The ‘Place’ and Practice of Site-Specific Theatre and Performance

2013 ◽  
Author(s):  
Joanne Tompkins
Keyword(s):  
Site Specific ◽  
And Performance

Remote Thermal Performance Monitoring and Diagnostics: Turning Data Into Knowledge

2013 ◽  
Author(s):  
Xiaomo Jiang ◽  
Craig Foster
Keyword(s):  
Anomaly Detection ◽  
Gas Turbines ◽  
Performance Monitoring ◽  
Combined Cycle ◽  
Integrated System ◽  
Site Specific ◽  
Performance Improvements ◽  
Maintenance Schedule ◽  
Effectiveness Monitoring ◽  
And Performance

Gas turbine simple or combined cycle plants are built and operated with higher availability, reliability, and performance in order to provide the customer with sufficient operating revenues and reduced fuel costs meanwhile enhancing customer dispatch competitiveness. A tremendous amount of operational data is usually collected from the everyday operation of a power plant. It has become an increasingly important but challenging issue about how to turn this data into knowledge and further solutions via developing advanced state-of-the-art analytics. This paper presents an integrated system and methodology to pursue this purpose by automating multi-level, multi-paradigm, multi-facet performance monitoring and anomaly detection for heavy duty gas turbines. The system provides an intelligent platform to drive site-specific performance improvements, mitigate outage risk, rationalize operational pattern, and enhance maintenance schedule and service offerings via taking appropriate proactive actions. In addition, the paper also presents the components in the system, including data sensing, hardware, and operational anomaly detection, expertise proactive act of company, site specific degradation assessment, and water wash effectiveness monitoring and analytics. As demonstrated in two examples, this remote performance monitoring aims to improve equipment efficiency by converting data into knowledge and solutions in order to drive value for customers including lowering operating fuel cost and increasing customer power sales and life cycle value.

scholarly journals Towards a New Pacific Theatre: Practice‐Led Enquiry into a Model of Theatre Making that Relates  to the Geography, Cultures and Spiritual Values of  Aotearoa/New Zealand

2021 ◽  
Author(s):  
◽  
Bert Van Dijk
Keyword(s):  
New Zealand ◽  
Performing Arts ◽  
Ethical Issues ◽  
Specific Work ◽  
Site Specific ◽  
Devised Theatre ◽  
Aotearoa New Zealand ◽  
Intercultural Performance ◽  
Time Space ◽  
And Performance

<p>This practice‐led research enquiry sets out to develop and test a model of theatre practice that relates to the unique geographic, cultural and spiritual dimensions of Aotearoa/New Zealand. In this practice, actors are connected with their body and the earth (they have feet), archetypal qualities inherent in nature and culture are incorporated into training and performance (return of the gods), a sense of adventure and risk‐taking is emphasized, and the practice relates to the multiple cultures and communities of Aotearoa/New Zealand. Presence, defined as the ability to be sensorially alive in the moment, and site‐specific performance, a creative response to locality, emerged as two of the key strategies to connect with self, other and the environment.  By investigating selected principles, strategies and values from the indigenous, pre‐European, Māori performing arts (whare tapere), devised theatre, the Michael Chekhov technique, and Japanese Noh theatre, an intercultural approach to site specific theatre evolved that interweaves the four pathways of collaboration, connection, exploration and transformation and their corresponding values. After considering the political and ethical issues of intercultural performance a number of principles to guide the process of intercultural exchange were formulated and tested. A vital component of this study was the creative development and performance of Ex_isle of Strangers – a site‐specific work developed in response to the tangible and intangible dimensions of Matiu/Somes Island. The research generated moments of practice that investigated the creative potential of residential devising processes and the transformative value of audience mobility in performances that involve physical and metaphorical journeying. These moments provided the participants (performers and spectators) time, space and opportunity to interact with one another and with the site they occupied, thus significantly increasing their level of physical and mental engagement with the work.</p>

Raising the ghosts of justice: Staging time and the memory of Empire inThe Trial of Governor Eyre

2019 ◽  
Vol 31 (3) ◽  
pp. 245-259
Author(s):  
Jason Allen-Paisant
Keyword(s):  
Political Theory ◽  
African Diaspora ◽  
Cultural Adaptation ◽  
Problem Space ◽  
Site Specific ◽  
Experience Of Time ◽  
Specific Performance ◽  
Colonial Violence ◽  
And Performance ◽  
A Site

I examine the staging of time, justice and performance in The Trial of Governor Eyre, investigating what this site-specific performance reveals about the experience of time in the context of colonial violence. In doing so, I show that the work’s discourse on temporality reflects a vital sense of performativity within an Afro-diasporic context. The work’s use of temporality, besides reflecting a cultural adaptation, allows for a remoulding of forms, coupling law and theatre in confronting Eyre’s mass executions of 1865. This remoulding of forms (law as theatre, theatre as law) provides a potential for postcolonial witnessing not available when either performance protocol is used on its own. Using Blazevic’s and Cale Feldman’s concept of ‘misperformance’, I argue that this play-trial arises out of a Benjaminian sense of historicity, providing an experience of inchoate justice that finds fulfilment in the present. The Trial of Governor Eyre points, more broadly, to a new ‘problem-space’ in African diaspora political theory, where resistance against colonial structures of oppression is increasingly mounted on the ground of justice itself and through which the legal apparatuses of colonialism become a site of critical memory. Through the play’s deployment of ritual and its plastic moulding of time, 1865 is enlisted as a key historical conjuncture for thinking through the cultural disenchantment of race, but also of the formalist, creative resources that can be mobilised for reimagining humanness in the contemporary moment.

The Performative Return: Israeli and Palestinian Site-Specific Re-enactments

2016 ◽  
Vol 32 (1) ◽  
pp. 31-48 ◽  
Author(s):  
Daphna Ben-Shaul
Keyword(s):  
Real Life ◽  
Senior Lecturer ◽  
Site Specific ◽  
Theatre Arts ◽  
Public Square ◽  
Specific Performance ◽  
And Performance ◽  
Urban Flow ◽  
The Village ◽  
Temporary Settlement

In this article Daphna Ben-Shaul explores politically engaged Israeli and Palestinian site-specific re-enactments that pursue what she terms a ‘performative return’. This includes performed aesthetic and political re-enactments of real-life events, which bring about a re-conceptualization of reality. Three contemporary cases of return are discussed with regard to the historical precedent of Evreinov’s 1920 The Storming of the Winter Palace. The first is an activist, unauthorized return to the village of Iqrit in northern Israel by a group of young Palestinians, whose families were required to leave their homes temporarily in the 1948 war, and have since not been allowed to return. The second is Kibbutz, a project by the Empty House Group, which involved an unauthorized temporary settlement on an abandoned site in Jerusalem. The third is Civil Fast, a twenty-four-hour action by Public Movement, which was hosted mainly on a central public square in Jerusalem, integrated into the urban flow. The article draws attention to the fine line these actions straddle between political activism and aesthetic order, and explores their critical and performative effectiveness. Daphna Ben-Shaul is Senior Lecturer in the Department of Theatre Arts, Tel Aviv University. Her current research on site-specific performance in Israel is funded by a grant from the Israeli Science Foundation. She is the editor of a book on the Israeli art and performance group Zik (Keter, 2005), and has published articles in major journals.

Project Arbol:Deer-B-Gone: journal of a guerrilla sound installation

2003 ◽  
Vol 8 (2) ◽  
pp. 133-137 ◽  
Author(s):  
MARY WRIGHT ◽  
PERRY COOK
Keyword(s):  
New Jersey ◽  
Installation Art ◽  
Theme Park ◽  
Sound Track ◽  
Site Specific ◽  
Sound Installation ◽  
Disney World ◽  
And Performance ◽  
Sound Installation Art

Project Arbol:Deer-B-Gone is a an outdoor sound installation of indefinite duration for twenty-three speakers. It takes on a guerrilla approach to sound installation art. Low-tech concepts and supplies, such as car amplifiers, aircraft cable, inexpensive cassette players, coupled with an overall irreverence for mainstream consumerism, created something like a Disney World theme park gone awry. The installation, which was site-specific, took place in a backyard in Princeton, New Jersey, USA. Yards and yards of cable were woven through the trees. Speakers were later mounted on the cable. Once in place, the speakers moved slowly along the cable. Each speaker played its own sound track. While there were some technical difficulties that plagued the project throughout its development and performance, overall Project Arbol proved to be a resilient installation.

Relationships among soil microsite, ectomycorrhizae, and natural conifer regeneration of old-growth forests in western Montana

1987 ◽  
Vol 17 (1) ◽  
pp. 58-62 ◽  
Author(s):  
A. E. Harvey ◽  
M. F. Jurgensen ◽  
M. J. Larsen ◽  
R. T. Graham
Keyword(s):  
Positive Association ◽  
Organic Soil ◽  
Western Montana ◽  
Old Growth ◽  
Site Specific ◽  
Root Mortality ◽  
Organic Components ◽  
Conifer Regeneration ◽  
Old Growth Forests ◽  
And Performance

Successful establishment, root distribution, growth, and ectomycorrhizal development of conifer regeneration in three old-growth forests in western Montana showed site-specific associations with soil microsites containing organic matter. A positive association between decayed wood in the soil and establishment of seedlings occurred on the two drier sites. In general, organic soil components supported most of the root system and ectomycorrhizae on all three sites. Associations between soil organic components and occurrence (establishment) and between organic components and performance (growth) were site specific. No observable evidence of feeder root mortality attributable to soil-inhabiting pathogens was present in any soil component. Roots of competing understory species were notably absent in decayed soil wood.

Sign in / Sign up

Export Citation Format

Share Document