scholarly journals Forced to flee: A multi-disciplinary conference on internal displacement, migration and refugee crises

2017 ◽  
Vol 99 (904) ◽  
pp. 421-432
Author(s):  
Keyword(s):  
Government Policy ◽  
Research Council ◽  
International Committee ◽  
Internal Displacement ◽  
Red Cross ◽  
Policy Makers ◽  
Arts And Humanities ◽  
The Arts ◽  
Uk Government ◽  
The University

“Forced to Flee” was a multidisciplinary two-day conference on internal displacement, migration and refugee crises, jointly organized by SOAS University of London, the Arts and Humanities Research Council, the University of Exeter, the British Red Cross and the International Committee of the Red Cross (ICRC). It brought together some sixty researchers, independent and UK government policy-makers, and senior humanitarian practitioners.

scholarly journals Performing the intermedial across Brazilian cinema

2020 ◽  
pp. 3-12
Author(s):  
Tamara Courage ◽  
Albert Elduque
Keyword(s):  
Research Council ◽  
Music Performance ◽  
Musical Performance ◽  
Arts And Humanities ◽  
The Arts ◽  
Brazilian Cinema ◽  
History Of ◽  
The Uk ◽  
The University ◽  
Hybrid Forms

Intermediality as a theoretical and methodological perspective champions impurity. Overall, it is concerned with the interaction, contamination, and mixture between different media, breaking down existing barriers that currently exclude hybrid forms of artistic expression, which also inevitably exposes the limits of media specificity. Musical performance constitutes a privileged space to reflect on intermediality. It brings in not only music, but a mixture which includes literature, theatre, dancing and even painting and architecture. Music performance calls for all these artistic practices and articulates them through the song. Then, when it is filmed by a camera and recorded with microphones to be exhibited on a screen, new layers of meaning are added. This Alphaville issue is concerned with the performance of the intermedial in Brazilian cinema through music performance. It is an output of the project “Towards an Intermedial History of Brazilian Cinema: Exploring Intermediality as a Historiographic Method”, a shared endeavour by the University of Reading and the Federal University of São Carlos which was developed between 2015 and 2019, funded by the Arts and Humanities Research Council (AHRC) in the UK and the São Paulo Research Foundation (FAPESP) in Brazil

Pests and People in Stef Smith’s Human Animals

2021 ◽  
Vol 37 (2) ◽  
pp. 159-173
Author(s):  
Isla Cowan
Keyword(s):  
Research Council ◽  
Small Scale ◽  
Planetary Health ◽  
Royal Court ◽  
Arts And Humanities ◽  
The Arts ◽  
Award Winning ◽  
History Of ◽  
The University ◽  
British Culture

Throughout the history of western theatre, animals onstage have invariably been read in relation to human concerns. The reviews of Stef Smith’s Human Animals (2016) at the Royal Court followed in this tradition, interpreting the play’s central animal players as symbolic stand-ins for humans. By examining the particularity of the non-human animals at the centre of Human Animals’ urban eco-crisis, this article aims to rectify previous anthropocentric readings and acknowledge the agency and autonomy of the play’s non-human animals, namely pigeons and foxes. Building on Una Chaudhuri’s ‘Theatre of Species’, this article demonstrates Human Animals’ deep engagement with animal alterity, subverting conventional socio-zoological classifications of ‘pest’ animals and popular preconceptions of pigeons and foxes in British culture. While Smith’s play uses the dystopian mode to dramatize a small-scale, localized eco-crisis, this article highlights how its focus on urban animal encounters and zoonotic disease holds broader implications for re-imagining inter-species relations and planetary health. An award-winning playwright, Isla Cowan is also a PhD student at the University of Glasgow. Her current research investigates ideas of ecological consciousness in contemporary Scottish theatre and is funded by the Arts and Humanities Research Council (SGSAH).

The ‘Modernisation’ of Scotland and its Impact on Glasgow, 1955–1979: ‘Unwanted Side Effects’ and Vulnerabilities

2016 ◽  
Vol 25 (3) ◽  
pp. 294-316 ◽  
Author(s):  
Chik Collins ◽  
Ian Levitt
Keyword(s):  
Side Effects ◽  
Government Policy ◽  
Regional Policy ◽  
Excess Mortality ◽  
Policy Agenda ◽  
Policy Makers ◽  
Uk Government ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Impact

This article reports findings of research into the far-reaching plan to ‘modernise’ the Scottish economy, which emerged from the mid-late 1950s and was formally adopted by government in the early 1960s. It shows the growing awareness amongst policy-makers from the mid-1960s as to the profoundly deleterious effects the implementation of the plan was having on Glasgow. By 1971 these effects were understood to be substantial with likely severe consequences for the future. Nonetheless, there was no proportionate adjustment to the regional policy which was creating these understood ‘unwanted’ outcomes, even when such was proposed by the Secretary of State for Scotland. After presenting these findings, the paper offers some consideration as to their relevance to the task of accounting for Glasgow's ‘excess mortality’. It is suggested that regional policy can be seen to have contributed to the accumulation of ‘vulnerabilities’, particularly in Glasgow but also more widely in Scotland, during the 1960s and 1970s, and that the impact of the post-1979 UK government policy agenda on these vulnerabilities is likely to have been salient in the increase in ‘excess mortality’ evident in subsequent years.

scholarly journals CPI Welcomes Jennifer Eiserman's Special Issue

2017 ◽  
Vol 9 (1) ◽  
Author(s):  
Cecille DePass ◽  
Ali Abdi
Keyword(s):  
Special Issue ◽  
Arts And Humanities ◽  
The Arts ◽  
University Of Calgary ◽  
The University ◽  
Historical Life

In Us-Them-Us, several artists affiliated with the University of Calgary, and an invited poet, adopt perspectives, usually associated with that of being agents provocateur. Key themes, issues, images, symbols, and slogans associated with postcoloniality and postmodernity are well illustrated in particularly, vivid ways. Thank you Jennifer Eiserman, for working closely with the contributors, in order to, produce a special issue which highlights well established traditions of the arts and humanities. This CPI Special Issue holds up for scrutiny, central aspects of our troubling contemporary and historical life worlds.

scholarly journals The first President of the IAU, Benjamin Baillaud

2018 ◽  
Vol 13 (S349) ◽  
pp. 139-146
Author(s):  
Jean-Louis Bougeret
Keyword(s):  
Celestial Mechanics ◽  
Executive Committee ◽  
International Research ◽  
Research Council ◽  
International Committee ◽  
General Assembly ◽  
International Level ◽  
International Astronomical Union ◽  
International Astronomical ◽  
The University

AbstractBenjamin Baillaud was appointed president of the First Executive Committee of the International Astronomical Union which met in Brussels during the Constitutive Assembly of the International Research Council (IRC) on July 28th, 1919. He served in this position until 1922, at the time of the First General Assembly of the IAU which took place in Rome, May 2–10. At that time, Baillaud was director of the Paris Observatory. He had previously been director of the Toulouse Observatory for a period of 30 years and Dean of the School of Sciences of the University of Toulouse. He specialized in celestial mechanics and he was a strong supporter of the “Carte du Ciel” project; he was elected chairman of the permanent international committee of the Carte du Ciel in 1909. He also was the founding president of the Bureau International de l’Heure (BIH) and he was directly involved in the coordination of the ephemerides at an international level. In this paper, we present some of his activities, particularly those concerning international programmes, for which he received international recognition and which eventually led to his election in 1919 to the position of first president of the IAU. We also briefly recount the very first meetings and years of the IAU.

scholarly journals Maritime Memorates and Contemporary Legends of Storm Apparitions and Storm Making in Folklore Traditions of Ireland and Scotland*

2011 ◽  
Vol 7 (2 (9)) ◽  
pp. 154-162
Author(s):  
Maxim Fomin
Keyword(s):  
Present Article ◽  
Research Council ◽  
Research Project ◽  
Scottish Gaelic ◽  
Arts And Humanities ◽  
The Arts

The present article examines the folklore genre of maritime memorates of Irish and Scottish origin. It describes the maritime traditions of Gauls when various supernatural creatures and inanimate objects appeared from the sea, as well as the spells and magic tricks producing winds. The article studies contemporary legends which tell about omens and visions bewitching a storm. * This contribution is based upon the findings of the research project ‘Stories of the Sea: A Typological Study of Maritime Memorates in Modern Irish and Scottish Gaelic Folklore Traditions’ supported by the Arts and Humanities Research Council (AHRC, UK).

Acting, Singing, Dancing, and So Forth: Theatre (Research) in the University

2004 ◽  
Vol 45 (2) ◽  
pp. 263-269
Author(s):  
W. B. Worthen
Keyword(s):  
Life Forms ◽  
Genetically Engineered ◽  
Corporate University ◽  
Martha Graham ◽  
Global Epidemic ◽  
Commodity Culture ◽  
Arts And Humanities ◽  
The Arts ◽  
Oryx And Crake ◽  
The University

About midway through Margaret Atwood's dystopian novel Oryx and Crake, the protagonist Jimmy (later known as Snowman, survivor of a genetically engineered global epidemic induced by his childhood friend, Crake) leaves home for the university, or in this case for the Martha Graham Academy. In a culture driven by the collusion of technology and capital it's not surprising that the best students are sent to lavish technical universities (Crake attends the Watson–Crick Institute), while arts and humanities students listlessly rusticate at Martha Graham, learning the pointless yet “vital arts” of “acting, singing, dancing, and so forth” and how to deploy them in the service of commodity culture (Jimmy's skill with language leads him to major in Applied Rhetoric, eventually writing advertising copy for Crake's new life forms). Like much else in Oryx and Crake, Atwood's vision jibes chillingly enough with the rhetoric of today's corporate university: compared to jet propulsion, cancer research, or even the battle of Appomattox (on my campus, history is a social science), the arts and humanities can be made to seem “like studying Latin, or book binding: pleasant to contemplate in its way, but no longer central to anything” (187).

Open Access and the Society for Libyan Studies

2013 ◽  
Vol 44 ◽  
pp. 107-112
Author(s):  
Philip Kenrick
Keyword(s):  
Open Access ◽  
Government Policy ◽  
Research Funding ◽  
The Internet ◽  
Policy Makers ◽  
Uk Government

AbstractUK government policy is firmly directed, through the agencies which control university and research funding, towards a situation in which much academic output will be made accessible to all on the Internet without payment. This has far-reaching consequences for all academic publishers, including the Society, by no means all of which have yet been taken into account by the policy-makers. Members of the Society need to understand the issues and to consider how best to adapt to changing circumstances and to defend its position where necessary.

ICRC appoints a new member

1994 ◽  
Vol 34 (303) ◽  
pp. 611-611
Keyword(s):  
Economic Geography ◽  
International Committee ◽  
Natural Sciences ◽  
Red Cross ◽  
University Of Zurich ◽  
The University

At its meeting on 11 November 1994, the Assembly of the International Committee of the Red Cross appointed a new member, Professor Ernst A. Brugger.Professor Brugger, of Gossau in the canton of Zurich and Möriken in the canton of Aargau, Switzerland, was born in 1947. He holds a degree in economic geography and a doctorate in natural sciences from the University of Zurich, where he now lectures.

scholarly journals The rationale for the DREaM: Developing Research Excellence and Methods Project

2011 ◽  
Vol 35 (110) ◽  
pp. 43-49 ◽  
Author(s):  
Hazel Hall ◽  
Stephanie Kenna ◽  
Charles Oppenheim
Keyword(s):  
Research Council ◽  
Arts And Humanities ◽  
The Arts ◽  
Research Excellence ◽  
The Uk

The article describes the background to the development of the DREaM project, which is aimed at expanding the range of skills of UK-based researchers in the LIS field, and at developing a network of active researchers, both in academia and amongst LIS practitioners. The project, which is funded by the Arts and Humanities Research Council involves two major conferences and a number of workshops throughout the UK starting in July 2011. Details of the events, and how the project will be evaluated, are provided.

Sign in / Sign up

Export Citation Format

Share Document