The social justice practicum in counseling psychology training.

2020 ◽  
Vol 14 (2) ◽  
pp. 156-166 ◽  
Author(s):  
Sally M. Hage ◽  
Joseph R. Miles ◽  
Jioni A. Lewis ◽  
Patrick R. Grzanka ◽  
Lisa A. Goodman
2017 ◽  
Vol 45 (6) ◽  
pp. 830-856 ◽  
Author(s):  
Marie L. Miville ◽  
Patricia Arredondo ◽  
Andrés J. Consoli ◽  
Azara Santiago-Rivera ◽  
Edward A. Delgado-Romero ◽  
...  

This article, collaboratively written by the presidents of the National Latina/o Psychological Association (NLPA), presents leadership as conceptualized and practiced in NLPA. We first identify key leadership constructs in the available literature as well as relevant cultural values, describe liderazgo (leadership) through cultural lenses, and articulate the connections to counseling psychology and the social justice underpinnings that have guided NLPA’s formation and development. We then present a number of events and decisions to illustrate how we have operationalized these organizing principles in both the daily management and long-term goals of NLPA. We conclude with a discussion of the future paths and possible directions in the next decade for the organization.


2008 ◽  
Author(s):  
Carlton E. Green ◽  
Marcia M. Liu ◽  
Terry L. Sass ◽  
Christian Cho ◽  
Janet E. Helms

2019 ◽  
Vol 73 (2) ◽  
pp. 72-79
Author(s):  
Carla Marcantonio

FQ books editor Carla Marcantonio guides readers through the 33rd edition of Il Cinema Ritrovato Festival held each year in Bologna at the end of June. Highlights of this year's festival included a restoration of one of Vittorio De Sica's hard-to-find and hence lesser-known films, the social justice fairy tale, Miracolo a Milano (Miracle in Milan, 1951). The film was presented by De Sica's daughter, Emi De Sica, and was an example of the ongoing project to restore De Sica's archive, which was given to the Cineteca de Bologna in 2016. Marcantonio also notes her unexpected responses to certain reviewings; Apocalypse Now: Final Cut (2019), presented by Francis Ford Coppola on the large-scale screen of Piazza Maggiore and accompanied by remastered Dolby Atmos sound, struck her as a tour-de-force while a restoration of David Lynch's Blue Velvet (1986) had lost some of its strange allure.


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