On top of the world. communications inside the Arctic Circle

IEE Review ◽  
1992 ◽  
Vol 38 (2) ◽  
pp. 67
Author(s):  
Adrin J. Morant
Keyword(s):  
2021 ◽  
pp. 101-140
Author(s):  
You Nakai

The introduction of electronic amplification to the piano, which began as an innocent bluff by a teenage composer living in the Arctic Circle, had a devastating consequence for Tudor’s virtuosity on the keyboard instrument: it dissolved his control of escapement mechanism, opening up instead the world of feedback where a sound once activated could potentially never end. A detailed examination of Tudor’s idiosyncratic realization of John Cage’s Variations II in 1962 shows what previous scholars, as well as the composer himself, have failed to see: the specific nature of the amplified piano that was altogether a different instrument from the piano. What the new instrument presented was not simply more complexity and indeterminacy but a specific kind of complexity and indeterminacy which is reflected in how Tudor actually performed the music.


Polar Record ◽  
1939 ◽  
Vol 3 (17) ◽  
pp. 91-91
Author(s):  
F.D.

This Atlas is of interest to polar travellers since Soviet territory covers such a large section of the Arctic regions. We accordingly find that nearly every map of the territory goes well into the Arctic Circle. The two special pages of circumpolar maps are well printed and follow the usual convention for showing routes of expeditions. Insets on the Arctic sheet give a valuable map of Severnaya Zemlya with relief and soundings; there are also insets of parts of Novaya Zemlya, while weather charts and ice-drift charts complete the page.


2003 ◽  
Vol 24 (4) ◽  
pp. 449-457 ◽  
Author(s):  
Stefan Andersson

AbstractThis study concerns five of the northernmost adder, Vipera berus, localities in the world that are situated in the basins of Tornio, Lainio and Vittangi rivers, between 300 and 450 m.a.sl. The study area lies approximately 150 km north of the Arctic Circle in northern Sweden. Three different kinds of slopes were used as hibernation sites, slopes on moraine ridges, slopes in canyons and on mountains. All were characterized by stony south facing slopes without topsoil and shading trees. Open areas of peat bogs and marshlands were always found within a kilometre's distance from the hibernation sites. Except pregnant females that remained around the hibernation sites, the adders were found feeding on voles in these areas from mid-June to mid-August showing a distinct shift in habitat use between seasons. The total length of the activity period was found to be 17-18 weeks.


2021 ◽  
Author(s):  
◽  
Eiva Vasilevskyte

<p>Speculative architecture is sometimes used by speculative architects to enhance our awareness of dystopian elements that thread their way through societies, even when a society is striving for utopian ideals. This contradiction exists because a dystopia to one person may be viewed as a utopia to another – and dystopian conditions can sometimes become so commonplace that they are no longer viewed as out of the ordinary.  The site for this design research investigation is Mirny, Yakutia, Siberia, located 450 kilometres south of the Arctic Circle – a city of almost one million people with no access by road, set in permafrost year-round. The city developed around the open pit Mirny diamond mine that once brought wealth to the community; but while the diamonds are now mostly gone, the mine remains – one of the largest, toxic open holes in the world. With the depletion of diamonds, the city became largely forgotten, but the population remained. Yakutia is defined by the enormous pit and its decades-old, never-changing, Soviet-era architecture – lost in time. The utopian ideal from which the city was born is now shrouded in dystopian conditions. But the people, those born in the city who have lived there all their lives, have known nothing else; they remain unaware of the utopian/dystopian contradiction.  This thesis looks at how transformations within our evolving built environments can result in contradiction. It challenges speculative architecture to enhance our ability to recognise such contradictions, distinguishing between utopian and dystopian urban conditions when they simultaneously define a city.</p>


Author(s):  
Oksana Sarkisova

In this chapter Oksana Sarkisova examines the depiction of indigenous peoples in the Soviet Arctic and how these representations have changed in accordance with the ideological narrative of a communist state in the 1920s and the 1930s. Examining films both central to and outside the canon of Soviet film history, such as Dziga Vertov’s A Sixth Part of the World (1926), Vladimir Erofeev’s Beyond the Arctic Circle (1927) and Shneiderov’s Two Oceans (1933), Sarkisova uncovers a little-known history of Arctic indigenous representation, and how these representations fundamentally shifted with the end of Leninism and the beginnings of Stalinism. Sarkisova also explores the profound role played by Polar exploration in the Soviet imaginary during these years, tracing its shifting ideological underpinnings in the process.


Polar Record ◽  
1972 ◽  
Vol 16 (102) ◽  
pp. 375-382
Author(s):  
Terence Armstrong

Most of the highly populated regions of the world are in the middle latitudes of the northern hemisphere. The shortest routes between some of them (and they happen to be the most advanced technologically) lie across the Arctic regions. The possibility of using these routes on a commercial scale has become real only comparatively recently, as technology has found ways of dealing with the distances and the natural obstacles. The transport systems with significant international applications are by sea and air. Land transport, whether by road or rail, crosses few frontiers (north of the Arctic Circle, only into and within Scandinavia) and raises no problems of special interest.


2014 ◽  
Vol 7 ◽  
pp. 44
Author(s):  
Lancelot Robson ◽  
Christian Hanssen

<p>The area covered by the Clinic must be one of the largest and most remote in the world. It covers the whole of northern Norway from Bodo in the south to Kirkenes near the Russian border, and includes the “counties” of Nordland, Troms and Finnmark. All of it lies within the Arctic Circle, which brings special challenges from the climate and thinly spread population. The permanent base is in Tromso, in offices behind the port loaned from Tromso University. From there student volunteers travel to visit most communes in the area, including Norwegian Lapland. Volunteers attempt to visit clients in each major commune at least twice a year, (cases came from 78 communes in 2003), either upon request, or by advertising a clinic session in the local commune building. Sessions in 28 major communes outside Tromso were held in 2003.</p><p><br />The clinic is one of five similar clinics covering the whole of Norway, all founded upon operational and management principles pioneered by law students at Oslo University in the early 1970s. The Oslo JussBuss (literally the “law bus”) has passed into Norwegian legal legend.</p>


2021 ◽  
Author(s):  
◽  
Eiva Vasilevskyte

<p>Speculative architecture is sometimes used by speculative architects to enhance our awareness of dystopian elements that thread their way through societies, even when a society is striving for utopian ideals. This contradiction exists because a dystopia to one person may be viewed as a utopia to another – and dystopian conditions can sometimes become so commonplace that they are no longer viewed as out of the ordinary.  The site for this design research investigation is Mirny, Yakutia, Siberia, located 450 kilometres south of the Arctic Circle – a city of almost one million people with no access by road, set in permafrost year-round. The city developed around the open pit Mirny diamond mine that once brought wealth to the community; but while the diamonds are now mostly gone, the mine remains – one of the largest, toxic open holes in the world. With the depletion of diamonds, the city became largely forgotten, but the population remained. Yakutia is defined by the enormous pit and its decades-old, never-changing, Soviet-era architecture – lost in time. The utopian ideal from which the city was born is now shrouded in dystopian conditions. But the people, those born in the city who have lived there all their lives, have known nothing else; they remain unaware of the utopian/dystopian contradiction.  This thesis looks at how transformations within our evolving built environments can result in contradiction. It challenges speculative architecture to enhance our ability to recognise such contradictions, distinguishing between utopian and dystopian urban conditions when they simultaneously define a city.</p>


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