The Church and the Law in the Early Middle Ages

2020 ◽  
Vol 56 ◽  
pp. 7-35
Author(s):  
Rosamond McKitterick
Keyword(s):  
Middle Ages ◽  
Canon Law ◽  
Procedural Knowledge ◽  
Eighth Century ◽  
Historical Narrative ◽  
Early Medieval ◽  
Early Middle Ages ◽  
Medieval Manuscript ◽  
History Of ◽  
And Function

Two case studies from eighth-century Rome, recorded in the early medieval history of the popes known as the Liber pontificalis, serve to introduce both the problems of the relations between secular or public and ecclesiastical or canon law in early medieval Rome and the development of early medieval canon law more generally. The Synod of Rome in 769 was convened by Pope Stephen III some months after his election in order to justify the deposition of his immediate predecessor, Pope Constantine II (767–8). Stephen's successor, Pope Hadrian, subsequently presided over a murder investigation involving Stephen's supporters. The murders and the legal process they precipitated form the bulk of the discussion. The article explores the immediate implications of both the murders and the convening of the Synod of Rome, together with the references to law-making and decree-giving by the pope embedded in the historical narrative of the Liber pontificalis, as well as the possible role of the Liber pontificalis itself in bolstering the imaginative and historical understanding of papal and synodal authority. The wider legal or procedural knowledge invoked and the development of both canon law and papal authority in the early Middle Ages are addressed. The general categories within which most scholars have been working hitherto mask the questions about the complicated and still insufficiently understood status and function of early medieval manuscript compilations of secular and canon law, and about the authority and applicability of the texts they contain.

Poet of the Medieval Modern

2021 ◽  
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Middle Ages ◽  
Early Medieval ◽  
Far Right ◽  
Early Middle Ages ◽  
History Of ◽  
Catholic History ◽  
In Parenthesis ◽  
Stone Sculpture

The early Middle Ages provided twentieth-century poets with the material to reimagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895–1974), and represents the first extended study of the influence of early medieval culture and history from England on Jones and his novel-length late modernist poem The Anathemata (1952). The Anathemata, the second major poetic project after In Parenthesis (1937), fuses Jones’s visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones’s Library, Poet of the Medieval Modern reads with Jones in order to trouble the distinction we make between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in modernist and medieval studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages—including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography—to re-envision British Catholic identity in the twentieth-century long poem. In The Anathemata Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponized in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore up and challenge English hegemonies across modern British culture.

The Question of Francia (400–816)

On Hospitals ◽  
2020 ◽  
pp. 59-79
Author(s):  
Sethina Watson
Keyword(s):  
Middle Ages ◽  
Canon Law ◽  
Early Medieval ◽  
The West ◽  
Early Middle Ages ◽  
Common Life ◽  
Hospital Reform ◽  
The Poor ◽  
The Many

The consistency of the character of hospitals in law, as observed in Chapter 2, suggests a customary legal inheritance that preceded classical canon law. Part II turns now to the early middle ages to discover that inheritance. This chapter begins that process by unpicking the long-held model of the early medieval hospital. It surveys the many hypotheses for the origins of hospital law in the West, which claim that hospital law adopted from the East and accommodated via Frankish councils. The chapter confronts the latter of these claims and re-examines its twin pillars: a legal formula of ‘murderers of the poor’ (necator pauperum) and a hospital reform at Aachen (816). The first hinges on the council of Orléans (549), whose efforts were aimed at one royal foundation, King Childebert and Queen Ultrogotha’s xenodochium at Lyons. The council of Aachen’s (816) rules for canons and canonesses prescribed a way of common life for these religious, with different facilities for each for the poor. The chapter argues that the efforts of both councils were singular, and carefully circumscribed. Frankish councils were not to take an interest in xenodochia until c.850. Legal initiatives regarding hospitals began elsewhere.

The diaconiae of Early Medieval Rome: From “Greek” to “Roman”, from “Private” to “Papal”?

2019 ◽  
Vol 3 (2) ◽  
pp. 90-132
Author(s):  
Philipp Winterhager
Keyword(s):  
Middle Ages ◽  
Roman History ◽  
Early Medieval ◽  
Early Middle Ages ◽  
Charitable Foundations ◽  
History Of ◽  
The City ◽  
Secular State

Abstract Traditionally, scholarship has seen the history of the diaconiae, charitable foundations in the city of Rome, in line with the alleged general trends in Roman history in the early Middle Ages, i.e. the gradual “Romanization” of formerly “Greek” elements of Byzantine origin, and the “papalization” of secular (state and private) initiatives, both taking place primarily in the mid-8th century. Although the diaconiae had come under papal control as late as the 9th and eventually the 10th centuries, this paper argues that this development took place not as an abandonment of private forms of endowments prominent in Byzantine Rome, but namely through the appropriation of “post-Byzantine” aristocratic endowment practice by the popes around the turn of the 9th century.

Introduction

2021 ◽  
pp. 1-34
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Late Modernism ◽  
Anglo Saxon ◽  
Early Medieval ◽  
Early Middle Ages ◽  
History Of ◽  
Central Argument ◽  
Century Poetry ◽  
Changing Attitudes

The Introduction situates David Jones’s work as a poet–artist within the broader currents of high and late modernism, particularly within the context of a tradition of medievalism in twentieth-century poetry. It draws on Alexander Nagel’s conception of the medieval modern to show how Jones approaches the culture and history of the early Middle Ages as a form of live material open to play and adaptation. The Introduction also reframes our understanding of David Jones’s perception of himself as Anglo-Welsh in relation to changing attitudes to early medieval Welsh (Celtic) and English (Anglo-Saxon/Teutonic) history over the course of his lifetime. This discussion introduces the monograph’s central argument: as a poet of the medieval modern, Jones plays with and reworks early medieval English histories, narratives, and artefacts in order to challenge the singularity and exceptionalism of an ‘Anglo-Saxon’ canon.

The Early Medieval Textiles at Maaseik, Belgium

1985 ◽  
Vol 65 (2) ◽  
pp. 353-389 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
Anglo Saxon ◽  
Early Medieval ◽  
The West ◽  
Missing Link ◽  
History Of ◽  
Western European ◽  
The Church ◽  
The Middle Ages

This article offers an account of the components, the structure and the history of the so-calledcasulaandvelaminaof Sts Harlindis and Relindis preserved at the Church of St Catherine at Maaseik in Belgium as relics of the two sisters who founded the nearby abbey of Aldeneik (where the textiles were kept throughout the Middle Ages). The compositecasulaof Sts Harlindis and Relindis includes the earliest surviving group of Anglo-Saxon embroideries, dating to the late eighth century or the early ninth. Probably similarly Anglo-Saxon, a set of silk tablet-woven braids brocaded with gold associated with the embroideries offers a missing link in the surviving corpus of Anglo-Saxon braids. The ‘David silk’ with its Latin inscription and distinctly western European design dating from the eighth century or the early ninth offers a rare witness to the art of silk-weaving in the West at so early a date. Thevelamenof St Harlindis, more or less intact, represents a remarkable early medieval vestment, garment or cloth made up of two types of woven silk cloths, tablet-woven braids brocaded with gold, gilded copper bosses, pearls and beads. Thevelamenof St Relindis, in contrast, represents the stripped remains—reduced to the lining and the fringed ends—of another composite textile. Originally it was probably luxurious, so as to match the two other composite early medieval textile relics from Aldeneik. As a whole, the group contributes greatly to knowledge of early medieval textiles of various kinds.

Freedom and protection

2018 ◽  
Author(s):  
Kriston R. Rennie
Keyword(s):  
Middle Ages ◽  
Canon Law ◽  
Legal Culture ◽  
Church Reform ◽  
Early Middle Ages ◽  
Political Boundaries ◽  
History Of ◽  
Political Structures ◽  
Papal Authority

This book examines the history of monastic exemption in France. It maps an institutional story of monastic freedom and protection, which is deeply rooted in the religious, political, social, and legal culture of the early Middle Ages. Traversing many geo-political boundaries and fields of historical specialisation, this book evaluates the nature and extent of papal involvement in French monasteries between the sixth and eleventh centuries. Defining the meaning and value of exemption to medieval contemporaries during this era, it demonstrates how the papacy’s commitment, cooperation, and intervention transformed existing ecclesiastical and political structures. Charting the elaboration of monastic exemption privileges from a marginalised to centralised practice, this book asks why so many French monasteries were seeking exemption privileges directly from Rome; what significance they held for monks, bishops, secular rulers, and popes; how and why this practice developed throughout the early Middle Ages; and, ultimately, what impact monastic exemption had on the emerging identity of papal authority, the growth of early monasticism, Frankish politics and governance, church reform, and canon law.

CHRONICLING THE MEROVINGIANS IN HEBREW: THE EARLY MEDIEVAL CHAPTERS OF YOSEF HA-KOHEN'S DIVREI HAYAMIM

Traditio ◽  
2019 ◽  
Vol 74 ◽  
pp. 423-447
Author(s):  
YANIV FOX
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Medieval History ◽  
Early Medieval ◽  
Early Middle Ages ◽  
Late Medieval ◽  
Italian Physician ◽  
History Of ◽  
Long Chain

Yosef Ha-Kohen (1496–ca. 1575) was a Jewish Italian physician and intellectual who in 1554 published a chronicle in Hebrew titled Sefer Divrei Hayamim lemalkei Tzarfat ulemalkei Beit Otoman haTogar, or The Book of Histories of the Kings of France and of the Kings of Ottoman Turkey. It was, as its name suggests, a history told from the perspective of two nations, the French and the Turks. Ha-Kohen begins his narrative with a discussion of the legendary origins of the Franks and the history of their first royal dynasty, the Merovingians. This composition is unique among late medieval and early modern Jewish works of historiography for its universal scope, and even more so for its treatment of early medieval history. For this part of the work, Ha-Kohen relied extensively on non-Jewish works, which themselves relied on still earlier chronicles composed throughout the early Middle Ages. Ha-Kohen thus became a unique link in a long chain of chroniclers who worked and adopted Merovingian material to suit their authorial agendas. This article considers how the telling of Merovingian history was transformed in the process, especially as it was adapted for a sixteenth-century Jewish audience.

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