The human image in postmodern America.

Author(s):  
Joseph F. Rychlak
Keyword(s):  
2013 ◽  
Vol 464 ◽  
pp. 387-390
Author(s):  
Wei Hua Wang

The analysis and understand of human behavior is broad application in the computer vision domain, modeling the human pose is one of the key technology. In order to simplify the model of the human pose and expediently describe the human pose, a lot of condition was appended to confine the process of human pose modeling or the application environments in the current research. In this paper, a new method for modeling the human pose was proposed. The human pose was modeled by the structural relation according to the physiological structural, the advantages of the model are the independent of move, the independent of scale of the human image and the dependent of view angle, it can be used to modeling the human behavior in video.


2019 ◽  
Vol 19 (10) ◽  
pp. 124d
Author(s):  
Jaykishan Y Patel ◽  
Elee D Stalker ◽  
Ingo Fruend

Author(s):  
N.A. Tereshchenko ◽  
◽  
T.M. Shatunova ◽  
Keyword(s):  

Author(s):  
Botir Boltabaevich Baymetov ◽  

The article focuses on the application of movement in realistic art, which is one of the key aspects that students should pay attention to in the process of teaching them to describe people. Also, mastering the technique of depiction through the use of theoretical laws of fine arts in the development of creative abilities of students in the learning process, students can apply fine arts techniques in the process of forming the ability to see and depict the human image spatially, focusing on issues of knowledge and practical skills.


2019 ◽  
Vol 11 ◽  
pp. 91-97
Author(s):  
Grigory Smirnov ◽  
Alena Odintsova
Keyword(s):  

Author(s):  
David Jenkins ◽  

For the poet, prophet, and politician, as for the lover, the king, and the anthropologist, the human is the measure of all things. Philosophers and psychologists define us as a perceiving consciousness, an object determined by the environment, a subject not only capable of heroic individualism but also of esoteric understanding. For some, our measure is beyond things and our true worth lies not only in the here and now but rather in our freedom to transcend the bounds of self and prevail beyond the limits of temporality. For the artist, whose creative consciousness aims to redeem the human image from the constraints of brute anonymity, the questions about our status must be asked if not finally answered. The article considers the role that the classical world view plays in the process of artistic redemption. It looks at the Judeo-Christian and Classical legacies and their interpretations. Nineteenth-century Russian literature and religious philosophy are then analysed. The article winds up with a reading of select poems by Osip Mandelstam as special attention is paid to the ethical stance of the poet when confronted with the dictates of totalitarian power.


Author(s):  
Emily Van Buskirk

This chapter summarizes key themes and presents some final thoughts. This book, while drawing on Ginzburg's own theories of in-between prose, has aimed to shed light on unexpected relationships among her choice of genres, her rhetorical strategies, and her search for a so-called post-individualist self. This book has also brought to light several paradoxes attending Ginzburg's creations. The remainder of the chapter expands on a few of these paradoxes that have been only implicit until now. Ginzburg was rather skeptical about the individual writer's ability to transcend the discourses and conditions of her time—and in fact, she saw this rootedness in the present as a positive sign of the individual's connection to his or her culture. At the same time, in many ways she appears to have cultivated an alternative ethics and way of writing, strongly connected to the tradition of the intelligentsia and the literary giants of the previous century such as Tolstoy and Herzen.


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