On the limits of the Carolingian renaissance

1977 ◽  
Vol 14 ◽  
pp. 51-69 ◽  
Author(s):  
Janet L. Nelson

Einhard tells us that Charlemagne had a special liking for ‘those books of St Augustine calledThe City of God’. If only he had told us why. Did Charlemagne demand readings from book 5 on the happy Christian emperors? Or was he, as Ladner suggests, particularly attracted by ‘the idea of a society embracing earth and heaven, a society which a man could join through personal renewal’? If Ladner is right, then, he tells us, we should talk not of a Carolingian renaissance—‘secondary classicising features notwithstanding’—but of a Carolingian reform ‘as just one phase in the unfolding history of the realisation of the Reform idea in Christian history’ and specifically ‘an attempt to recreate the religious culture of the fourth and fifth centuries’. ButisLander right about Charlemagne? I have my doubts: perhaps what he really enjoyed most was book 22’s meaty chapter on the resurrection of the flesh or its rattling good miracle-story.


Author(s):  
Augustine

This edition of St. Augustine's The City of God (De Civitate Dei) is the only one in English to provide a text and translation as well as a detailed commentary of this most influential document in the history of western Christianity. In these books, Augustine offers a Christian perspective on the growth of Rome, which its pagan apologists attribute to the providential protection of its gods. Book III spotlights both the injustices inflicted and the privations endured by the Romans, thus rebutting such claims. Book IV offers a withering account of the Roman deities, basing its analysis on the researches of Terentius Varro. This section of The City of God is a vital document for students of Roman history, and especially of Roman religion, for it provides the most detailed evidence of Varro's learned works. The volume presents Latin text with facing-page English translation, introduction and commentary.



Author(s):  
P. G. Walsh

In books I–V of De Civitate Dei, St. Augustine rejects the claim that worship of the pagan gods had brought success in this life, and in books VI–X, the prospect of a happy afterlife. In books XI–XII, Augustine turns from attack to defence, for at this point he initiates his apology for the Christian faith. Books XI and XII document the initial phase of the rise of the two cities, the city of God and the city of this world, beginning with the Creation of the world and the human race. In Book XI, Augustine rejects the theories of Aristotle, Plato and the Epicureans on the creation of the universe and addresses the creation of angels, Satan, the role of the holy Trinity and the importance of numerology in the Genesis account. In Book XII, Augustine is chiefly concerned with refuting standard objections to the Christian tradition, returning to discussion of the Creation, including his calculation, based on the scriptures, that the world was created less than 6,000 years ago. This book is the only edition in English to provide not only a text but also a detailed commentary on one of the most influential documents in the history of western Christianity. It presents Latin text, with facing-page English translation, introduction, notes and commentary.



2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Lilian Fontes Moreira

ABSTRACTIn order to think the current culture, the communication practices, the incidence of interference image in the production of new types of knowledge, in this paper we will approach the relationship between image as cinematic apparatus and its conceptual, historical and technical aspects to analyze its performance as narration. In an era in which it appears that the images intervenes in consciousness and in the contemporary representation and thus is becoming an important device in the revelation of realities and the construction of the social imaginary, the present work analyzes the Brazilian film City of God, conducted by director Fernando Meirelles, in 2002, considered a landmark in Brazilian cinema of the period, by the boldness of the language used to convert to images the history of violent gangs fighting over the control of drug trafficking in a community of the city of Rio de Janeiro. We will try, then, to identify the techniques used by the camera as devices able to create the effects needed to immerse the viewer in the narrative of the film.RESUMOCom a preocupação de pensar a cultura atual, as práticas comunicacionais, a incidência da interferência da imagem na produção de novas formas de saber tentaremos abordar neste trabalho a relação da imagem como dispositivo cinematográfico e seus aspectos conceituais, históricos e técnicos para examinar a sua atuação como narração. Numa era em que se constata que as imagens intervêm na consciência e na representação contemporâneas e, portanto, vêm se impondo como um dispositivo importante na revelação de realidades e na construção do imaginário social, o presente artigo visa analisar o filme brasileiro Cidade de Deus, realizado pelo diretor Fernando Meirelles, em 2002, considerado um marco no cinema brasileiro do período, pela ousadia da linguagem utilizada para converter em imagens a história de gangues violen-tas em disputa pelo controle do tráfico de drogas em uma comunidade da cidade do Rio de Janeiro. Tentaremos, então, identificar as técnicas usadas pela câmera como dispositivos capazes de criar os efeitos necessários para imergir o especta-dor na narrativa do filme.



Author(s):  
P. G. Walsh

This edition of St. Augustine's The City of God (De Civitate Dei) is the only one in English to provide a text and translation as well as a detailed commentary of this most influential document in the history of western Christianity. In these books, written in the aftermath of the sack of Rome in AD 410 by the Goths, Augustine replies to the pagans, who attributed the fall of Rome to the Christian religion and its prohibition of the worship of the pagan gods. Books VI and VII focus on the figure of Terentius Varro, a man revered by Augustine's pagan contemporaries. By exploiting Varro's learned researches on Roman religion, Augustine condemns Roman religious practices and beliefs in order to refute pagan claims that the Roman deities had guaranteed a blessed life in the hereafter for their devotees. These books are therefore not only an invaluable source for the study of early Christianity but also for any student of Classical Rome, who is provided here with a detailed account of one of the most learned figures of Roman antiquity, whose own works have not survived in the same state. The volume presents Latin text with facing-page English translation, introduction and commentary.



Author(s):  
P. G. Walsh

This edition of books I and II of St. Augustine's The City of God (De Civitate Dei) is the only edition in English to provide a text and translation as well as a detailed commentary of this most influential document in the history of western Christianity. In these books, written in the aftermath of the sack of Rome in AD 410 by the Goths, Augustine replies to the pagans, who attributed the fall of Rome to the Christian religion and its prohibition of the worship of the pagan gods. Latin text with facing-page English translation, introduction and commentary.



2021 ◽  
Vol 52 (1) ◽  
pp. 43-70
Author(s):  
Douglas Finn ◽  

In this article, I explore how Augustine uses sermonic rhetoric to bring about the transfiguration of Babylon, the city of humankind, into Jerusalem, the city of God. Focusing on Enarratio in Psalmum 147, I show how Augustine situates his audience between two spectacles, the Roman theater and games and the eschatological vision of God. Augustine seeks to turn his hearers’ eyes and hearts from the one spectacle to the other, from the love of this world to love of the next. In the process, Augustine wages battle on two fronts: he criticizes pagan Roman culture, on the one hand, and Donatist Christian separatism and perfectionism, on the other. Through his preaching, Augustine stages yet another spectacle, the history of God’s mercy and love, whereby God affirmed the world’s goodness by using it as the means of healing and transfiguration. Indeed, Augustine does not simply depict the spectacle of salvation; he seeks to make his hearers into that spectacle by exhorting them to practice mercy, thereby inscribing them into the history of God’s love and helping gradually transfigure them into the heavenly Jerusalem.



Author(s):  
P. G. Walsh

This edition of St. Augustine's The City of God (De Civitate Dei) is the only one in English to provide a text and translation as well as a detailed commentary of this most influential document in the history of western Christianity. In these books, written in the aftermath of the sack of Rome in AD 410 by the Goths, Augustine replies to the pagans, who attributed the fall of Rome to the Christian religion and its prohibition of the worship of the pagan gods. Following on from Book IX, this book discusses the issue of demons and their role in Platonism as being partly identical with the lesser gods. Having previously argued that in order to achieve the blessed life, we must worship one true God alone, Augustine now continues his discussion using the celebrated Neoplatonist Porphyry as his main source. Whilst applauding aspects of Porphyry's views, Augustine's main concern is to deliver his message that the sole path to blessedness after death is acknowledgement of the Incarnation and Christ as Mediator. Increasingly concerned with promoting the Christian message, Augustine cites the Bible frequently in Book X. The edition presents Latin text with facing-page translation, introduction and commentary.



Author(s):  
Jason Moralee

Chapter 7 examines how dozens of martyr acts composed beginning in the fifth century turned the Capitol into a site of Christian resistance. In these pious fictions, rejection of a fantasy Capitol created a new heritage for the hill. The Capitol was reconstructed out of the “living textuality” of the hill, fragments of inscriptions, and the ubiquitous presence of ruins. Unmoored from the traditional ways of remembering the hill established in the late republic, the Capitol came to play a new role in a distinctly Christian history of a pagan Roman empire. These martyr acts elaborated new ways of knowing the hill and the city of Rome that had almost nothing to do with the classical past. Here, Roman traditions about Christian heroes made the Capitol emblematic of the Roman Empire itself, a symbol of awesome worldly power that could be dramatically neutralized by a battalion of Roman saints.



2020 ◽  
pp. 189-224
Author(s):  
Gerard O'Daly

This chapter analyses Books 15–18, which present the two cities in history, stressing that two types of human being, self-centered or God-centered, may represent allegorically the two cities: Cain and Abel are human prototypes of the two cities. The Jews, a prophetic image of the city of God, are a part of the earthly city. Biblical history is selectively outlined, with concentration on texts that are prophetic (including the tower of Babel, the Flood, Isaac and Jacob narratives). Augustine’s synchronization of biblical and secular history, using Eusebius’ Canons and their continuation by Jerome, is examined. The sequence of empires, Assyrian (confused by Augustine with Babylon) and Roman, is traced, and the oddity of Sicyon as representative of Greece is explained. Jewish prophecies contrived to relate to Christ and the Church are highlighted. The concept of the Church as a ‘mixed body’ of true and false members becomes prominent.



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