I—Synthetic Training Aids in the Royal Air Force

1958 ◽  
Vol 11 (4) ◽  
pp. 365-367
Author(s):  
J. Wilson

Synthetic training aids in use in the Royal Air Force today range from a sectioned miniature valve used in teaching basic electronics through a wide range of devices of increasing complexity until we reach the Victor Flight Simulator linked with an N.B.S. (Navigation and Bombing System) trainer, which rivals in complexity, and probably surpasses in cost, the famous ERNIE.

2021 ◽  
Author(s):  
◽  
Liam Barnsdale

<p>Throughout the Second World War, the Royal Air Force saw widespread promotion by Britain’s propagandists. RAF personnel, primarily aviators, and their work made frequent appearances across multiple propaganda media, being utilised for a wide range of purposes from recruitment to entertainment. This thesis investigates the depictions of RAF aviators in British propaganda material produced during the Second World War. The chronological changes these depictions underwent throughout the conflict are analysed and compared to broader strategic and propaganda trends. Additionally, it examines the repeated use of clothing and characteristics as identifying symbols in these representations, alongside their appearances in commercial advertisements, cartoons and personal testimony. Material produced or influenced by the Ministry of Information, Air Ministry and other parties within Britain’s propaganda machine across multiple media are examined using close textual analysis. Through this examination, these parties’ influences on RAF aviators’ propaganda depictions are revealed, and these representations are compared to reality as described by real aviators in post-war accounts. While comparing reality to propaganda, the traits unique to, or excessively promoted in, propaganda are identified, and condensed into a specific set of visual symbols and characteristics used repeatedly in propaganda depictions of RAF aviators. Examples of these traits from across multiple media are identified and analysed, revealing their systematic use as aids for audience recognition and appreciation.</p>


1966 ◽  
Vol 70 (669) ◽  
pp. 836-842
Author(s):  
H. W. Goodinge

On 29th March of this year, The Society of British Aerospace Companies celebrated the completion of fifty years' activity. It was on 29th March 1916 that The Society of British Aircraft Constructors was incorporated —junior to The Royal Aeronautical Society and The Royal Aero Club, but senior by two years to the Royal Air Force. The Society continued under that title until 26th February 1964, when its name was changed to “Society of British Aerospace Companies.” The new title retains the well-known initials SBAC but more accurately covers the wide range of interests of the Society's Members—not only the manufacture of aircraft, but of engines, missiles, electronics, hydraulics and pneumatics, electrical equipment and all other components and materials essential to such a technologically advanced industry. The new title also brings the Society into line with comparable associations in the United States, France, Germany, and Italy.


2021 ◽  
Author(s):  
◽  
Liam Barnsdale

<p>Throughout the Second World War, the Royal Air Force saw widespread promotion by Britain’s propagandists. RAF personnel, primarily aviators, and their work made frequent appearances across multiple propaganda media, being utilised for a wide range of purposes from recruitment to entertainment. This thesis investigates the depictions of RAF aviators in British propaganda material produced during the Second World War. The chronological changes these depictions underwent throughout the conflict are analysed and compared to broader strategic and propaganda trends. Additionally, it examines the repeated use of clothing and characteristics as identifying symbols in these representations, alongside their appearances in commercial advertisements, cartoons and personal testimony. Material produced or influenced by the Ministry of Information, Air Ministry and other parties within Britain’s propaganda machine across multiple media are examined using close textual analysis. Through this examination, these parties’ influences on RAF aviators’ propaganda depictions are revealed, and these representations are compared to reality as described by real aviators in post-war accounts. While comparing reality to propaganda, the traits unique to, or excessively promoted in, propaganda are identified, and condensed into a specific set of visual symbols and characteristics used repeatedly in propaganda depictions of RAF aviators. Examples of these traits from across multiple media are identified and analysed, revealing their systematic use as aids for audience recognition and appreciation.</p>


2020 ◽  
Author(s):  
Syeda Noor-ul-Huda Shahid ◽  
Usman W. Chohan
Keyword(s):  

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