of New York City and individuals in a post-modernistic perspective.


2021 ◽  
pp. 009614422199964
Author(s):  
Glenn Dyer

Historians have conducted important research on the rise of law-and-order politics in New York City, where anxieties over women’s freedoms, political battles over police oversight, and crime impacts in poor communities contributed to its rise. The numerous walkouts, negotiations, and worker-management conflicts around high-crime areas in New York City suggest that the question of law and order was a salient workplace issue as well for the members of Communication Workers of America Local 1101. In their case, such concerns predate the rhetorical rise of law and order and help us better understand why such politics found fertile ground among working-class New Yorkers, white and black. Repeated incidences, largely in the city’s black ghettoes, prompted workers with a strong class consciousness and commitment to solidarity to transform the problems and experiences of individual workers into a shared question to be addressed via collective action.


1984 ◽  
Vol 18 (1) ◽  
pp. 126
Author(s):  
Olga Jimenez Wagenheim ◽  
Virginia Sanchez Korrol

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